The language of the Tohono O'odham (formerly known as Papago) and Pima Indians is an important subfamily of Uto-Aztecan spoken by some 14,000 people in southern Arizona and northern Sonora. This dictionary is a useful tool for native speakers, linguists, and any outsiders working among those peoples. The second edition has been expanded to more than 5,000 entries and enhanced by a more accessible format. It includes full definitions of all lexical items; taxonomic classification of plants and animals; restrictive labels; a pronunciation guide; an etymology of loan words; and examples of usage for affixes, idioms, combining forms, and other items peculiar to the Tohona O'odham-Pima language. Appendixes contain information on phonology, kinship and cultural terms, the numbering system, time, and the calendar. Maps and charts define the locations of place names, reservations, and the complete language family.
Lucille M. Schultz's The Young Composers: Composition's Beginnings in Nineteenth-Century Schools is the first full-length history of school-based writing instruction. Schultz demonstrates that writing instruction in nineteenth-century American schools is much more important in the overall history of writing instruction than we have previously assumed. Drawing on primary materials that have not been considered in previous histories of writing instruction—little-known textbooks and student writing that includes prize-winning essays, journal entries, letters, and articles written for school newspapers—Schultz shows that in nineteenth-century American schools, the voices of the British rhetoricians that dominated college writing instruction were attenuated by the voice of the Swiss education reformer Johann Heinrich Pestalozzi. Partly through the influence of Pestalozzi's thought, writing instruction for children in schools became child-centered, not just a replica or imitation of writing instruction in the colleges. It was also in these nineteenth-century American schools that personal or experience-based writing began and where the democratization of writing was institutionalized. These schools prefigured some of our contemporary composition practices: free writing, peer editing, and the use of illustrations as writing prompts. It was in these schools, in fact, where composition instruction as we know it today began, Schultz argues. This book features a chapter on the agency of textbook iconography, which includes illustrations from nineteenth-century composition books as well as a cultural analysis of those illustrations. Schultz also includes a lengthy bibliography of nineteenth-century composition textbooks and student and school newspapers.
Taking on the myth that Irish settlers in Canada were a wave of famine victims, Lucille Campey reveals the pioneering achievements of the Irish who began populating — and thriving in — Ontario and Quebec a century before the famine of 1840. The second volume of the Irish in Canada series brings an informative and lively account of this great saga.
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