Making Luis de Góngora’s work available to contemporary English-language readers without denying his historical context, Selected Poems of Luis de Góngora presents him as not only one of the greatest and most complex poets of his time, but also the funniest and most charismatic. From longer works, such as “The Fable of Polyphemus and Galatea,” to shorter ballads, songs, and sonnets, John Dent-Young’s free translations capture Góngora’s intensely musical voice and transmit the individuality and self-assuredness of the poet. Substantial introductions and extensive notes provide personal and historical context, explain the ubiquitous puns and erotic innuendo, and discuss translation choices. A significant edition of this seminal and challenging poet, Selected Poems of Luis de Góngora will find an eager audience among students of poetry and scholars studying the history and literature of Spain.
An epic masterpiece of world literature, in a magnificent new translation by one of the most acclaimed translators of our time. A towering figure of the Renaissance, Luis de Góngora pioneered poetic forms so radically different from the dominant aesthetic of his time that he was derided as "the Prince of Darkness." The Solitudes, his magnum opus, is an intoxicatingly lush novel-in-verse that follows the wanderings of a shipwrecked man who has been spurned by his lover. Wrenched from civilization and its attendant madness, the desolate hero is transported into a natural world that is at once menacing and sublime. In this stunning edition Edith Grossman captures the breathtaking beauty of a work that represents one of the high points of poetic achievement in any language.
Professor Wilson's translation of the Soleades was first published in Cambridge in 1931 by Gordon Fraser's Minority Press. This revised edition, with the Spanish text added, was published by Cambridge University Press in 1965. In the first place, Góngora is 'difficult', and therefore, fifty students first embarking on the study were glad of the help with 'meaning' which an English version provides. But Professor Wilson's is a translation in the full sense of the word, not just a crib. Its verse follows the varied movement and elaborate structure of the original, and creates an English equivalent of the musical qualities of the Spanish. It gives pleasure of a high order as well as understanding, and was one of the few English versions of the time which approached the status of art. It was therefore of importance for students of translation itself.
Making Luis de Góngora’s work available to contemporary English-language readers without denying his historical context, Selected Poems of Luis de Góngora presents him as not only one of the greatest and most complex poets of his time, but also the funniest and most charismatic. From longer works, such as “The Fable of Polyphemus and Galatea,” to shorter ballads, songs, and sonnets, John Dent-Young’s free translations capture Góngora’s intensely musical voice and transmit the individuality and self-assuredness of the poet. Substantial introductions and extensive notes provide personal and historical context, explain the ubiquitous puns and erotic innuendo, and discuss translation choices. A significant edition of this seminal and challenging poet, Selected Poems of Luis de Góngora will find an eager audience among students of poetry and scholars studying the history and literature of Spain.
An epic masterpiece of world literature, in a magnificent new translation by one of the most acclaimed translators of our time. A towering figure of the Renaissance, Luis de Góngora pioneered poetic forms so radically different from the dominant aesthetic of his time that he was derided as "the Prince of Darkness." The Solitudes, his magnum opus, is an intoxicatingly lush novel-in-verse that follows the wanderings of a shipwrecked man who has been spurned by his lover. Wrenched from civilization and its attendant madness, the desolate hero is transported into a natural world that is at once menacing and sublime. In this stunning edition Edith Grossman captures the breathtaking beauty of a work that represents one of the high points of poetic achievement in any language.
After two decades of teaching the subject, this distinguished Old Testament scholar compiles a synthesis that takes into account and organizes the factors that are at work in the act of understanding and interpreting literary texts: producer, receiver, text, subject matter, language. Two chapters deal with normative interpretation and the sociology of interpretation. The author, who was a learned and independent thinker, in bondage to no theory, said of this work that it aimed at density without obscurity, order without showiness.
In The Conspiracy of the Ninth Duke of Medina Sidonia, Luis Salas offers a penetrating analysis of a plot to incite rebellion in the region of Andalusia in 1641. Had it succeeded, the plan could have caused the collapse of the Spanish Monarchy. Salas leaves no doubt that the conspiracy indeed occurred; he analyzes the plan in depth, its architects, its supporters — both in Andalusia and abroad — how it unraveled, and how the government of Philip IV of Spain managed to survive the most dramatic months of his tumultuous reign. Salas also delves into the consequences of the subsequent punishments, which affected Portugal, the balance of power in Andalusia, and Spain’s entire colonial trade.
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