Named one of the Best Books of 2017 by the Philadelphia Inquirer: All hell breaks loose in the liberal bubble when a mother's life spirals out of control when she's forced to rethink her bleeding heart ideals. For Karen Kipple, it isn't enough that she works full-time in the nonprofit sector for an organization that helps children from disadvantaged homes. She's also determined to live her personal life in accordance with her ideals. This means sending her daughter, Ruby, to an integrated public school in their Brooklyn neighborhood. But when a troubled student from a nearby housing project begins bullying children in Ruby's class, the distant social and economic issues Karen has always claimed to care about so passionately begin to feel uncomfortably close to home. A daring, discussable satire about gentrification and liberal hypocrisy, Class is also a smartly written story that reveals how life as we live it -- not as we like to imagine it -- often unfolds in gray areas.
What if your best friend, whom you've always counted on to flounder in life and love (making your own modest accomplishments look not so bad), suddenly starts to surpass you in every way? Wendy's best friend, Daphne, has always been dependably prone to catastrophe. And Wendy has always been there to help. If Daphne veers from suicidal to madly in love, Wendy offers encouragement. But when Daphne is suddenly engaged, pregnant, and decorating a fabulous town house in no time at all, Wendy is . . . not so happy for her. Caught between wanting to be the best friend she prides herself on being and crippling jealousy of flighty Daphne, Wendy takes things to the extreme, waging a full-scale attack on her best friend -- all the while wearing her best, I'm-so-happy-for-you smile -- and ends up in way over her head. Rosenfeld has a knack for exposing the not-always-pretty side of being best friends -- in writing that is glittering and diamond-sharp. I'm So Happy For You is a smart, darkly humorous, and uncannily dead-on novel about female friendship.
Wendy's best friend, Daphne, has always been dependably prone to catastrophe. And Wendy has always been there to help. But when Daphne suddenly starts to surpass her in every way, Wendy is not so happy for her, in this darkly humorous take on female friendship.
Perfect. Pretty. Political. For nearly forty years, The Hellinger sisters of Hastings-on-Hudson-namely, Imperia (Perri), Olympia (Pia), and Augusta (Gus) -- have played the roles set down by their loving but domineering mother Carol. Perri, a mother of three, rules her four-bedroom palace in Westchester with a velvet fist, managing to fold even fitted sheets into immaculate rectangles. Pia, a gorgeous and fashionable Chelsea art gallery worker, still turns heads after becoming a single mother via sperm donation. And Gus, a fiercely independent lawyer and activist, doesn't let her break-up from her girlfriend stop her from attending New Year's Day protests on her way to family brunch. But the Hellinger women aren't pulling off their roles the way they once did. Perri, increasingly filled with rage over the lack of appreciation from her recently unemployed husband Mike, is engaging in a steamy text flirtation with a college fling. Meanwhile Pia, desperate to find someone to share in the pain and joy of raising her three-year-old daughter Lola, can't stop fantasizing about Donor #6103. And Gus, heartbroken over the loss of her girlfriend, finds herself magnetically drawn to Jeff, Mike's frat boy of a little brother. Each woman is unable to believe that anyone, especially her sisters, could understand what it's like to be her. But when a freak accident lands their mother to the hospital, a chain of events is set in motion that will send each Hellinger sister rocketing out of her comfort zone, leaving her to wonder: was this the role she was truly born to play? With The Pretty One, author Lucinda Rosenfeld does for siblings what she did for female friendship in I'm So Happy for You, turning her wickedly funny and sharply observant eye on the pleasures and punishments of lifelong sisterhood.
A fresh (in more than one sense) and honest new voice in fiction is extravagantly displayed in this first novel that candidly dissects modern romance. Plagued with weird parents, an underdeveloped body, and a mind on the verge of self-deconstruction, Phoebe Fine feels ill-equipped for a journey through the hardening chambers of the late twentieth-century heart. But from fifth grade and Roger Mancuso, equal parts baby Brando and court jester, through her early adult life with New Media executive Neil Schmertz, a babytalker who prefers spooning to sex, Phoebe trudges defiantly through guyland, armed with a tart tongue, and propelled by an insatiable desire to be loved.
Beginning with the fifth grade, Phoebe Fine, the shy but observant daughter of an oboist in suburban New Jersey, finds that love is a risky game to play. Encountering a rogue's gallery of males, she is constantly struggling to reconcile her conflicting desires for safety and adventure.
Perfect. Pretty. Political. For nearly forty years, The Hellinger sisters of Hastings-on-Hudson-namely, Imperia (Perri), Olympia (Pia), and Augusta (Gus) -- have played the roles set down by their loving but domineering mother Carol. Perri, a mother of three, rules her four-bedroom palace in Westchester with a velvet fist, managing to fold even fitted sheets into immaculate rectangles. Pia, a gorgeous and fashionable Chelsea art gallery worker, still turns heads after becoming a single mother via sperm donation. And Gus, a fiercely independent lawyer and activist, doesn't let her break-up from her girlfriend stop her from attending New Year's Day protests on her way to family brunch. But the Hellinger women aren't pulling off their roles the way they once did. Perri, increasingly filled with rage over the lack of appreciation from her recently unemployed husband Mike, is engaging in a steamy text flirtation with a college fling. Meanwhile Pia, desperate to find someone to share in the pain and joy of raising her three-year-old daughter Lola, can't stop fantasizing about Donor #6103. And Gus, heartbroken over the loss of her girlfriend, finds herself magnetically drawn to Jeff, Mike's frat boy of a little brother. Each woman is unable to believe that anyone, especially her sisters, could understand what it's like to be her. But when a freak accident lands their mother to the hospital, a chain of events is set in motion that will send each Hellinger sister rocketing out of her comfort zone, leaving her to wonder: was this the role she was truly born to play? With The Pretty One, author Lucinda Rosenfeld does for siblings what she did for female friendship in I'm So Happy for You, turning her wickedly funny and sharply observant eye on the pleasures and punishments of lifelong sisterhood.
A fresh (in more than one sense) and honest new voice in fiction is extravagantly displayed in this first novel that candidly dissects modern romance. Plagued with weird parents, an underdeveloped body, and a mind on the verge of self-deconstruction, Phoebe Fine feels ill-equipped for a journey through the hardening chambers of the late twentieth-century heart. But from fifth grade and Roger Mancuso, equal parts baby Brando and court jester, through her early adult life with New Media executive Neil Schmertz, a babytalker who prefers spooning to sex, Phoebe trudges defiantly through guyland, armed with a tart tongue, and propelled by an insatiable desire to be loved.
Some flowers are team players, content to let their gently expressive hues and textures take a supporting role in an arrangement or bouquet. Others have a domineering, outgoing nature and always insist on being the center of attention. Recognizing flowers’ differing personalities—and blending the meek and the bold together in unusual, romantic, and harmonious ways—is at the heart of Lucinda Rooney’s floral philosophy. In Bouquets with Personality, Rooney divulges her secrets: the materials and tools she’s most fond of using, her design influences, her theory of color, and, most important, her insightful “psychology” of the botanical realm. It’s that in-depth understanding of how flowers and plants convey emotion that makes this book such an informative and inspirational resource for beginning flower-arrangers, seasoned professionals, and anyone who just loves flowers. The pages are graced, throughout, by Mick Hales’ lovely photos of both individual flowers and completed bouquets.
If you had a dependable method for determining the healthiest and most viable conceptus from a cohort of growing preembryos, replacing more than a single one in order to achieve good pregnancy rates would be moot. Sometime in the not-so-distant future, this may be a reality. Taking a step towards that future, An Atlas of Human Blastocysts vividly i
What if your best friend, whom you've always counted on to flounder in life and love (making your own modest accomplishments look not so bad), suddenly starts to surpass you in every way? Wendy's best friend, Daphne, has always been dependably prone to catastrophe. And Wendy has always been there to help. If Daphne veers from suicidal to madly in love, Wendy offers encouragement. But when Daphne is suddenly engaged, pregnant, and decorating a fabulous town house in no time at all, Wendy is . . . not so happy for her. Caught between wanting to be the best friend she prides herself on being and crippling jealousy of flighty Daphne, Wendy takes things to the extreme, waging a full-scale attack on her best friend -- all the while wearing her best, I'm-so-happy-for-you smile -- and ends up in way over her head. Rosenfeld has a knack for exposing the not-always-pretty side of being best friends -- in writing that is glittering and diamond-sharp. I'm So Happy For You is a smart, darkly humorous, and uncannily dead-on novel about female friendship.
Named one of the Best Books of 2017 by the Philadelphia Inquirer: All hell breaks loose in the liberal bubble when a mother's life spirals out of control when she's forced to rethink her bleeding heart ideals. For Karen Kipple, it isn't enough that she works full-time in the nonprofit sector for an organization that helps children from disadvantaged homes. She's also determined to live her personal life in accordance with her ideals. This means sending her daughter, Ruby, to an integrated public school in their Brooklyn neighborhood. But when a troubled student from a nearby housing project begins bullying children in Ruby's class, the distant social and economic issues Karen has always claimed to care about so passionately begin to feel uncomfortably close to home. A daring, discussable satire about gentrification and liberal hypocrisy, Class is also a smartly written story that reveals how life as we live it -- not as we like to imagine it -- often unfolds in gray areas.
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