A visually stunning, intimate photographic tour of Pompeii’s spaces, including many that have never been seen by the public. Pompeii, one of the most astonishing and well-preserved sites of classical antiquity, is also one of the world’s most visited architectural sites. This lavish volume takes readers on a tour of Pompeii through an array of visually compelling and original photographs by Italian artist Luigi Spina. Produced in partnership with the Parco Archeologico di Pompei, readers are expertly guided through the Roman city’s nine districts, including many hidden corners that are inaccessible to most visitors. Pompeii’s architecture is a central feature of the images, which were shot at all times of day, in all seasons, and in natural light. Lacy peristyles and rows of column fragments give way to intimate, atmospheric interior spaces. Mosaic floors and beautiful—albeit fragmentary—wall paintings are reproduced with stunning fidelity and sensitivity. The volume also includes an essay by Gabriel Zuchtriegel, director of the Pompeii archaeological park, and several meditations on the history, architecture, and natural beauty of the city. Inside Pompeii provides the wondrous experience of wandering through this remarkable site without ever leaving home.
A visually stunning, intimate photographic tour of Pompeii’s spaces, including many that have never been seen by the public. Pompeii, one of the most astonishing and well-preserved sites of classical antiquity, is also one of the world’s most visited architectural sites. This lavish volume takes readers on a tour of Pompeii through an array of visually compelling and original photographs by Italian artist Luigi Spina. Produced in partnership with the Parco Archeologico di Pompei, readers are expertly guided through the Roman city’s nine districts, including many hidden corners that are inaccessible to most visitors. Pompeii’s architecture is a central feature of the images, which were shot at all times of day, in all seasons, and in natural light. Lacy peristyles and rows of column fragments give way to intimate, atmospheric interior spaces. Mosaic floors and beautiful—albeit fragmentary—wall paintings are reproduced with stunning fidelity and sensitivity. The volume also includes an essay by Gabriel Zuchtriegel, director of the Pompeii archaeological park, and several meditations on the history, architecture, and natural beauty of the city. Inside Pompeii provides the wondrous experience of wandering through this remarkable site without ever leaving home.
Preoccupied with the nature of truth and delusion, and treading dangerously on the borderline between sanity and madness, Pirandello's plays are a daring exploration of human actions and the dark motives lying behind them, and the culmination of the naturalistic school of theatre inaugurated by authors such as Ibsen and Chekhov.This volume contains some of Pirandello's most famous plays, including Six Characters in Search of an Author, Henry IV and The Life That I Gave Thee, as well as several of his lesser-known works for the stage.
Suicide, the act of killing oneself voluntarily and intentionally, is clearly one of the most important themes developed by Pirandello during his long literary career. Although he never focused on self-destruction as an end in itself, he made ample use of it to dramatise his tragic view of the human condition. Indeed, this theme recurs with astonishing frequency in his short stories, play and novels. It even appears sporadically in his poetry.
In Picaresque Fiction Today Luigi Gussago examines the development of the picaresque in contemporary Anglophone and Italian fiction. Far from being an extinct narrative form, confined to the pages of its original Spanish sources or their later British imitators, the tale of roguery has been revisited through the centuries from a host of disparate angles. Throughout their wanderings, picaresque antiheroes are dragged into debates on the credibility of historical facts, gender mystifications, rational thinking, or any simplistic definition of the outcast. Referring to a corpus of eight contemporary novels, the author retraces a textual legacy linking the traditional picaresque to its recent descendants, with the main purpose of identifying the way picaresque novels offer a privileged insight into our sceptical times. Cover illustration by Eugene Ivanov "Night Airing", 2007.
This volume examines the Italian peninsula in the early Middle Ages by focusing on research fields such as ethnic identity, memory, and use of the past. Particular attention is devoted to the way some authors were influenced by their own ‘present’ in their reconstruction of the past. The political and cultural fragmentation of Italy during the early Middles Ages, created by the Lombards’ invasion of a part of the Peninsula in the late-sixth century and early-seventh century, Charlemagne’s conquest of a part of the Lombard Kingdom in 774, and by the weakening of the Byzantine Empire in the eighth and ninth centuries, make this part of Europe a special area for exploring continuities and discontinuities between the Roman and the post-Roman periods in Western Europe. Across the volume, Berto examines the problems that the features of primary sources and their scarcity pose to their interpretations. Ethnic Identity, Memory, and Use of the Past in Italy’s ‘Dark Ages’ is the ideal resource for upper level undergraduates, postgraduates, and scholars interested in the relationship between Italy and Europe during the Middle Ages.
Comprehensive, advanced treatment of nature and source of inherited characteristics, with treatment of mathematical techniques. Mendelian populations, mutations, polymorphisms, genetic demography, much more. Emphasizes interpretation of data in relation to theoretical models.
In Pirandello's Theatre of Living Masks, Umberto Mariani and Alice Gladstone Mariani offer the first new edition in nearly sixty years of six of his major works.
A volume of plays from the founding architect of twentieth-century drama, including his most popular and controversial work A Penguin Classic Pirandello is brilliantly innovatory in his forms and themes, and in the combined energy, imagination and visual colours of his theatre. This volume of plays, translated from the Italian by Mark Musa, opens with Six Characters in Search of an Author, in which six characters invade the stage and demand to be included in the play. The tragedy Henry IV dramatizes the lucid madness of a man who may be King. In So It Is (If You Think So), the townspeople exercise a morbid curiosity attempting to discover “the truth” about the Ponza family. Each of these plays can lay claim to being Pirandello’s masterpiece, and in exploring the nature of human personality, each one stretches the resources of drama to their limits. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
The third volume of Luigi Pirandello's collected plays contains major work, but The Rules of the Game is by far the best known. First performed in 1918, the action of the play does not all take place on the surface; situations are suddenly reversed when the mind of the deceived husband becomes clear to the audience. This biting comedy verging on farce also contains a tragic moral. Each in his own Way (1924) is a variation on Six Characters in Search of an Author, Pirandello's best known play. The interplay between the characters and their stage representations surprises and involves the audience in the nature of reality. Grafted (1917) is more conventional on the surface but hides a cunning metaphor based on the principle of the graft of a garden plant. The Other Son (1923) digs deep into the reality of peasant life in Sicily. A young doctor unearths a horrifying story in his attempt to understand why a poverty-stricken old woman writes to her far-away sons for help while ignoring another son who lives in the same village.
Cataract Surgery in Complicated Cases offer the latest techniques in treating complicated cases as faced by today’s surgeons performing cataract surgery. Dr. Lucio Buratto; Dr. Stephen Brint; and Dr. Luigi Caretti provide step-by-step approach to facilitate how to assess the patient, perform the technique, and manager the most challenging cataract surgery complicated cases facing both beginning and experienced surgeons. Cataract Surgery in Complicated Cases covers a wide variety of topics including cataract in high myopia, floppy iris syndrome, traumatic cataract, phacoemulsification with a small pupil, and IOL explanation and replacement. Supplemented by more than 250 color illustrations, diagrams, a glossary, and references, all surgeons, from beginner to expert will want this unique resource by their side.
This multiple-choice Q/A review book covers all aspects of surgical pathology, which is the largest and most time-consuming area of anatomical pathology. In addition to board review, it also serves as a useful review for recertification examinations. This edition will be significantly revised and enhanced to include more than 1,000 multiple-choice questions. Each question focuses on a specific disease entity or diagnostic problem as presented in Sternberg’s Diagnostic Surgical Pathology. Like Sternberg’s these questions will emphasize the differential diagnostic aspects of problem solving, which are then followed by answers with succinct explanations.
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