Burckhardt pioneered the interdisciplinary analysis of man-made environments, a field forged in the ruins of post-war Europe. This is the first English translation of his core essays on the interplay between humans and their designed, often urban, landscapes.
Mit Design is Invisible verwies Lucius Burckhardt als einer der ersten auf die Integrierbarkeit unsichtbarer Wirkkräfte: Sie bestimmen den Gebrauch der Gegenstände und sollten Bestandteil der Gestaltung sein. Was nützt etwa die schönste Straßenbahn, wenn sie in der Nacht nicht fährt? Burckhardt erweitert kurzerhand den Designbegriff, in diesem Fall um den Fahrplan, der ebenfalls optimiert werden kann. Wie aktuell die zwischen 1965 und 1999 entstandenen Texte sind, kann man an der derzeitigen Architekturdebatte sehen. Probleme durch soziale Abgrenzung, ausgedünnte Regionen sowie Migrationsbewegungen können nur interdisziplinär gelöst werden. Die erstmals in englischer Sprache vorliegenden Texte öffnen dem internationalen Diskurs endlich den Zugang zu zentralen Quellentexten.
The mind's eye as a design principle Lucius Burckhardt (1925-2003) outlined his theory of the "smallest possible intervention" back in the early 1980s. The idea of minimal intervention runs through his entire oeuvre, from his critique of urbanism to the science of walking. The "smallest possible intervention" denotes a planning theory that assumes two "views" within landscape design: that which is actually visible and that in our mind's eye. The theory of the minimal intervention means not interfering excessively with the existing landscape, but instead working with the landscape in our minds to develop an aesthetic understanding of the environment. In this book, available for the first time in English, the Swiss sociologist applies this formula to many areas of design. Intellectual distillation of Lucius Burckhardt's theories available for the first time in English Exploration of the relationships between planning and building Rationalization and needs
Lucius Burckhardt (1925-2003) taught architectural theory at Kassel University and, in the 1980s, coined the term "Promenadology" or the science of Strollology and developed this into a complex and far-sighted planning and design discipline. Given that "the landscape" as an idea only exists in our heads, Burckhardt's writings (and drawings) are not so much concerned with beautiful vistas, but focus instead on the multi-faceted interaction a simple walk-taker has with his environment. To those who observe the environment with their eyes wide open, interesting questions will arise again and again; for example, why "city" and "country" can no longer be separated so easily in the face of progressive urbanization. Or why we consider a viaduct to be beautiful, but a nuclear power station an intrusion. And also, why gardens are works of art and should therefore be appraised as such. This book contains 28 texts by the design and planning critic, for the first time in English, with the focus on landscapes, gardens as an art form and the science of strollology.
From the 1950s, Lucius Burckhardt (1925–2003) focused on planning, design, and construction in a democracy. His astute observations and critical analysis have had a fundamental effect on the design of our environment, on teaching in the architectural/planning professions, and on our understanding of what "city" means. His research, which – between mighty commercial interests and conflicting political aspirations focuses on the benefit for the entire population – is indispensable when and wherever buildings are planned, designed, built, and inhabited. With a new selection of texts, this book ploughs a furrow through Lucius Burckhardt’s theory of planning.
Mit Design is Invisible verwies Lucius Burckhardt als einer der ersten auf die Integrierbarkeit unsichtbarer Wirkkräfte: Sie bestimmen den Gebrauch der Gegenstände und sollten Bestandteil der Gestaltung sein. Was nützt etwa die schönste Straßenbahn, wenn sie in der Nacht nicht fährt? Burckhardt erweitert kurzerhand den Designbegriff, in diesem Fall um den Fahrplan, der ebenfalls optimiert werden kann. Wie aktuell die zwischen 1965 und 1999 entstandenen Texte sind, kann man an der derzeitigen Architekturdebatte sehen. Probleme durch soziale Abgrenzung, ausgedünnte Regionen sowie Migrationsbewegungen können nur interdisziplinär gelöst werden. Die erstmals in englischer Sprache vorliegenden Texte öffnen dem internationalen Diskurs endlich den Zugang zu zentralen Quellentexten.
Lucius Burckhardt (1925-2003) taught architectural theory at Kassel University and, in the 1980s, coined the term "Promenadology" or the science of Strollology and developed this into a complex and far-sighted planning and design discipline. Given that "the landscape" as an idea only exists in our heads, Burckhardt's writings (and drawings) are not so much concerned with beautiful vistas, but focus instead on the multi-faceted interaction a simple walk-taker has with his environment. To those who observe the environment with their eyes wide open, interesting questions will arise again and again; for example, why "city" and "country" can no longer be separated so easily in the face of progressive urbanization. Or why we consider a viaduct to be beautiful, but a nuclear power station an intrusion. And also, why gardens are works of art and should therefore be appraised as such. This book contains 28 texts by the design and planning critic, for the first time in English, with the focus on landscapes, gardens as an art form and the science of strollology.
From the 1950s, Lucius Burckhardt (1925–2003) focused on planning, design, and construction in a democracy. His astute observations and critical analysis have had a fundamental effect on the design of our environment, on teaching in the architectural/planning professions, and on our understanding of what "city" means. His research, which – between mighty commercial interests and conflicting political aspirations focuses on the benefit for the entire population – is indispensable when and wherever buildings are planned, designed, built, and inhabited. With a new selection of texts, this book ploughs a furrow through Lucius Burckhardt’s theory of planning.
The mind’s eye as a design principle Lucius Burckhardt (1925–2003) outlined his theory of the “smallest possible intervention” back in the early 1980s. The idea of minimal intervention runs through his entire oeuvre, from his critique of urbanism to the science of walking. The “smallest possible intervention” denotes a planning theory that assumes two “views” within landscape design: that which is actually visible and that in our mind’s eye. The theory of the minimal intervention means not interfering excessively with the existing landscape, but instead working with the landscape in our minds to develop an aesthetic understanding of the environment. In this book, available for the first time in English, the Swiss sociologist applies this formula to many areas of design. Intellectual distillation of Lucius Burckhardt’s theories available for the first time in English Exploration of the relationships between planning and building Rationalization and needs
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