Some flowers are team players, content to let their gently expressive hues and textures take a supporting role in an arrangement or bouquet. Others have a domineering, outgoing nature and always insist on being the center of attention. Recognizing flowers’ differing personalities—and blending the meek and the bold together in unusual, romantic, and harmonious ways—is at the heart of Lucinda Rooney’s floral philosophy. In Bouquets with Personality, Rooney divulges her secrets: the materials and tools she’s most fond of using, her design influences, her theory of color, and, most important, her insightful “psychology” of the botanical realm. It’s that in-depth understanding of how flowers and plants convey emotion that makes this book such an informative and inspirational resource for beginning flower-arrangers, seasoned professionals, and anyone who just loves flowers. The pages are graced, throughout, by Mick Hales’ lovely photos of both individual flowers and completed bouquets.
Some flowers are team players, content to let their gently expressive hues and textures take a supporting role in an arrangement or bouquet. Others have a domineering, outgoing nature and always insist on being the center of attention. Recognizing flowers’ differing personalities—and blending the meek and the bold together in unusual, romantic, and harmonious ways—is at the heart of Lucinda Rooney’s floral philosophy. In Bouquets with Personality, Rooney divulges her secrets: the materials and tools she’s most fond of using, her design influences, her theory of color, and, most important, her insightful “psychology” of the botanical realm. It’s that in-depth understanding of how flowers and plants convey emotion that makes this book such an informative and inspirational resource for beginning flower-arrangers, seasoned professionals, and anyone who just loves flowers. The pages are graced, throughout, by Mick Hales’ lovely photos of both individual flowers and completed bouquets.
“All aspiring authors know the value of a great literary agent, but few know how to get one. Lucinda Halpern has written the definitive guide to attracting an agent and laying the groundwork for a book well worth publishing.”— Adam Grant, #1 New York Times best-selling author of Think Again and Hidden Potential, and host of the TED podcast Re:Thinking A step-by-step guide from a New York literary agent that will show you how to create a winning concept, craft an irresistible pitch, and land your dream book deal. In this practical, immediately actionable guide, Lucinda Halpern, who has represented New York Times bestsellers and brokered numerous deals with major publishers for over a decade, divulges what agents look for in authors and the shortcuts they use to get book deals but have never revealed—until now. Lucinda has personally helped hundreds of writers and entrepreneurs launch timeless, best-selling books. But the path to literary success begins with knowing the answers to questions like: How do I make my book idea marketable to agents and publishers? What essential ingredients should my book pitch possess? What common pitfalls and errors should I avoid? How do I find a reputable agent who shares my vision? What can I do if I'm getting rejected by agents and publishers? With her unique 6-step method, Lucinda provides the tools and concrete strategies to: Write a query letter that gets an agent's attention Build an effective marketing platform Create a timeless bestseller Packed with interviews from best-selling authors, leading book editors from Penguin Random House, Simon & Schuster, HarperCollins, Hachette, and more, Get Signed is the indispensable roadmap you need right now to get noticed and become a published author.
Homing the Metropole presents a new approach to diasporic fiction that reorients postcolonial readings of migration away from processes of displacement and rupture towards those of placement and homemaking. While notions of home have frequently been associated with essentialist understandings of nation and race, an uncritical investment in tropes of homelessness can prove equally hegemonic. By synthesising postcolonial and intersectional feminist theory, this work establishes the migrant domestic space as a central location of resistance, countering notions of the private sphere as static, uncreative and apolitical. Through close readings of fiction emerging from the African, Caribbean and South Asian diasporas, it reassesses our conception of home in light of contemporary realities of globalisation and forced migration, providing a valuable critique of the celebration of unfixed subject positions that has been a central tenet of postcolonial studies.
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