Mid-Century Modern Interiors explores the history of interior design during arguably its most iconic and influential period. The 1930s to the 1960s in the United States was a key moment for interior design. It not only saw the emergence of some of interior design's most globally-important designers, it also saw the field of interior design emerge at last as a profession in its own right. Through a series of detailed case studies this book introduces the key practitioners of the period – world-renowned designers including Ray and Charles Eames, Richard Neutra, and George Nelson – and examines how they developed new approaches by applying systematic and rational principles to the creation of interior spaces. It takes us into the mind of the designer to show how they each used interior design to express their varied theoretical interests, and reveals how the principles they developed have become embodied in the way interior design is practiced today. This focus on unearthing the underlying ideas and concepts behind their designs rather than on the finished results creates a richer, more conceptual understanding of this pivotal period in modernist design history. With an extended introduction setting the case studies within the broader context of twentieth-century design and architectural history, this book provides both an introduction and an in-depth analysis for students and scholars of interior design, architecture and design history.
A survey of feminist art from suffrage posters to The Dinner Party and beyond: “Lavishly produced images . . . indispensable to scholars, critics and artists.” —Art Monthly Once again, women are on the march. And since its inception in the nineteenth century, the women’s movement has harnessed the power of images to transmit messages of social change and equality to the world. From highlighting the posters of the Suffrage Atelier, through the radical art of Judy Chicago and Carrie Mae Weems, to the cutting-edge work of Sethembile Msezane and Andrea Bowers, this comprehensive international survey traces the way feminists have shaped visual arts and media throughout history. Featuring more than 350 works of art, illustration, photography, performance, and graphic design—along with essays examining the legacy of the radical canon—this rich volume showcases the vibrancy of the feminist aesthetic over the past century and a half.
If you like sweet romance stories with a large meddling family and a hero stranded on a foreign country, you'll love this fresh take on a sweet trope! Unforgettable stories of family, love, and learning where you belong. Discover Northern Portugal with the Romano cousins as they fall in love when they least expect it! Perfect for fans of My Big Fat Greek Wedding, Virgin River, and Chesapeake Shores! He's stranded without his passport. She's surrounded my meddling relatives. Love might have a chance… if her family stays out of it. When Knox Campbell goes to Portugal for a short business trip, he never planned on losing his documents. Now he’s stranded in Porto, his passport lost, and his credit cards canceled. Unable to return to the US and without a place to stay, Knox turns to the travel agent who suggested the local day attractions for assistance. Jacinta Romano loves helping her clients set up their dream trips, although she doesn’t usually meet the ones visiting from abroad. But all that changes when a client shows up at the agency while her meddling family are still there. They latch on to him immediately, insisting Jacinta bring him home while he’s stranded. Thankfully, he’s only staying until his new passport arrives and after two weeks of playing hostess, she’ll be glad to send him on his way. Or will she? The Romano Family series follows the stories of the Romano cousins of northern Portugal as they find love and their Happily-Ever-Afters. Hold Me at Twilight is a stand-alone romance with a satisfying conclusion. Current books in the Romano Family series: - Hold Me at Twilight - Meet Me at Sunrise - Love Me at Sunset - Keep Me at Christmas - Kiss Me at Midnight - Love Me at Dawn
Named one of the Best Books of 2017 by the Philadelphia Inquirer: All hell breaks loose in the liberal bubble when a mother's life spirals out of control when she's forced to rethink her bleeding heart ideals. For Karen Kipple, it isn't enough that she works full-time in the nonprofit sector for an organization that helps children from disadvantaged homes. She's also determined to live her personal life in accordance with her ideals. This means sending her daughter, Ruby, to an integrated public school in their Brooklyn neighborhood. But when a troubled student from a nearby housing project begins bullying children in Ruby's class, the distant social and economic issues Karen has always claimed to care about so passionately begin to feel uncomfortably close to home. A daring, discussable satire about gentrification and liberal hypocrisy, Class is also a smartly written story that reveals how life as we live it -- not as we like to imagine it -- often unfolds in gray areas.
This study explores the female experience of death in early modern England. By tracing attitudes towards gender through the occasion of death, it advances our understanding of the construction of femininity in the period. Becker illustrates how dying could be a positive event for a woman, and for her mourners, in terms of how it allowed her to be defined, enabled and elevated. The first part of the book gives a cultural and historical overview of death in early modern England, examining the means by which human mortality was confronted, and how the fear of death and dying could be used to uphold the mores of society. Becker explores particularly the female experience of death, and how women used the deathbed as a place of power from which to bestow dying maternal blessings, or leave instructions and advice for their survivors. The second part of the study looks at 'good' and 'bad' female deaths. The author discusses the motivation behind the reporting of the deaths and the veracity of such accounts, and highlights the ways in which they could be used for religious, political and patriarchal purposes. The third section of the book considers how death could, paradoxically, liberate a woman. In this section Becker evaluates the opportunity for female involvement in dying and posthumous rituals, including funeral rites and sermons, commemorative and autobiographical writing and literary legacies. While accounts of dying women largely underpinned the existing patriarchy, the experience of dying allowed some women to express themselves by allowing them to utilise an established male discourse. This opportunity for expression, along with the power of the deathbed, are the focus for this study.
How to Weed Your Attic: Getting Rid of Junk without Destroying History provides answers to the question: when someone dies or it’s time to move --- or just clean out the attic, garage, or basement, what papers and other things should we save for the sake of history and what can we safely toss? After reading this clearly written book by a retired archivist and a retired museum curator, you can comfortably clean out your attic – or office, garage, basement, cupboards – with confidence that you’re not tossing out historically valuable (or invaluable) things, and that you will not ask your local museum to take things that really belong in a thrift store, junk yard, or recycle center. The book first describes how to identify historically important documents and artifacts. The authors explain a few simple rules: 1) a complete or long collection has more value than a partial one; 2) emotive material provides a richer picture than factual material; 3) unique usually has more value than mass produced; 4) documents and objects carry more information than they intend to; and 5) a 25-year rule exists without our consciously recognizing it. They then apply the rules and assess the probable historical value of four different types of materials: mass produced (from books to vehicles), individually created (from art work to toys), business materials (from governance documents to uniforms), and commemorative materials (from awards to wedding dresses). The book includes a brief description of the basics for preserving materials the reader wants to keep and references sources for more detail. It also recognizes that the reader may not want to keep stuff that clearly has historical value. For those readers, the authors describe how to donate materials to a cultural repository. In broad strokes, they explain how repositories differ, what the repository will want to know about the stuff you're offering, where an appraiser and/or tax advisor fits into the process, and what the reader can expect the repository to do and not do. Finally, the book addresses unexpected issues that may arise around questions of legal ownership and privacy. Throughout the book, the authors illustrate their points using photographs and vignettes.
The Ninth Child describes: 1. My family background dating back to the year 1870. 2. My life experiences as a Black child growing up in a family of 12 children, in Texas. 3. My experiences as a teacher and drug prevention counselor in the schools located in South Central Los Angeles and Gardena, CA. 4. The incidents that I witnessed, or was involved in, as a resident of South Central Los Angeles for 23 years. 5. My religious experiences
In this beautifully rendered literary memoir, Lucinda Franks, a Pulitzer Prize-winning journalist, tells the intimate story of her marriage to Manhattan District Attorney Robert Morgenthau, one of the great men of our time. "Words by the millions have been printed about you, but none have revealed your real life, your secret life--which is that you belong to me." After Lucinda interviewed Bob for The New York Times in 1973, the two took a while to understand that they had fallen in love. Franks was a self-styled radical who marched with protesters and chained herself to fences. Morgenthau was a famous lawyer, a symbol of the establishment, who could have helped put her in jail. She was twenty-six. He was fifty-three. Now, thirty-six years into a marriage that was never supposed to happen, one between two people as deeply in love as they are different, they are living proof that opposites can forge an unbreakable life bond. In Timeless, Franks offers a confidential tour of their unconventional years together, years that are both hilarious and interlaced with suspense. At the same time, she takes us behind the scenes to reveal the untold stories behind some of Morgenthau's most famous cases, many of which she helped him brainstorm for. A compelling memoir with piercing insights into how a relationship grows and develops over a lifetime, Timeless grants us an enlightening window into one of New York's most famous yet defiant and iconoclastic couples, and the trials and successes of their union.
In HISTORIC HOUSTON: HOW TO SEE IT, Lucinda Freeman brings Houstons history to life by coupling entertaining stories that highlight influential personalities and key historical events with day-trip itineraries, providing a comprehensive and useful guidebook for heritage tourists interested in the history of Houston and surrounding region. Freeman is a native Houstonian, a fifth-generation Texan, and the daughter of two parents who also wrote books on Houstons history. She relies on careful research and personal experience to offer unforgettable adventures into early Houston and Texas. She brings to light colorful historical characters like Sam Houston, Deaf Smith, and legendary cattle rustler and oilman Shanghai Pierce. Freeman also recounts stories of immigrants and highlights events from key time periods like the Texas Revolution, Antebellum Texas, and the Civil War, offering guided day-trip plans for seeing it all, including historical markers, museums, plantations, battle sites, and renovated historical buildings. HISTORIC HOUSTON: HOW TO SEE IT com bines historical facts and easy to- follow itineraries with captivating anecdotes about the famous, the infamous, the heroic, and the eccentric in order to provide a fascinating, in-depth glimpse into a forward-thinking city and region with great personality and character. For more information about the book and related projects and events, visit www.historichoustontourism.com
An epic and transporting novel, the latest installment of the “heart-wrenching, uplifting, and utterly enthralling” (Lucy Foley, author of The Guest List) Seven Sisters series, unravelling between the dazzling streets of modern-day New York City and the breathtaking plains of 1940s colonial Kenya. Electra d’Aplièse is a top model who seems to have it all: beauty, fame, and wealth. But beneath the glittery veneer, she’s cracking under all the pressure. When her father dies, she turns to alcohol and drugs to ease the pain. As friends and colleagues fear for her health, Electra receives a shocking letter from a stranger who claims to be her grandmother. In 1939, New Yorker Cecily Huntley-Morgan arrives in Kenya’s Lake Naivasha region for the exciting chance to stay with her godmother, the famous socialite Kiki Preston. But after a sheltered upbringing, she’s astounded by the hedonistic antics of the other ex-pats in the infamous Happy Valley set. Cecily soon grows to love her stunning but complicated new home, and she even accepts a proposal of marriage from an enigmatic older cattle farmer. After a shocking discovery and with war looming, Cecily feels isolated and alone. Until she meets a young woman in the woods and makes her a promise that will change the course of her life forever. Featuring Lucinda Riley’s “engaging and mesmerizing” (Library Journal, starred review) storytelling and filled with unforgettable and moving characters, The Sun Sister explores how love can cross seemingly impossible boundaries.
An ex-con reforming his life. A pregnant widow hiding her past. Will the price of her secrets cost her his love? Catarina Romano has lost everything: her husband, her house, her lifestyle. She flees to her cousin's empty manor in the heart of Portugal, trying to find peace and to hide from the scandal spun by the media, only to discover she is pregnant. Afonso Cortez is done with all the lies. Fresh out of prison for trusting the wrong person, he's ready to leave the past behind and look ahead to new opportunities. The remote Sunset Manor, in need of a groundskeeper, is the perfect solution, promising to provide Afonso with the solitude he craves while he restores the grounds to their former glory. Catarina avoids Afonso at first, not wanting to further complicate her life. But Afonso is intriguing, and she feels drawn to him. If only she didn't feel guilty for all the secrets she's keeping from him. When suspicious accidents start occurring at the property, Afonso believes his past is catching up with him. Will he be able to protect Catarina or will he lose the woman who might restore his belief in love? The Romano Family series: - Book 1- Hold Me At Twilight - Book 2- Meet Me At Sunrise - Book 3- Love Me At Sunset - Book 4- Keep Me At Christmas
When Vanessa Clark boards her grandfather's ship for a river cruise in northern Portugal, she's livid he asked the captain to babysit her. It doesn't matter how handsome the captain is; she doesn't need another man on her case. She gets enough condescension from her father and grandfather.Matias Romano is the captain of a luxury ship--not a personal tour guide. But refusing the company president's request is out of the question, and he reluctantly agrees to take his American granddaughter ashore on day trips. At least, it's only for eight days and then she can carry on with her life as an heiress.Vanessa and Matias become unlikely friends as they investigate a string of accidents on the ship, discovering their assumptions of each other are wrong. As the cruise comes to an end, they realize there is more to each other than first impressions.If only they had more time to explore their true feelings before they return to port and go their separate ways...
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