Edinburgh, 1791. Isobel Duguid and her friend Clessidro are the stars of the Edinburgh Musical Society. Clessidro sings opera and Isobel sings famously dark Scottish ballads, despite her cavalier attitude to holding a tune. They roam the streets of Edinburgh, enjoying an opulent lifestyle. One night a note arrives from the mysterious Mrs Abercorn, asking if Isobel's most notorious song, The Fiddler's Wrath, might be included in a book. It's the tale of a prima donna who died of heartbreak after her husband committed murder and was sent to the gallows. Isobel is intrigued. But Mrs. Abercorn's curiosity about the ballad is far more than a fickle interest. When Clessidro goes missing, Isobel is forced to confront her past and the truth about The Fiddler's Wrath begins to emerge. Using the geography of Edinburgh to guide us through the story, this dark tale becomes more complicated than anyone could have imagined and awakens the chilling retribution of a once buried secret.
During the dangerous days of World War II, Honey Deschamps is spending her days transcribing decrypted messages at Bletchley Park, when she starts to receive bizarrely coded packages. When everyone is keeping secrets, who can you trust? Bletchley Park, 1942: As World War II rages on, Honey Deschamps sits at her type-x machine, tediously transcribing decrypted signals from the German Army, doing her part to assist the British war effort. Halfway across the world, Hitler’s armies are marching into Leningrad, leaving a trail of destruction and pillaging the country’s most treasured artworks, including the famous Amber Room—the eighth wonder of the world. As reports begin filtering into Bletchley Park about the stolen loot, Honey receives a mysterious package, hand-delivered from a man that she has never seen before who claims that he works at the Park as well. The package is postmarked from Russia, and inside is a small piece of amber. It is just the first of several such packages, and when she examines them together she realizes that someone, relying on her abilities to unravel codes, is trying to tell her something. Honey can’t help but fear that the packages are a trap set by the authorities to test her loyalties—surely nothing so valuable could get through the mail during a time of war. And yet, something about the packages reminds her of stories that her brother used to tell her about her absent father, and when her brother is found brutally murdered on his way to visit Honey, she can’t help but assume that the events are connected. But at Bletchley Park, secrecy reigns supreme, and she has nowhere to turn for help . . .
Amid the drama of the suffragette movement in Edwardian London, the disappearance of a famous trapeze artist in the middle of her act leads a young Fleet Street reporter to an underworld of circus performers, fetishists, and society columnists. London, 1912. The suffragette movement is reaching a fever pitch, and Inspector Frederick Primrose is hunting a murderer on his beat. Across town, Fleet Street reporter Frances “Frankie” George is chasing an interview with trapeze artist Ebony Diamond. Frankie finds herself fascinated by the tightly-laced acrobat and follows her to a Bond Street corset shop that seems to be hiding secrets of its own. When Ebony Diamond mysteriously disappears in the middle of a performance, Frankie and Primrose are both drawn into the shadowy world of a secret society with ties to both London's criminal underworld and its glittering socialites. How did Ebony vanish, who was she afraid of, and what goes on behind the doors of the mysterious Hourglass Factory? From newsrooms to the drawing rooms of high society, the investigation leads Frankie and Primrose to a murderous villain with a plot more deadly than anyone could have imagined.
Edinburgh, 1791. Isobel Duguid and her friend Clessidro are the stars of the Edinburgh Musical Society. Clessidro sings opera and Isobel sings famously dark Scottish ballads, despite her cavalier attitude to holding a tune. They roam the streets of Edinburgh, enjoying an opulent lifestyle. One night a note arrives from the mysterious Mrs Abercorn, asking if Isobel's most notorious song, The Fiddler's Wrath, might be included in a book. It's the tale of a prima donna who died of heartbreak after her husband committed murder and was sent to the gallows. Isobel is intrigued. But Mrs. Abercorn's curiosity about the ballad is far more than a fickle interest. When Clessidro goes missing, Isobel is forced to confront her past and the truth about The Fiddler's Wrath begins to emerge. Using the geography of Edinburgh to guide us through the story, this dark tale becomes more complicated than anyone could have imagined and awakens the chilling retribution of a once buried secret.
Excavations at Mucking, Essex, between 1965 and 1978, revealed extensive evidence for a multiphase rural Romano-British settlement, perhaps an estate center, and five associated cemetery areas (170 burials) with different burial areas reserved for different groups within the settlement. The settlement demonstrated clear continuity from the preceding Iron Age occupation with unbroken sequences of artefacts and enclosures through the first century AD, followed by rapid and extensive remodeling, which included the laying out a Central Enclosure and an organized water supply with wells, accompanied by the start of large-scale pottery production. After the mid-second century AD the Central Enclosure was largely abandoned and settlement shifted its focus more to the Southern Enclosure system with a gradual decline though the 3rd and 4th centuries although continued burial, pottery and artefactual deposition indicate that a form of settlement continued, possibly with some low-level pottery production. Some of the latest Roman pottery was strongly associated with the earliest Anglo-Saxon style pottery suggesting the existence of a terminal Roman settlement phase that essentially involved an ‘Anglo-Saxon’ community. Given recent revisions of the chronology for the early Anglo-Saxon period, this casts an intriguing light on the transition, with radical implications for understandings of this period. Each of the cemetery areas was in use for a considerable length of time. Taken as a whole, Mucking was very much a componented place/complex; it was its respective parts that fostered its many cemeteries, whose diverse rites reflect the variability and roles of the settlement’s evidently varied inhabitants.
During the dangerous days of World War II, Honey Deschamps is spending her days transcribing decrypted messages at Bletchley Park, when she starts to receive bizarrely coded packages. When everyone is keeping secrets, who can you trust? Bletchley Park, 1942: As World War II rages on, Honey Deschamps sits at her type-x machine, tediously transcribing decrypted signals from the German Army, doing her part to assist the British war effort. Halfway across the world, Hitler’s armies are marching into Leningrad, leaving a trail of destruction and pillaging the country’s most treasured artworks, including the famous Amber Room—the eighth wonder of the world. As reports begin filtering into Bletchley Park about the stolen loot, Honey receives a mysterious package, hand-delivered from a man that she has never seen before who claims that he works at the Park as well. The package is postmarked from Russia, and inside is a small piece of amber. It is just the first of several such packages, and when she examines them together she realizes that someone, relying on her abilities to unravel codes, is trying to tell her something. Honey can’t help but fear that the packages are a trap set by the authorities to test her loyalties—surely nothing so valuable could get through the mail during a time of war. And yet, something about the packages reminds her of stories that her brother used to tell her about her absent father, and when her brother is found brutally murdered on his way to visit Honey, she can’t help but assume that the events are connected. But at Bletchley Park, secrecy reigns supreme, and she has nowhere to turn for help . . .
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