This book covers all the key elements of the training process and the problems and pitfalls behind them. This extends from handling the client/sponsor before the course to reflecting on the lessons to be learned afterwards. Subjects covered include, among others, on being a new trainer; on the various types of troublesome trainee; on coping with treacherous hardware; on group dynamics.
This book vividly presents the story of Margery Spring Rice, an instrumental figure in the movements of women’s health and family planning in the first half of the twentieth century. Margery Spring Rice, née Garrett, was born into a family of formidable female trailblazers – niece of physician and suffragist Elizabeth Garrett Anderson, and of Millicent Fawcett, a leading suffragist and campaigner for equal rights for women. Margery Spring Rice continued this legacy with her co-founding of the North Kensington birth control clinic in 1924, three years after Marie Stopes founded the first clinic in Britain. Engaging and accessible, this biography weaves together Spring Rice’s personal and professional lives, adopting a chronological approach which highlights how the one impacted the other. Her life unfolds against the turbulent backdrop of the early twentieth century – a period which sees the entry of women into higher education, and the upheaval and societal upshots of two world wars. Within this context, Spring Rice emerges as a dynamic figure who dedicated her life to social causes, and whose actions time and again bear out her habitual belief that, contrary to the Shakespearian dictum, ‘valour is the better part of discretion’. This is the first biography of Margery Spring Rice, drawing extensively on letters, diaries and other archival material, and equipping the text with family trees and photographs. It will be of great interest to a range of social historians, especially those researching the birth control movement; female friendships, female philanthropists, and feminist activism in the twentieth century; and the history of medicine and public health.
Music has long been a way in which visually impaired people could gain financial independence, excel at a highly-valued skill, or simply enjoy musical participation. Existing literature on visual impairment and music includes perspectives from the social history of music, ethnomusicology, child development and areas of music psychology, music therapy, special educational needs, and music education, as well as more popular biographical texts on famous musicians. But there has been relatively little sociological research bringing together the views and experiences of visually impaired musicians themselves across the life course. Insights in Sound: Visually Impaired Musicians’ Lives and Learning aims to increase knowledge and understanding both within and beyond this multifaceted group. Through an international survey combined with life-history interviews, a vivid picture is drawn of how visually impaired musicians approach and conceive their musical activities, with detailed illustrations of the particular opportunities and challenges faced by a variety of individuals. Baker and Green look beyond affiliation with particular musical styles, genres, instruments or practices. All 'levels' are included: from adult beginners to those who have returned to music-making after a gap; and from 'regular' amateur and professional musicians, to some who are extraordinarily 'elite' or 'successful'. Themes surrounding education, training, and informal learning; notation and ear playing; digital technologies; and issues around disability, identity, opportunity, marginality, discrimination, despair, fulfilment, and joy surfaced, as the authors set out to discover, analyse, and share insights into the worlds of these musicians.
Discover the history and architectural treasures of Bloomsbury in this fascinating tour of 50 of its buildings and landmarks from across the centuries.
Analysis of the mermaid in Japanese and English fairy tales through the framework of pleasure. Lucy Fraser's The Pleasures of Metamorphosis: Japanese and English Fairy Tale Transformations of "The Little Mermaid "explores Japanese and English transformations of Hans Christian Andersen's 1837 Danish fairy tale "The Little Mermaid" by focusing on pleasure as a means to analyze the huge variety of texts that transform a canonical fairy tale such as Andersen's. Fraser examines over twenty Japanese and English transformations, including literary texts, illustrated books, films, and television series. This monograph also draws upon criticism in both Japanese and English, meeting a need in Western fairy-tale studies for more culturally diverse perspectives. Fraser provides a model for critical cross-cultural fairy tale analysis in her examination of the journey of a single fairy tale across two languages. The book begins with the various approaches to reading and writing fairy tales, with a history of "The Little Mermaid" in Japanese and English culture. Disney's The Little Mermaid and Studio Ghibli's Ponyo on the Cliff by the Sea are discussed as examples that simulate pleasurable physical experiences through animation's tools of music and voice, and visual effects of movement and metamorphosis. Fraser then explores the literary effects of the fairy tale by male authors, such as Oscar Wilde, Tanizaki Jun'ichiro, and Abe Kobo, who invoke familiar fairy-tale conventions and delineate some of the pleasures of what can be painful enchantment with a mermaid or with the fairy tale itself. The author examines the portrayals of the mermaid in three short stories by Matsumoto Yuko, Kurahashi Yumiko, and Ogawa Yoko, engaging with familiar fairy tales, reference to fairy-tale research, and reflections on the immersive experience of reading. Women characters and authors are also hyperaware of the possible meanings of Andersen's "The Little Mermaid" and of the fairy tale itself, furthering the discussion with Nonaka Hiiragi's novel Ningyo-hime no kutsu, and D[di?]'s novel Sento no ningyo-hime to majo no mori, as well as an episode of the science fiction television series Dark Angel.Fraser concludes that the "pleasure" framework is useful for a cross-cultural study of creative engagements with and transformations of a particular fairy tale. Few studies have examined Japanese fairy-tale transformations to the extent that Fraser has, presenting fascinating information that will intrigue fairy-tale scholars and those wanting to learn more about the representation of pleasure behind the imaginative and fantastical.
The National Trust Handbook' is a concise, up-to-date guide for anyone interested in places of historic or natural interest. Short descriptions are given of each property or location, along with opening times, facilities, directions and maps.
A new, fascinating account of the life of Agatha Christie from celebrated literary and cultural historian Lucy Worsley. "Nobody in the world was more inadequate to act the heroine than I was." Why did Agatha Christie spend her career pretending that she was “just” an ordinary housewife, when clearly she wasn’t? Her life is fascinating for its mysteries and its passions and, as Lucy Worsley says, "She was thrillingly, scintillatingly modern." She went surfing in Hawaii, she loved fast cars, and she was intrigued by the new science of psychology, which helped her through devastating mental illness. So why—despite all the evidence to the contrary—did Agatha present herself as a retiring Edwardian lady of leisure? She was born in 1890 into a world that had its own rules about what women could and couldn’t do. Lucy Worsley’s biography is not just of a massively, internationally successful writer. It's also the story of a person who, despite the obstacles of class and gender, became an astonishingly successful working woman. With access to personal letters and papers that have rarely been seen, Lucy Worsley’s biography is both authoritative and entertaining and makes us realize what an extraordinary pioneer Agatha Christie was—truly a woman who wrote the twentieth century.
This is the story of women caught up in thetumultuous art scene of the early twentiethcentury, some famous and others lost totime.By 1910 the patina of the belle poquewas wearing thin in London. Artists wereon the hunt for modern women who couldhold them in thrall. A chance encounter onthe street could turn an artless child intoan artists model, and a model into a muse.Most were accidental beauties, plucked fromobscurity to pose in the great art schoolsand studios. Many returned home to livesthat were desperately challenging almostall were anonymous.Meet them now. Sit with them in theCaf Royal amid the wives and mistressesof Londons most provocative artists. Peekbehind the brushstrokes and chisel cuts atwomen whose identities are some of arthistorys most enduring secrets. Drawing ona rich mlange of historical and anecdotalrecords and a primary source, this isstorytelling that sweeps up the reader inthe cultural tides that raced across Londonin the Edwardian, Great War and interwarperiods.A highlight of the book is a reveal of theAvico siblings, a family of models whosefaces can be found in paint and bronze andstone today. Their lives and contributionshave been cloaked in a century of silence.Now, illuminated by family photos and oralhistories from the daughter of one of themodels, the Avico story is finally told.
A deep love story... I loved it... Just a fab read with a perfect ending' NetGalley Review, 5 stars A beautiful vineyard. A new beginning. A summer that will change their lives forever... Linzi arrived at Green Valley Vineyard nine years ago, in need of a fresh start. In the lush emerald countryside and ripening grapes, she finally has a place to call home. But Linzi's world is rocked when the owner announces he is retiring, and his grandson is taking over. When Elliot Montgomery first sets foot at Green Valley, Linzi's worst fears are realised. He's stepped straight out of the boardroom in shiny shoes and a tailored suit. How will a numbers man like him ever understand the magic of what they do here? Elliot has his own demons, carrying the grief of his father's death. Despite their differences, he has come to the vineyard for a new beginning, much like Linzi once did. As the summer unfolds, Elliot and Linzi find themselves in an uneasy alliance while old secrets threaten to be revealed. Could more be about to bloom here among the twisting vines than they ever thought possible? An absolutely charming summer read that is perfect to escape with. Fans of Karen Swan, Phillipa Ashley and Sarah Morgan will be absolutely enchanted by this tale full of love, friendship and the beauty of winemaking.
This new edition is completely revised and updated it uses the authors real-life examples to argue that the traditional way of treating mental illness can often exacerbate peoples problems.
The story of the queen who defied convention and defined an era A passionate princess, an astute and clever queen, and a cunning widow, Victoria played many roles throughout her life. In Queen Victoria: Twenty-Four Days That Changed Her Life, Lucy Worsley introduces her as a woman leading a truly extraordinary life in a unique time period. Queen Victoria simultaneously managed to define a socially conservative vision of Victorian womanhood, while also defying its conventions. Beneath her exterior image of traditional daughter, wife, and widow, she was a strong-willed and masterful politician. Drawing from the vast collection of Victoria’s correspondence and the rich documentation of her life, Worsley recreates twenty-four of the most important days in Victoria's life. Each day gives a glimpse into the identity of this powerful, difficult queen and the contradictions that defined her. Queen Victoria is an intimate introduction to one of Britain’s most iconic rulers as a wife and widow, mother and matriarch, and above all, a woman of her time.
Created when James I granted royal patronage to the former Chamberlain's Men in 1603, the King's Men were the first playing company to exercise a transformative influence on Shakespeare's plays. Not only did Shakespeare write his plays with them in mind, but they were also the first group to revive his plays, and the first to have them revised, either by Shakespeare himself or by other dramatists after his retirement. Drawing on theatre history, performance studies, cultural history and book history, Shakespeare in the Theatre: The King's Men reappraises the company as theatre artists, analysing in detail the performance practices, cultural contexts and political pressures that helped to shape and reshape Shakespeare's plays between 1603 and 1642. Reconsidering casting and acting styles, staging and playing venues, audience response, influence and popularity, and local, national and international politics, the book presents case-studies of performances of Macbeth, The Tempest, The Winter's Tale, Richard II, Henry VIII, Othello and Pericles alongside a broader reappraisal of the repertory of the company and the place of Shakespeare's plays within it.
This book presents a socio-legal analysis of social care detention in the post-carceral era. Drawing from disability rights law and the meanings of ‘home’ and ‘institution’ it proposes solutions to the paradoxical implications of the 2014 UK Supreme Court ruling on the meaning of ‘deprivation of liberty’.
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