Foundations for the LPC covers the compulsory foundation areas of the Legal Practice Course as set out in the LPC Outcomes: Professional Conduct, Tax/Revenue Law, and Wills & Administration of Estates. The book also features content on EU and human rights law, two topics now taught pervasively through the LPC course. Using worked examples and scenarios throughout to illustrate key points, this guide is essential reading for all students and a useful reference source for practitioners. To aid understanding and test comprehension of the core material, checkpoints and summaries feature in every chapter. Online Resource Centre Online resources accompanying the text include useful web links, forms, and diagrams.
Foundations for the LPC covers the compulsory foundation areas of the Legal Practice Course as set out in the LPC outcomes: professional conduct, tax and revenue law, and wills and administration of estates. The book also discusses human rights law, a topic now taught pervasively across the LPC course. Using worked examples and scenarios throughout to illustrate key points, this guide is essential reading for all students and a useful reference source for practitioners. To aid understanding and test comprehension of the core material, checkpoints and summaries feature in every chapter.
Explaining the principles underlying legal practice, this essential guide for students on the Legal Practice Course includes topical examples and scenarios to illustrate key points, worked examples to aid understanding, and checkpoints and summaries to test comprehension of the core material.
Explaining the principles underlying legal practice, this essential guide for students on the Legal Practice Course includes topical examples and scenarios to illustrate key points, worked examples to aid understanding, and checkpoints and summaries to test comprehension of the core material.
Lucy Pearson’s lively and engaging book examines British children’s literature during the period widely regarded as a ’second golden age’. Drawing extensively on archival material, Pearson investigates the practical and ideological factors that shaped ideas of ’good’ children’s literature in Britain, with particular attention to children’s book publishing. Pearson begins with a critical overview of the discourse surrounding children’s literature during the 1960s and 1970s, summarizing the main critical debates in the context of the broader social conversation that took place around children and childhood. The contributions of publishing houses, large and small, to changing ideas about children’s literature become apparent as Pearson explores the careers of two enormously influential children’s editors: Kaye Webb of Puffin Books and Aidan Chambers of Topliner Macmillan. Brilliant as an innovator of highly successful marketing strategies, Webb played a key role in defining what were, in her words, ’the best in children’s books’, while Chambers’ work as an editor and critic illustrates the pioneering nature of children's publishing during this period. Pearson shows that social investment was a central factor in the formation of this golden age, and identifies its legacies in the modern publishing industry, both positive and negative.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Introduction to Business Law is a student-centred text ideal for those new to the study of law. Offering lively and readable coverage of all main topics, the law is firmly rooted in the business context. This text adopts a fresh approach and is packed with diagrams and examples of how the law impacts on the business world.
This groundbreaking handbook is a resource for artists, community activists and anyone wishing to reach beyond the facts and figures of science and technology to harness their creativity to make change in the world. This timely book explores the pivotal role artists play in re-thinking the future; re-inventing and re-imagining our world at a time of systemic change and uncertainty. Playing for Time identifies collaborative arts practices emerging in response to planetary challenges, reclaiming a traditional role for artists in the community as truth-tellers and agents of change. Sixty experienced artists and activists give voice to a new narrative – shifting society’s rules and values away from consumerism and commodity towards community and collaboration with imagination, humour, ingenuity, empathy and skill. Inspired by the grass-roots Transition movement, modelling change in communities worldwide, Playing for Time joins the dots between key drivers of change – in energy, finance, climate change, food and community resilience – and ‘recipes for action’ for readers to take and try. Praise for Playing for Time... ‘This book is full of wings – wings that are ancient practices, that are community, arts, modernity, wings of global learning for local concerns. Lucy Neal’s anthology of possibility offers a salmagundi of thought,knowledge, options and hope. It’s all here. An almanac to dip into and then create – in the kitchen and the window box and the garden, locally, in community, regionally, nationally, globally. The seeds of change are in us. This is a book to help us grow.’ Stella Duffy, author and founder of Fun Palaces ‘It’s so important that the role of artists in making change is being systematically and beautifully addressed. Playing for Time, holds the keys to the possibility of transformative action.’ Bill McKibben, environmentalist and founder of 350.org ‘A remarkable book that pulls no punches. It’s most enduring image is the poignant flock of passenger pigeons, drawn in sand on Llangrannog beach in 2014, the 100th anniversary of their extinction. It’s an image that will not leave my mind: a message of loss, but also of hope, from which we must, and can, learn.’ Dame Fiona Reynolds, Chair of the Green Alliance ‘“Barren art”, Kandinsky wrote, “is the child of its age”. But prophetic, powerful art is the “mother ofthe future”. A better world will be born of such art, and Lucy Neal’s wonderful cornucopia should beat the elbow of everyone helping in its midwifery.’ Tom Crompton, Common Cause Foundation WWF ‘A total delight’ Rob Hopkins, Co-founder Transition Movement ‘A hand-book for life’ Rose Fenton, Director Free Word. ‘A remarkable achievement’ Neil Darlison, Arts Council England ‘Beautiful from the first sentence’ Laura Williams ‘Deeply nourishing’ Mike Grenville ‘A beauty of a book’ James Marriott, Platform
Riffling through the wardrobes of years gone by, costume historian Lucy Adlington reveals the rich stories underlying the clothes we wear in this stylish tour of the most important developments in the history of fashion, from ancient times to the present day. Starting with underwear – did you know Elizabeth I owned just one pair of drawers, worn only after her death? – she moves garment by garment through Western attire, exploring both the items we still wear every day and those that have gone the way of the dodo (sugared petticoats, farthingales and spatterdashers to name but a few). Beautifully illustrated throughout, and crammed with fascinating and eminently quotable facts, Stitches in Time shows how the way we dress is inextricably bound up with considerations of aesthetics, sex, gender, class and lifestyle – and offers us the chance to truly appreciate the extraordinary qualities of these, our most ordinary possessions.
What does motherhood mean today? Drawing on interviews with new mothers and intergenerational chains of women in the same family, this exciting and timely book documents the transition to motherhood over generations and time. Exploring, amongst other things, the trend to later motherhood and the experience of teenage pregnancy, a compelling picture emerges. Becoming a mother is not only a profound moment of identity change but also a site of socio-economic difference that shapes women's lives.
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