This book focuses on Kant’s analysis of three issues crucial for contemporary politics. Starting from a new reading of Kant’s account of our innate right to freedom, it highlights how a Kantian foundation of human rights, properly understood and modified where necessary, appears more promising than the foundational arguments currently offered by philosophers. It then compares Kant’s model for peace with the apparently similar model of democratic peace to show that the two are profoundly different in content and in quality. The book concludes in analysis of Kant’s controversial view of history to rescue it from the idea that his belief in progress is at best over-optimistic and at worst dogmatic. Congratulations to Professor Luigi Caranti and his book 'Kant's Political Legacy' which has been given a 'honorable mention' by the North American Kant Society in the competition for the best 2018 book on Kant!! http://northamericankantsociety.onefireplace.org/Announcements/6660588
In a not very far future, many problems have been solved starting from energy supply. In fact, TAP invention is now the method to get energy from nuclear fusion. Also long travelling has become cheap because of elibus, a nuclear-engined helicopter used as mass transport. Yet mankind is under the terrible menace of international terrorism launched by an obscure and powerful personage called the Great Drake, Dà Lóng in Chinese. No one can understand his perfect plan that succeeds to get the NATO alliance and Russia fighting against each other by nuclear weapons. Governments are compelled to flee and abandon their people. In a disaster of biblical dimension, three teachers and their students try to save themselves while being in school trip abroad. On the road they meet secret agents who give them a mission. Yet they would be lost, like many others, without the unexpected arrival of mysterious people coming from space. They are descendants of the team of a spaceship lost in voyage around Jupiter centuries ago. They have an advanced technology, but is it enough to defeat Dà Lóng, who has by now conquered almost the whole world except some USA states? In the last frontier of America, a pool of heroes goes into action against the Drake. It is the eternal conflict between the power of big money, corruption, ruthless actions, and the heroism of generous people.
Examines the political ideals of Thomas Jefferson, discussing his views on the rights of man and state's rights, and describing the political theory that guided Jefferson's decisions as the nation's third president.
The book intends to be a short guide to Venice for lovers of arts, arriving here from distant places and with different cultural backgrounds but all with the same desire to better understand the unique character of this city. We offer to the reader a rich choice of images of some of the most relevant Venetian buildings, sculptures, and paintings, accompanied by brief historical remarks. We avoided describing them in an academic way. We are confident that, once arrived to the last page of this short guide, the readers will have acquired sufficient autonomy to be able to judge by themselves what they like best among the many artistic aspects of this special city.
The History of Painting in Italy Vol-3' by Luigi Lanzi is an important scholarly work that delves into the captivating world of Italian painting. This volume focuses on a specific period in Italian art history, providing a comprehensive account of the evolution of painting during that time. Lanzi explores the artistic movements and key artists that shaped Italian painting during the period covered in this volume. The author provides detailed analyses of notable paintings, discussing their context, symbolism, and artistic techniques. Lanzi also explores the cultural, historical, and social factors that influenced the Italian art scene during this period, offering readers a deeper understanding of the artistic milieu. The story serves as an invaluable resource for art historians, scholars, and enthusiasts interested in Italian art. Lanzi's meticulous research, combined with his insightful commentary, makes this book an authoritative and captivating exploration of the rich artistic heritage of Italy during the specific period covered in this volume.
This book is the result of a research project designed and carried out at the Department of Architecture, University of Florence. This book discusses urban public spaces and, more specifically, run-down, inactive micro-spaces that are barely used due to their location, dimensions, morphology or semantic characteristics. In literature, these spaces are often defined as “residual urban spaces.” A large abandoned industrial area on the outskirts of a town or a small interstitial space in a historical centre can be residual. With respect to such a broad subject matter, the book seeks to radically limit the field, concentrating on public residual spaces found in the oldest parts of cities. The book reflects on this theme and introduces a method for reading and assessment of the residuality of public spaces in historical contexts (Residuality Assessment Process) which was tested in the historical centre of Florence. It is the authors’ view that residual spaces, above all if designed according to a system logic, can go from being problems to potential activators of urban and social regeneration processes, offering a useful contribution to improve city life.
The History of Painting in Italy Vol-2" by Luigi Lanzi is a comprehensive and insightful exploration of Italian painting during a specific period in art history. In this volume, Lanzi delves into the rich artistic landscape of Italy, examining the significant developments and notable painters of the period. Lanzi provides a detailed analysis of various artistic movements, styles, and techniques that emerged during this time. He explores the works of renowned Italian painters, discussing their contributions to the art world and their impact on subsequent generations. The author offers an in-depth examination of notable paintings, unraveling their historical and cultural contexts while providing critical insights into their artistic merits. Lanzi's engaging narrative sheds light on the societal, political, and cultural factors that influenced Italian painting during the period covered in this volume. This volume is an essential resource for art historians, scholars, and art enthusiasts seeking a comprehensive understanding of Italian painting.
The History of Painting in Italy Vol-5' by Luigi Lanzi is an authoritative and comprehensive exploration of Italian painting during a specific period in art history. Lanzi takes readers on a captivating journey through the art world of Italy, focusing on the significant developments and prominent artists of the era covered in this part. In this volume, Lanzi delves into the stylistic movements, thematic choices, and technical advancements that shaped Italian painting during the period under examination. He provides insightful analyses of notable artworks, discussing their cultural, historical, and artistic contexts. The author's keen observations and scholarly research shed light on the evolution of Italian painting and the contributions of influential painters of the time. With a combination of meticulous research and engaging writing, the story offers a captivating and authoritative account of the rich artistic heritage of Italy during this specific period in art history.
This Element introduces the reader to Kant's theory of peace and to its place in the broader context of the critical philosophy. It also delves into one aspect of the model that has generated much debate among interpreters, given Kant's changing thoughts on the matter. This aspect relates to the nature and powers of the international federation. Defending the idea that national sovereignty is indissolubly linked to states' full autonomy regarding the use of military power, this Element offers an interpretation and defense of the Kantian federation that, in many regards, departs from the mainstream reading. Special emphasis is placed on the problematic coexistence of two conflicting theoretical desiderata: on the one hand, the necessity of establishing an international institution with coercive powers for securing peace; on the other hand, the necessity of avoiding the risk of an excessive erosion of states' sovereignty.
The History of Painting in Italy, Vol-6 is the final volume of a six-volume work by Luigi Lanzi. The work is a comprehensive history of painting in Italy from the 13th to the 18th centuries, and it is considered to be one of the most important works of art history ever written. Vol-6 covers the period from the late 17th century to the end of the 18th century. This period saw the rise of new artistic styles, such as Rococo and Neoclassicism, and it also saw the decline of the Italian Renaissance tradition. Lanzi provides a detailed overview of the major artists and works of art of this period, and he also discusses the social and cultural factors that influenced the development of Italian painting. The History of Painting in Italy, Vol-6 is a valuable resource for anyone interested in the history of art. It is a well-researched and informative work that provides a comprehensive overview of a critical period in the development of Italian painting.
In this magisterial two-volume book, Pier Luigi Tucci offers a comprehensive examination of one of the key complexes of Ancient Rome, the Temple of Peace. Based on archival research and an architectural survey, his research sheds new light on the medieval, Renaissance, and Baroque transformations of the basilica, and the later restorations of the complex. Volume 1 focuses on the foundation of the complex under Vespasian until its restoration under Septimius Severus and challenges the accepted views about the ancient building. Volume 2 begins with the remodelling of the library hall and the construction of the rotunda complex, and examines the dedication of the Christian Basilica of SS Cosmas and Damian. Of interest to scholars in a range of topics, The Temple of Peace in Rome crosses the boundaries between classics, archaeology, history of architecture, and art history, through Late Antiquity, the Middle Ages, and the early modern period.
Hard-boiled private investigator Luigi Ferro is summoned to an elite boarding school in Ravenna to solve the brutal murder of a wealthy Swiss student. Amidst polished oak's opulence and shadowy streets' secrecy, Ferro unravels a web of clues and red herrings. From the seductive roommate Amber Boyd-Cohen to the enigmatic and beautiful art teacher, each character holds a piece of the puzzle. Set against Italy's breathtaking landscapes, this gripping "giallo" melds the elegance of the European elite with the gritty realities of detective work, challenging Ferro's wits at every turn. Can he piece together the puzzle in time, or will sinister secrets remain buried in the heart of Italy’s privileged corridors?
Advanced Oxidation Processes (AOPs) have gained attention rapidly worldwide since they have been proven to be effective in the removal of wide spectrum of organic and inorganic contaminants from water and soil. However, the issues related to the formation of oxidation intermediates which may be more toxic than parent compounds as well as the operating costs are the main obstacles to a wider spread at full scale. This volume is addressed to researchers and professionals with a background in environmental science and engineering. The objective is to provide them with knowledge about AOPs related applications such as fundamentals and technology, analytical characterization of emerging contaminants and oxidation by products, ecotoxicity and biodegradability tests, urban and industrial wastewater treatment, sludge treatment and reduction, soil treatment, solar driven AOPs.
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