Was Jung's interpretation and assessment of Nietzsche accurate? Nietzsche and Jung considers the thought and personalities of two icons of twentieth century philosophical and psychological thought, and reveals the extraordinary connections between them. Through a thorough examination of their work, Nietzsche and Jung succeeds in illuminating complex areas of Nietzsche's thought and resolving ambiguities in Jung's reception of these theories. The location and analysis of the role played by opposites in the whole self according to Jung is considered, revealing the full extent of Nietzsche's influence. This rigorous and original analysis of Jungian theory and its philosophical roots, supported by Jung's seminars on Nietzsche's Zarathustra, leads to the development of a fresh interpretation of the theories of both. The shared model of selfhood is put into practice as the personalities of Nietzsche and Jung are evaluated according to the other's criteria for mental health, attempting to determine whether Nietzsche and Jung were themselves whole. Nietzsche and Jung demonstrates how our understanding of analytical psychology can be enriched by investigating its philosophical roots, and considers whether the whole self is a realistic possibility for each of us. This book will prove fascinating reading for students in psychology, philosophy and religion as well as practicing Jungian analysts.
Nietzsche and Architecture explores Nietzsche's relationship to the architects, buildings, and modern architectural movements he went on to inspire, and situates his philosophy more appropriately and comprehensively within the field of architectural studies, architectural history, and theory. Divided into two parts, the book first examines Nietzsche's philosophy of architecture, exploring his notions of rhythm, ornament, style, and power. It then goes on to examine Nietzsche's ambiguous architectural legacy, scrutinising iconic architects, thinkers, designs, and cultural movements to ascertain their relationship with Nietzschean ideas, from the crystal architecture of Bruno Taut and Peter Behrens, to the 'new styles' of the Bauhaus and Le Corbusier, Louis H. Sullivan's desire for the heights, and the cultural propaganda of 'Nazi architecture'. Clearly explaining the subtleties and complexities of Nietzsche's architectural thought, Nietzsche and Architecture provides an accessible insight into Nietzsche's philosophy and its significance to the development of modern architecture in the 19th and early 20th centuries, shedding vital light on the continued relevance of Nietzsche to architecture today.
Sweeping changes have taken place in the financial sector during the twentieth century. Two of the most notable changes have been the growth of global markets and institutions, and the introduction of computerisation. This volume charts the course of concentration and internationalisation in banking and also examines the influence and implications of new technologies on the industry’s record-keeping practices. The exploration of concentration and internationalisation begins in the late nineteenth century and examines the effect of a wide range of factors, from macro-economic influences such as the liquidity crisis of the 1930s and the oil price rises of the 1970s, to the role of national regulation in the creation of financial markets and innovative products. The role of individual banks and their particular policies is also brought into focus. Some of Europe’s most eminent bankers provide a contemporary dimension by discussing possible future developments in continental banking.
Buildings shape our identity and sense of self in profound ways that are not always evident to architects and town planners, or even to those who think they are intimately familiar with the buildings they inhabit. Architecture and the Mimetic Self provides a useful theoretical guide to our unconscious behaviour in relation to buildings, and explains both how and why we are drawn to specific elements and features of architectural design. It reveals how even the most uninspiring of buildings can be modified to meet our unconscious expectations and requirements of them—and, by the same token, it explores the repercussions for our wellbeing when buildings fail to do so. Criteria for effective architectural design have for a long time been grounded in utilitarian and aesthetic principles of function, efficiency, cost, and visual impact. Although these are important considerations, they often fail to meet the fundamental needs of those who inhabit and use buildings. Misconceptions are rife, not least because our responses to architecture are often difficult to measure, and are in large part unconscious. By bridging psychoanalytic thought and architectural theory, Architecture and the Mimetic Self frees the former from its preoccupations with interpersonal human relations to address the vital relationships that we establish with our nonhuman environments. In addition to providing a guide to the unconscious behaviours that are most relevant for evaluating architectural design, this book explains how our relationships with the built environment inform a more expansive and useful psychoanalytic theory of human relationship and identity. It will appeal to psychoanalysts and analytical psychologists, architects, and all who are interested in the overlaps of psychology, architecture, and the built environment.
Symeon Stylites the Younger and Late Antique Antioch: From Hagiography to History is a study of the authority of the holy man and its limits in times of crisis. Lucy Parker investigates the tensions that emerged when increasingly ambitious claims about the powers of holy men came into conflict with undeniable evidence of their failures, and explores how holy men and their supporters responded to this. The work takes as its central figure Symeon Stylites the Younger (c.521-592), who, from his vantage point on a column on a mountain close to Antioch, witnessed a period of exceptional turbulence in the local area, which, in the sixth century, experienced plague, earthquakes, and Persian invasion. Through an examination of Symeon's own writings, as well as his hagiographic biography, it reveals that the stylite was a divisive figure who played upon social tensions and upon culturally sensitive areas such as paganism to carve out a role for himself as prophet and spiritual authority in the face of considerable opposition. It sets Symeon's life and cult in the context of Antioch and eastern Roman society, offering a new perspective on the state of the empire in the period before the rise of Islam. It argues that hagiography is an exceptionally rich source for the historian, offering insights into debates and tensions which reached to the heart of Christianity.
Buildings shape our identity and sense of self in profound ways that are not always evident to architects and town planners, or even to those who think they are intimately familiar with the buildings they inhabit. Architecture and the Mimetic Self provides a useful theoretical guide to our unconscious behaviour in relation to buildings, and explains both how and why we are drawn to specific elements and features of architectural design. It reveals how even the most uninspiring of buildings can be modified to meet our unconscious expectations and requirements of them—and, by the same token, it explores the repercussions for our wellbeing when buildings fail to do so. Criteria for effective architectural design have for a long time been grounded in utilitarian and aesthetic principles of function, efficiency, cost, and visual impact. Although these are important considerations, they often fail to meet the fundamental needs of those who inhabit and use buildings. Misconceptions are rife, not least because our responses to architecture are often difficult to measure, and are in large part unconscious. By bridging psychoanalytic thought and architectural theory, Architecture and the Mimetic Self frees the former from its preoccupations with interpersonal human relations to address the vital relationships that we establish with our nonhuman environments. In addition to providing a guide to the unconscious behaviours that are most relevant for evaluating architectural design, this book explains how our relationships with the built environment inform a more expansive and useful psychoanalytic theory of human relationship and identity. It will appeal to psychoanalysts and analytical psychologists, architects, and all who are interested in the overlaps of psychology, architecture, and the built environment.
The SPCK Introduction to Nietzsche is an Informative analysis by Professor Lucy Huskinson on the works and philosophy of Friedrich Nietzsche from a Christian perspective.
Nietzsche and Architecture explores Nietzsche's relationship to the architects, buildings, and modern architectural movements he went on to inspire, and situates his philosophy more appropriately and comprehensively within the field of architectural studies, architectural history, and theory. Divided into two parts, the book first examines Nietzsche's philosophy of architecture, exploring his notions of rhythm, ornament, style, and power. It then goes on to examine Nietzsche's ambiguous architectural legacy, scrutinising iconic architects, thinkers, designs, and cultural movements to ascertain their relationship with Nietzschean ideas, from the crystal architecture of Bruno Taut and Peter Behrens, to the 'new styles' of the Bauhaus and Le Corbusier, Louis H. Sullivan's desire for the heights, and the cultural propaganda of 'Nazi architecture'. Clearly explaining the subtleties and complexities of Nietzsche's architectural thought, Nietzsche and Architecture provides an accessible insight into Nietzsche's philosophy and its significance to the development of modern architecture in the 19th and early 20th centuries, shedding vital light on the continued relevance of Nietzsche to architecture today.
By considering the thought and personalities of two popular icons of twentieth century philosophical and psychological thought, Nietzsche and Jung demonstrates how analytical psychology can be enriched by investigating its philosophical roots.
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