Inspired by true events, Twice upon a Time begins during the aftermath of the trail of tears when our government treated honorable people as viruses to be exterminated. In this instance, Cherokee Native Americans: they had followed laws, they had their own alphabet, they had a government so compelling it was copied by the interlopers. Ms. Saxton describes struggles and love stories handed down by fragments and educated guess involving two of her ancestors, stunning Winter Flower and gorgeous John John. Of the two, only John John is accounted for in the published first census of new arrivals in Oklahoma in 1839 “Cherokee Roots” (Western Rolls). The true events within may act as a bridge between the quelling white man and victimized people of color as Saxton also shines a lamp onto formerly rarely-published facts of Martin Luther King’s 1960’s movement. Overcoming injustice, with God’s glorious guidance, brings the reader to new heights of resolution and inspiration.
Inspired by true events, Twice upon a Time begins during the aftermath of the trail of tears when our government treated honorable people as viruses to be exterminated. In this instance, Cherokee Native Americans: they had followed laws, they had their own alphabet, they had a government so compelling it was copied by the interlopers. Ms. Saxton describes struggles and love stories handed down by fragments and educated guess involving two of her ancestors, stunning Winter Flower and gorgeous John John. Of the two, only John John is accounted for in the published first census of new arrivals in Oklahoma in 1839 “Cherokee Roots” (Western Rolls). The true events within may act as a bridge between the quelling white man and victimized people of color as Saxton also shines a lamp onto formerly rarely-published facts of Martin Luther King’s 1960’s movement. Overcoming injustice, with God’s glorious guidance, brings the reader to new heights of resolution and inspiration.
Edmund Rubbra’s music has given him a reputation as a ‘spiritual’ composer, who had an interest in Eastern thought, and a mid-life conversion to Roman Catholicism. This book takes a wide and detailed view of ‘spiritual’ dimensions or strands that were important in his life, positioning them both biographically and within the context of contemporaneous English culture. It proceeds to interpret through detailed analysis the ways these spiritual aspects are reflected in specific compositions. Thematical treatment of these spiritual issues, touching on Theosophy, dance, Eastern religions and thought, nature, the evolutionary theory of Teilhard de Chardin and the Christ figure, presents a multi-faceted view of Rubbra’s life and music. Its contribution to a scholarly re-evaluation of his place within twentieth-century British music and culture engages and meshes with several areas of current scholarly research in the arts and humanities, including academic interest in Theosophy, modernism and the arts, experimental dance and the Indian cultural renaissance and East–West musical interactions of the late nineteenth and early twentieth centuries. It also adds to a burgeoning body of writings on music and spirituality, fuelled by the popularity of later twentieth-century and contemporary composers who make more overt spiritual references in their music.
Niccolò Ridolfi (1501–50), was a Florentine cardinal, nephew and cousin to the Medici popes Leo X and Clement VII, and he owed his status and wealth to their patronage. He remained actively engaged in Florentine politics, above all during the years of crisis that saw the Florentine state change from republic to duchy. A widely respected patron and scholar throughout his life, his sudden death during the conclave of 1549–50 led to allegations of poison that an autopsy appears to confirm. This book examines Cardinal Ridolfi and his court in order to understand the extent to which cardinalate courts played a key part in Rome’s resurgence and acted as hubs of knowledge located on the fault lines of politics and reform in church and state, hospitable spaces that can be analysed in the context of entanglements in Florentine and Roman cultural and political patronage, and intersections between the princely court and a more professional and complex knowledge and practice of household management in the consumer and service economy of early modern Rome. Based on an array of archival sources and on three treatises whose authors were closely linked to Ridolfi’s court, this monograph explores these multidisciplinary intersections to allow the more traditional fields of church and political history to be approached from different angles. Niccolò Ridolfi and the Cardinal's Court will appeal to all those interested in the organisation of these elite establishments and their place in sixteenth-century Roman society, the life and patronage of Niccolò Ridolfi in the context of the Florentine exiles who desired a return to republicanism, and the history of the Roman Catholic Church.
Discusses the nature and significance of authorship and uses interviews and biographical profiles to analyze the contributions of notable women writers.
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