This book relates the latest chapter in the story of a remarkable partnership between the worlds of faith and development, launched in 1998 by Jim Wolfensohn and then Archbishop of Canterbury, George Carey, when they convened a meeting of faith and development leaders in Lambeth Palace. The intervening years have seen the growth and enhancement of a network of world faith and development leaders who share a common passion to eradicate global poverty, extend social justice and ensure global security for all of the world's people. Periodically this group of leaders gathers together to debate issues of common concern and global significance. The most recent meeting took place in Dublin, Ireland in Janaury 2005. Debates over two days were rich and provocative, examining issues ranging from the recent Asian tsunami, to HIV/AIDS, gender and youth, and the roots of conflict, all viewed through the lens of equity. References to the ethical dimensions of poverty alleviation and the need for a strong moral underpinning as a foundation for equitable and sustainable development lay at the heart of every session. The uniqueness of this partnership is the fresh perspective it offers on critical development issues and the opportunity for faith leaders and development leaders to seek new avenues for collaboration. This book tells the story of this partnership, within the context of the Dublin meeting.
This book relates the latest chapter in the story of a remarkable partnership between the worlds of faith and development, launched in 1998 by Jim Wolfensohn and then Archbishop of Canterbury, George Carey, when they convened a meeting of faith and development leaders in Lambeth Palace. The intervening years have seen the growth and enhancement of a network of world faith and development leaders who share a common passion to eradicate global poverty, extend social justice and ensure global security for all of the world's people. Periodically this group of leaders gathers together to debate issues of common concern and global significance. The most recent meeting took place in Dublin, Ireland in Janaury 2005. Debates over two days were rich and provocative, examining issues ranging from the recent Asian tsunami, to HIV/AIDS, gender and youth, and the roots of conflict, all viewed through the lens of equity. References to the ethical dimensions of poverty alleviation and the need for a strong moral underpinning as a foundation for equitable and sustainable development lay at the heart of every session. The uniqueness of this partnership is the fresh perspective it offers on critical development issues and the opportunity for faith leaders and development leaders to seek new avenues for collaboration. This book tells the story of this partnership, within the context of the Dublin meeting.
Take your performance to the next level with our tried-and-tested guide on innovation. The Innovation Workout has been specially developed to be clear, simple, very easy to follow and highly effective. Our unique pre-workout test will help you identify your weak and strong points and the straightforward 10-step improvement plan will show you how you can quickly boost your skills. Test yourself – Start by finding out your current confidence and knowledge of innovation Follow the 10 Steps – learn everything you need to know to become an expert innovator Take action – Experience 10 situations where you can apply your new-found skill in real life Face your fears – Take on 10 common innovation challenges to test your skills and find out how to handle them. This book really works. Start your innovation workout today and begin exercising your full potential.
Totaling approximately 40,000 objects, the University Museum's ethnographic holdings represent native peoples from ten North American culture areas—the Arctic, Subarctic, Northwest Coast, California, Plateau, Great Basin, Southwest, Great Plains, Northeast, and the Southeast. This guide highlights the strength of the collections and demonstrates how objects are tied to history and people living within different cultural and social contexts. It also underscores that objects have different multiple meanings. Some objects illustrate intertribal relations; others best reflect collecting attitudes at the turn of the century when much of the Museum's collections was acquired. Visitors and off-site readers will learn about such related archival resources as documentation and photographs, past and present Museum exhibitions, current research, repatriation, and contemporary collections development.
Controversies are high drama: in them people speak lines as colorful and passionate as any recited on stage. In the years before the 1916 Rising, public battles were fought in Ireland over French paintings, a maverick priest, Dublin slum children, and theatrical censorship. Controversy was "popular," wrote George Moore, especially "when accompanied with the breaking of chairs."In her new book, Lucy McDiarmid offers a witty and illuminating account of these and other controversies, antagonistic exchanges with no single or no obvious high ground. They merit attention, in her view, not because the Irish are more combative than other peoples, but because controversies functioned centrally in the debate over Irish national identity. They offered to everyone direct or vicarious involvement in public life: the question they articulated was not "Irish Ireland or English Ireland" but "whose Irish Ireland" would dominate when independence was finally achieved.The Irish Art of Controversy recovers the histories of "the man who died for the language," Father O'Hickey, who defied the bishops in his fight for Irish Gaelic; Lady Gregory and Bernard Shaw's defense of the Abbey Theatre against Dublin Castle; and the 1913 "Save the Dublin Kiddies" campaign, in which priests attacked socialists over custody of Catholic children. The notorious Roger Casement—British consul, Irish rebel, humanitarian, poet—forms the subject of the last chapter, which offers the definitive commentary on the long-lasting controversy over his diaries.McDiarmid's use of archival sources, especially little-known private letters, indicates the way intimate exchanges, as well as cartoons, ballads, and editorials, may exist within a public narrative. In its original treatment of the rich material Yeats called "intemperate speech," The Irish Art of Controversy suggests new ways of thinking about modern Ireland and about controversy's bluff, bravado, and improvisational flair.
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