Filled with practical advice from an award-winning playwright, with a range of resources to guide you in the craft and business of theatre writing, The Art of Writing for the Theatre provides everything you need to write like a seasoned theatre professional, including: * how to analyze and break down a script * how to write a wide range of plays * how to critique a theatre production * how to construct and craft critical essays, cover letters, and theatrical resumes This thorough introduction is supplemented with exercises and new interviews with a host of internationally acclaimed playwrights, lyricists, and critics, including Marsha Norman, Beth Henley, Lyn Gardner, Octavio Solis, Ismail Khalidi, and David Zippel, among many others. Accompanying online resources include playwriting and script analysis worksheets and exercises, an example of a playwriting resume, and critical points to consider on playwriting, design, acting, directing and choreography.
Brief text and numerous historical photographs, engravings, drawings, woodcuts, etc., trace Cincinnati's history from first settlement to the early 1950's.
The author of the bestselling Hard Men of Rugby gives us the thrilling stories of 20 of the greatest rugby mavericks from the last 80 years. Featuring exclusive player interviews, this lively book brings some of rugby's craziest moments, biggest characters and most remarkable stories to life.
This book is the first full critical history of incognito social investigation texts – in other words, works detailing their authors’ experiences whilst pretending to be poor. The most famous example is Down and Out in Paris and London, but there has been a vast array of other works in the genre since it was created in 1866 by James Greenwood’s ‘A Night in a Workhouse’. It draws up a classification of incognito social investigation texts, dividing them into four subtypes. The first comprises those texts following most narrowly in James Greenwood’s footsteps, taking the extreme poor as their object of study. The next is the investigation of poverty through walking, for pedestrianism and poverty are fascinatingly linked. The third is that of people looking at relative poverty rather than absolute, where authors take on badly-paid work in order to report on it, which is when incognito social investigation becomes very much something carried out by women. We end looking at those incognito social investigators who settled in the areas they explored. Not only will this book recover the history of a genre that has long been ignored, however, but it will also offer significant close reading of many of the texts that it places within the tradition(s) it discovers.
In this “inspiring inside tour of the human toll, and the satisfactions of becoming a cop” (The New York Times), Irish immigrant and retired NYPD homicide detective Luke Waters takes us inside the New York City police department and offers a glimpse at the grit, the glory, and the sometimes darker side of the police force. Growing up in the rough outskirts of northern Dublin at a time when joining the guards, the army, or the civil service was the height of most parents’ ambitions for their children, Luke Waters knew he was destined for a career in some sort of law enforcement. Dreaming of becoming a police officer, Waters immigrated to the United States in search of better employment opportunities and joined the NYPD. Despite a successful career with one of the most formidable and revered police forces in the world, Waters’s reality as a cop in New York was a far cry from his fantasy of serving and protecting his community. Over the course of a career spanning more than twenty years—from rookie to lead investigator, during which time he saw New York transform from the crack epidemic of the nineties to the low crime stats of today—Waters discovered that both sides of the law were entrenched in crooked culture. Balanced with wit and humor, NYPD Green features colorful characters Waters has met along the way as well as a “surprisingly frank” (Kirkus Reviews) and critical look at the darker side of police work. A multifaceted and engaging narrative about the immigrant experience in America, Waters’s story is also one of personal growth, success, and disillusionment—a rollicking journey through the day-to-day in the New York Police Department.
What makes this commentary on Luke stand apart from others is that, from beginning to end, this is a literary analysis. Because it focuses solely on the gospel as it appears and not on its source or origin, this commentary richly and thoroughly explores just what Luke is saying and how he says it.
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