Every attempted delineation of the manners and customs of Imperial Rome must necessarily include a survey, as exhaustive as may be, of the spectacles, as the best measure of her grandeur, and as indicative in many ways of her moral and intellectual condition. Originally, for the most part, religious celebrations, they became, even in the later Republic, the best means of purchasing popular favour, and, under the Empire, of keeping the populace contented. Augustus, the tale runs, once reproached Pylades the Pantomime for his jealousy of a rival, and Pylades replied: 'It is to your advantage, Caesar, that the people concerns itself about us'. But these spectacles effected more even than the diversion of popular interest; their magnificence was a gauge of the popularity of the sovereign. The emperors, like Louis XIV, knew how admiration aids absolute autocracy; like Napoleon, that the imagination of the people must be excited: splendid festivals were one of their most indispensable and most constant devices. Even Caligula, according to Josephus, was honoured and beloved by the folly of the populace; the women and the youth did not desire his death; distributions of meat, the games and the gladiatorial combats had won their hearts, for such were the delights of the mob: the lavishing of these gifts was nominally due to consideration for the populace, though the gladiatorial combats were only intended to sate the monarch's lust of blood.
The noted German sociologist and philosopher Georg Simmel wrote a number of essays that deal directly with religion as a fundamental process in human life. These essays set forth Simmel's mature reflections on religion and its relation to modernity, personality, art, sociology, psychology, philosophy, and science. They also include his views on methods in the study of religion and his thoughts on achieving a broader perspective on religion. Originally published between 1898 and 1918, the last twenty years of Simmel's life, the essays are collected here in English for the first time. The essays provide an excellent picture of the development of the characteristic doctrines of Simmel's thought as applied to religion, based on phenomenological analysis of human experience that emphasizes the subjective dimensions of life.
The Rules of the Game reintroduces Ludwig Zeller, the great Chilean Canadian "poet's poet", through an enthralling selection of his most engaging works. These short poems span a development of almost sixty years. They are Zeller's brief songs of eroticism and love, adventure and nostalgia, youthful ardor and the sorrow of age, sorrow and undying hope. They give the reader a great poet's door into the riches of surrealism, European romanticism, and the age-old Spanish lyric tradition.The fluent translations by A. F. Moritz represent often his fourth or fifth revisiting of the Zeller versions he has been producing since 1978.
For over a century, Thayer's has been lauded as one of the best New Testament lexicons available for any student of New Testament Greek. This lexicon provides dictionary definitions for each word and relates each word to its New Testament usage and categorizes its nuances of meaning. It also offers exhaustive coverage of New Testament Greek words, as well as extensive quotation of extra-biblical word usage and background sources consulted and quoted. This lexicon is coded to Strong's for those with little or no Greek knowledge.
Body of Insomnia is the moving testament of a poet confronting the passing years and yet confirming the value of poetry, love and freedom. Zellar combines eroticism and spirituality in poems where reality shines with the light of mystery and imagination.
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