At the summer school in Pisa in September 1996, Luigi Ambrosio and Norman Dancer each gave a course on the geometric problem of evolution of a surface by mean curvature, and degree theory with applications to PDEs respectively. This self-contained presentation accessible to PhD students bridged the gap between standard courses and advanced research on these topics. The resulting book is divided accordingly into 2 parts, and neatly illustrates the 2-way interaction of problems and methods. Each of the courses is augmented and complemented by additional short chapters by other authors describing current research problems and results.
The birthplace of Boccaccio, Machiavelli, and the powerful Medici family, Florence was also the first great banking and commercial centre of continental Europe. The city’s middle-class merchants, though lacking the literary virtuosity of its most famous sons, were no less prolific as writers of account books, memoirs, and diaries. Written by ordinary men, these first-hand accounts of commercial life recorded the everyday realities of their businesses, families, and personal lives alongside the high drama of shipwrecks, plagues, and political conspiracies. Published in Italian in 1986, Vittore Branca’s collection of these accounts established the importance of the genre to the study of Italian society and culture. This new English translation of Merchant Writers includes all the texts from the original Italian edition in their entirety. Moreover, it offers a gripping personal introduction to the mercantile world of medieval and Renaissance Florence.
Approaches to early medieval peasantry are often polarized, either enhancing the benefits brought by the weakening of aristocratic dominance or emphasizing the limited prospects for peasant development in the absence of a solid extra-regional trade network. This study offers a long-term overview of the peasant economy throughout the 1st millennium AD in the Upper Volturno Basin, between the town of Isernia and the monastery of San Vincenzo al Volturno. The reader is presented with data collected from two archaeological surveys, and is invited to scrutinize changes in settlement patterns, ancient land use and ceramic distributions while the main economic center shifted from town to monastery. These proxies of economic performance offer a vantage point to reconstruct the history of agrarian production and of exchange networks in Central Italy, opening a novel outlook on peasant social dynamics at a time when the Roman economic system transitioned into the feudal system. The results show that the “golden age of peasants” was an age of experimentation, forcing to reconsider the role of the peasantry in the making of the feudal economy.
The beginning of the Greek revival in the West is generally attributed to the teaching of the Byzantine scholar Manuel Chrysoloras in Florence between 1397 and 1400. Causes, aspects, and consequences of this important cultural phenomenon still need to be analyzed in depth. The essays collected in this volume examine the development of the study of Greek from the fifteenth to the early sixteenth century, reconstructing its spread and impact on early modern literatures, philosophy, and visual arts. An analysis of the methods and tools used to teach and learn Greek sheds light on the complex cultural relationships between Byzantium and the West and enlarges the traditional picture of the Greek revival in early modern Europe. Contributors are: Lilia Campana, Federica Ciccolella, Mariarosa Cortesi, Francesco G. Giannachi, Fevronia Nousia, Kalle Lundahl, Erika Nuti, Denis Robichaud, Antonio Rollo, Luigi Silvano, David Speranzi, and Paola Tomé.
Line Integral Methods for Conservative Problems explains the numerical solution of differential equations within the framework of geometric integration, a branch of numerical analysis that devises numerical methods able to reproduce (in the discrete solution) relevant geometric properties of the continuous vector field. The book focuses on a large
The History of Painting in Italy Vol-3' by Luigi Lanzi is an important scholarly work that delves into the captivating world of Italian painting. This volume focuses on a specific period in Italian art history, providing a comprehensive account of the evolution of painting during that time. Lanzi explores the artistic movements and key artists that shaped Italian painting during the period covered in this volume. The author provides detailed analyses of notable paintings, discussing their context, symbolism, and artistic techniques. Lanzi also explores the cultural, historical, and social factors that influenced the Italian art scene during this period, offering readers a deeper understanding of the artistic milieu. The story serves as an invaluable resource for art historians, scholars, and enthusiasts interested in Italian art. Lanzi's meticulous research, combined with his insightful commentary, makes this book an authoritative and captivating exploration of the rich artistic heritage of Italy during the specific period covered in this volume.
This book’s basic hypothesis – which it proposes to test with a cognitive-sociological approach – is that legal behavior, like every form of human behavior, is directed and framed by biosocial constraints that are neither entirely genetic nor exclusively cultural. As such, from a sociological perspective the law can be seen as a super-meme, that is, as a biosocial constraint that develops only in complex societies. This super-meme theory, by highlighting a fundamental distinction between defensive and assertive biases, might explain the false contradiction between law as a static and historical phenomenon, and law as a dynamic and promotional element. Socio-legal scholars today have to face the challenge of pursuing a truly interdisciplinary approach, connecting all the fields that can contribute to building a modern theory of normative behavior and social action. Understanding and framing concepts such as rationality, emotion, or justice can help to overcome the significant divide between micro and macro sociological knowledge. Social scientists who are interested in the law must be able to master the epistemological discourses of different disciplines, and to produce fruitful syntheses and bridge-operations so as to understand the legal phenomenon from each different point of view. The book adopts four perspectives: sociological, psychological, biological-evolutionary and cognitive. All of them have the potential to be mutually integrated, and constitute that general social science that provides common ground for exchange. The goal is to arrive at a broad and integrated view of the socio-legal phenomenon, paving the way for a comprehensive theory of norm-oriented and norm-perceived actions.
A classic picaresque epic detailing the thrilling exploits of Orlando, Morgante is a tale of war and of the calamities that befall the romantic hero, his fellow knights, and their sovereign, Charlemagne. After encountering the fierce Morgante, Orlando converts the giant, who then becomes his squire and trusted companion. This annotated English translation will lead to a new appreciation of Luigi Pulci's singular epic masterpiece and contribute to a reassessment of the author's influence on modern English literature.
The History of Painting in Italy, Vol-6 is the final volume of a six-volume work by Luigi Lanzi. The work is a comprehensive history of painting in Italy from the 13th to the 18th centuries, and it is considered to be one of the most important works of art history ever written. Vol-6 covers the period from the late 17th century to the end of the 18th century. This period saw the rise of new artistic styles, such as Rococo and Neoclassicism, and it also saw the decline of the Italian Renaissance tradition. Lanzi provides a detailed overview of the major artists and works of art of this period, and he also discusses the social and cultural factors that influenced the development of Italian painting. The History of Painting in Italy, Vol-6 is a valuable resource for anyone interested in the history of art. It is a well-researched and informative work that provides a comprehensive overview of a critical period in the development of Italian painting.
This manual deals with the vast category of specialised buildings that, stemming from basic structures, have gradually reached a whole new level of “intentionality” and “critical consciousness”. As happened with basic buildings, the operational architectural knowledge method we hereby suggest leads to the creation of a multi-layered analysis framework. Indeed, the observation and interpretation of building elements determines the shape, structure and purpose of public buildings. The aim was to create a manual enabling the understanding of specialised buildings following a “processual-typology” methodology. Better understanding of the evolution of a cultural area’s anthropic elements is an architect’s basic tool for an ethical, landscape-friendly approach to design.
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