BUZZFEED BEST SUMMER BEACH READ PICK From one of Brazil’s most important living writers, a powerful reflection on the effects of isolation and feelings of inadequacy in our time. Sick and abandoned by his wife and son, Oséias decides to go back to his hometown after twenty years away. During this time apart, he has heard about his family only through sporadic phone calls from his younger sister, Isabela. The shadow of the suicide of their sister Lígia, when she was fifteen, lingers over Oséias as he tries to reestablish contact with his siblings. Each of them is absorbed in their own world: Rosana and her obsession with fitness; Isabela and her struggle to survive; João Lúcio and his isolation. All of them are branded by loneliness, but most of all Oséias, who, misunderstood by his family members and old acquaintances, decides to put an end to his journey. Late Summer can be read as both the realistic story of a displaced man tortured by his unsuccessful attempt to redeem his past, and as a portrait of contemporary society, in which social classes have ruptured any form of dialogue between them, and people have become rogue planets whose paths cross occasionally, risking mutual destruction.
BUZZFEED BEST SUMMER BEACH READ PICK From one of Brazil’s most important living writers, a powerful reflection on the effects of isolation and feelings of inadequacy in our time. Sick and abandoned by his wife and son, Oséias decides to go back to his hometown after twenty years away. During this time apart, he has heard about his family only through sporadic phone calls from his younger sister, Isabela. The shadow of the suicide of their sister Lígia, when she was fifteen, lingers over Oséias as he tries to reestablish contact with his siblings. Each of them is absorbed in their own world: Rosana and her obsession with fitness; Isabela and her struggle to survive; João Lúcio and his isolation. All of them are branded by loneliness, but most of all Oséias, who, misunderstood by his family members and old acquaintances, decides to put an end to his journey. Late Summer can be read as both the realistic story of a displaced man tortured by his unsuccessful attempt to redeem his past, and as a portrait of contemporary society, in which social classes have ruptured any form of dialogue between them, and people have become rogue planets whose paths cross occasionally, risking mutual destruction.
‘No Laughing Matter: Race Joking and Resistance in Brazilian Social Media’ examines the social phenomenon of construction and dissemination of colonial-like racist discourses fostered against upwardly-mobile black women through disparagement humour on social media platforms, adopting a fresh and innovative perspective. In this book, Luiz Valério P. Trindade explores the idea that disparagement humour might not be as exempt of social impact as the jokers might believe, and that, in fact, this kind of humour reveals the hidden facet of deep-seated colonial ideologies still present in Brazilian society despite being hailed as a unique model of a post-racial society. The author argues that these ideologies establish and naturalise superior social positions and symbolic privileges to whites while undermining and delegitimising black women’s upward social mobility. Social media platforms enable the proponents of these beliefs not only to engage in the practice of online hate speech but also to attract a considerable number of like-minded people, creating a long-lasting echo chamber effect in the cyberspace. This way, they manage to amplify the reach and reverberation of their racist discourses in the online environment in ways not commonly seen in Brazilian offline social contexts. This monograph is of great interest and relevance to students, scholars, and researchers across a variety of disciplines, most notably Critical Race Studies, Media Communication Studies and Critical Humour Studies, and also academics in other areas such as Critical Discourse Analysis, Postcolonial Studies, Cultural Studies and Latin American Studies.
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