Maine, like much of the United States, is in the midst of an opioid crisis. It arrives in northern Maine around the same time as the MacPhees, and is verging on disaster by their second year of residence. After a brush with oxycodone, forty-two-year-old Nigel MacPhee, a married father of four, sets off on a path to remake himself, opening gallery and antique store in Foster Lake and using his God-given talents for mental healing on others, including his mother, Meg. Like her dad, thirteen-year-old Ada only wants to help. She’s involved with the therapeutic riding program created by their neighbors, Dan and Anne Stevens, while her siblings—Bette, Jeff, and Henry—are having their own adventures in the otherwise dull northern Maine countryside. Then there are unforeseen consequences when Nigel’s gallery business picks up and he sells a puzzle box to his old friend Henry Hobbs, who fled heavily taxed Maine for tax-free New Hampshire. It seems there are men spying on the MacPhees—and Nigel may have gotten involved in something way out of his depth. In this novel, a family transplanted to northern Maine in the midst of the opioid crisis begins to settle in, only to find themselves encountering unexpected danger.
In her new collection of stories, author Lucia Bartlett presents three tales that explore unexpected and strange departures from normal life. The Vampire Squid continues a tale of the residents of Foster Lake. Fall, 2019 has families going about their business in the small northern Maine town when odd sightings are reported at the woman’s prison. Then in March 2020, days before Covid lock-down, The Lane School takes a field trip to a new underground military facility that leaves teachers & students with unsettling impressions. When the women’s prison raises the alarm; children are in danger, it’s up to Anne Stevens to find out the truth. Set in year 2030, “Papercuts” follows twenty-three-year-old Wesley, a warehouse supervisor who yearns to become a CERT; part of the executive team. He obeys their orders but is manipulated into disaster when a beautiful coworker seduces him. The ultimate cost may be his sanity—or his life. “The Community,” goes back to the late 1970s and early 1980s, at a time when epidemic suicide hits an upper middle class housing development and explores the possibility that expectations of perfect family life may not be healthy.
Just after Christmas, a very young donkey named Jenny arrives in Foster Lake, Maine, at the Donkey and Mule Rescue run by Dan and Anne Stevens. Their eight-year-old daughter, Olivia, is fascinated by the cowboys who bring Jenny to them—even though she still wishes she could have a dog instead. Meanwhile, the other residents of Foster Lake have their own troubles. Henry Hobbs and his wife, Jane, are dealing with the loss of their barn and all the antiques that had been stored within. Isolated from the community, they keep to themselves, their dreams destroyed in the fire. The MacPhees—Nigel; his wife, Leah; and their four children—have recently moved there from suburban Boston. It’s quite a change, particularly for twelve-year-old Ada, who struggles to make friends. Her eight-year-old sister, Bette, however, is friends with Olivia, and the girls soon learn about Jenny. Now Ada has found a mission for herself—to help out with the Donkey and Mule Rescue. Together the girls form the Donkey Club, intending to help out with the donkeys staying with the Stevenses. But when Bette and Jenny go missing, the whole town must come together to find them. In this novel, set in northern Maine, a group of young girls form a club to help take care of rescued donkeys and soon find their lives changed forever.
In 1936 to 1936 Polly Pierce was an eleven-year-old New Jersey school girl leaving the security of her grandfather’s home in Pennsylvania to travel east with her parents. Initially her problems were that of your average seventh grader; adjusting to a new private all-girls school, where she was placed ahead a grade. Polly worried over her studies, friendships, class and racial distinctions. Then like the present day, 1930s Europe cast a long shadow and Polly found herself in the middle of a life-threatening crime where she alone must save a friend and report the truth. Her parents drank, had parties unaware of the treachery right under their noses. Polly was under extraordinary circumstances in a world controlled by adults. In order to do right she lied, stole and snuck around. In the end her bravery went unrewarded, an adult authority figure co-opted it. Set in the early ‘80s, the second story, Rogo the Magnificent, is about a bloodhound who brings people safely home and Isabella a young autistic girl who manages life with the help of ghosts. At first the ghosts appear as figments of her imagination, later they’re sinister. Meanwhile Rogo continues to-do good and Isabella, needing someone safe to love attaches herself to him.
In 1936 to 1936 Polly Pierce was an eleven-year-old New Jersey school girl leaving the security of her grandfather's home in Pennsylvania to travel east with her parents. Initially her problems were that of your average seventh grader; adjusting to a new private all-girls school, where she was placed ahead a grade. Polly worried over her studies, friendships, class and racial distinctions. Then like the present day, 1930s Europe cast a long shadow and Polly found herself in the middle of a life-threatening crime where she alone must save a friend and report the truth. Her parents drank, had parties unaware of the treachery right under their noses. Polly was under extraordinary circumstances in a world controlled by adults. In order to do right she lied, stole and snuck around. In the end her bravery went unrewarded, an adult authority figure co-opted it. Set in the early '80s, the second story, Rogo the Magnificent, is about a bloodhound who brings people safely home and Isabella a young autistic girl who manages life with the help of ghosts. At first the ghosts appear as figments of her imagination, later they're sinister. Meanwhile Rogo continues to-do good and Isabella, needing someone safe to love attaches herself to him.
Maine, like much of the United States, is in the midst of an opioid crisis. It arrives in northern Maine around the same time as the MacPhees, and is verging on disaster by their second year of residence. After a brush with oxycodone, forty-two-year-old Nigel MacPhee, a married father of four, sets off on a path to remake himself, opening gallery and antique store in Foster Lake and using his God-given talents for mental healing on others, including his mother, Meg. Like her dad, thirteen-year-old Ada only wants to help. She’s involved with the therapeutic riding program created by their neighbors, Dan and Anne Stevens, while her siblings—Bette, Jeff, and Henry—are having their own adventures in the otherwise dull northern Maine countryside. Then there are unforeseen consequences when Nigel’s gallery business picks up and he sells a puzzle box to his old friend Henry Hobbs, who fled heavily taxed Maine for tax-free New Hampshire. It seems there are men spying on the MacPhees—and Nigel may have gotten involved in something way out of his depth. In this novel, a family transplanted to northern Maine in the midst of the opioid crisis begins to settle in, only to find themselves encountering unexpected danger.
Just after Christmas, a very young donkey named Jenny arrives in Foster Lake, Maine, at the Donkey and Mule Rescue run by Dan and Anne Stevens. Their eight-year-old daughter, Olivia, is fascinated by the cowboys who bring Jenny to them—even though she still wishes she could have a dog instead. Meanwhile, the other residents of Foster Lake have their own troubles. Henry Hobbs and his wife, Jane, are dealing with the loss of their barn and all the antiques that had been stored within. Isolated from the community, they keep to themselves, their dreams destroyed in the fire. The MacPhees—Nigel; his wife, Leah; and their four children—have recently moved there from suburban Boston. It’s quite a change, particularly for twelve-year-old Ada, who struggles to make friends. Her eight-year-old sister, Bette, however, is friends with Olivia, and the girls soon learn about Jenny. Now Ada has found a mission for herself—to help out with the Donkey and Mule Rescue. Together the girls form the Donkey Club, intending to help out with the donkeys staying with the Stevenses. But when Bette and Jenny go missing, the whole town must come together to find them. In this novel, set in northern Maine, a group of young girls form a club to help take care of rescued donkeys and soon find their lives changed forever.
In her new collection of stories, author Lucia Bartlett presents three tales that explore unexpected and strange departures from normal life. The Vampire Squid continues a tale of the residents of Foster Lake. Fall, 2019 has families going about their business in the small northern Maine town when odd sightings are reported at the woman’s prison. Then in March 2020, days before Covid lock-down, The Lane School takes a field trip to a new underground military facility that leaves teachers & students with unsettling impressions. When the women’s prison raises the alarm; children are in danger, it’s up to Anne Stevens to find out the truth. Set in year 2030, “Papercuts” follows twenty-three-year-old Wesley, a warehouse supervisor who yearns to become a CERT; part of the executive team. He obeys their orders but is manipulated into disaster when a beautiful coworker seduces him. The ultimate cost may be his sanity—or his life. “The Community,” goes back to the late 1970s and early 1980s, at a time when epidemic suicide hits an upper middle class housing development and explores the possibility that expectations of perfect family life may not be healthy.
This book studies the tension between historicity and the desire to free the subject from historical necessity that defines novels that are presented as if they were the autobiographies of historical personages, novels that gesture towards historical factuality and literary fictionality. Boldrini visits autobiographies of others, or ‘heterobiographies,’that are distinguished by the acknowledgment in their fictional structure and ideological premises of the operation involved in assuming another’s voice, of the historical and philosophical gap inherent in the ‘double I’ they stage. Unlike more traditional examples of the historical/biographical novel, their aim is not so much the reconstruction of a historically believable context and individual, but the very exploration of that gap: of changing conceptions of selfhood; of the relationships between writing, history, and subjectivity; and of the intellectual categories that shape our understanding of these relationships. The analysis of texts by authors such as David Malouf, Peter Carey, Michael Ondaatje, Gilbert Adair, Anna Banti, and Manuel Vázquez Montalbán shows that heterobiography is a powerful literary and intellectual tool employed to reflect critically on cultural, historical, and philosophical constructions of the human; on individual identity, its representations, and its formation through dialogue with the other; on the relationships of power that define the subject socially and legally; of the ethics of the voice and the ethical implications of literary practices of representation; and, therefore, also on the social, political, and cultural role of the literary writer.
In 1936 to 1936 Polly Pierce was an eleven-year-old New Jersey school girl leaving the security of her grandfather’s home in Pennsylvania to travel east with her parents. Initially her problems were that of your average seventh grader; adjusting to a new private all-girls school, where she was placed ahead a grade. Polly worried over her studies, friendships, class and racial distinctions. Then like the present day, 1930s Europe cast a long shadow and Polly found herself in the middle of a life-threatening crime where she alone must save a friend and report the truth. Her parents drank, had parties unaware of the treachery right under their noses. Polly was under extraordinary circumstances in a world controlled by adults. In order to do right she lied, stole and snuck around. In the end her bravery went unrewarded, an adult authority figure co-opted it. Set in the early ‘80s, the second story, Rogo the Magnificent, is about a bloodhound who brings people safely home and Isabella a young autistic girl who manages life with the help of ghosts. At first the ghosts appear as figments of her imagination, later they’re sinister. Meanwhile Rogo continues to-do good and Isabella, needing someone safe to love attaches herself to him.
This book sets out modern methods of computing properties of materials, including essential theoretical background, computational approaches, practical guidelines and instructive applications.
This book arises from a three-year study of Preventive Justice directed by Professor Andrew Ashworth and Professor Lucia Zedner at the University of Oxford. The study seeks to develop an account of the principles and values that should guide and limit the state's use of preventive techniques that involve coercion against the individual. States today are increasingly using criminal law or criminal law-like tools to try to prevent or reduce the risk of anticipated future harm. Such measures include criminalizing conduct at an early stage in order to allow authorities to intervene; incapacitating suspected future wrongdoers; and imposing extended sentences or indefinate on past wrongdoers on the basis of their predicted future conduct - all in the name of public protection and security. The chief justification for the state's use of coercion is protecting the public from harm. Although the rationales and justifications of state punishment have been explored extensively, the scope, limits and principles of preventive justice have attracted little doctrinal or conceptual analysis. This book re-assesses the foundations for the range of coercive measures that states now take in the name of prevention and public protection, focussing particularly on coercive measures involving deprivation of liberty. It examines whether these measures are justified, whether they distort the proper boundaries between criminal and civil law, or whether they signal a larger change in the architecture of security. In so doing, it sets out to establish a framework for what we call 'Preventive Justice'.
One of the most popular presidents of the twentieth century, John F. Kennedy has been the subject of countless books, documentaries, and portrayals both on television and in feature films. Whether depicting his exploits during World War II (PT-109), capturing crucial moments during his presidency (Thirteen Days), or providing a fictionalized account of his assassination (Executive Action), films continue to portray Kennedy and his legacy. In The JFK Image: Profiles in Docudrama, Raluca Lucia Cimpean examines John F. Kennedy’s representations in motion pictures, focusing on how the late president’s image has been constructed to keep the myths of the Kennedy era and Camelot alive. The volumeexplores those myths through docudramas, which combine the aesthetic and narrative codes of documentaries with those of fiction to portray the characters and events of the Kennedy era as classic battles between good and evil. Beginning with an examination of the docudrama and its uses, this book analyzes the Kennedy image—with its focus on the New Frontier, Camelot, and revisionist approaches—and then provides in-depth examinations of such films as JFK, In the Line of Fire, and The Rat Pack. Drawing on archival research and Kennedy letters only recently released to the public, The JFK Image will be of great interest to scholars of film and popular culture, as well as those working in political science, the culture of the 1960s, and, of course, Kennedy studies.
In 1997, when Lucia Guerra-Reyes began research in Peru, she observed a profound disconnect between the birth care desires of health personnel and those of indigenous women. Midwives and doctors would plead with her as the anthropologist to "educate women about the dangerous inadequacy of their traditions." They failed to see how their aim of achieving low rates of maternal mortality clashed with the experiences of local women, who often feared public health centers, where they could experience discrimination and verbal or physical abuse. Mainly, the women and their families sought a "good" birth, which was normally a home birth that corresponded with Andean perceptions of health as a balance of bodily humors. Peru's Intercultural Birthing Policy of 2005 was intended to solve these longstanding issues by recognizing indigenous cultural values and making biomedical care more accessible and desirable for indigenous women. Yet many difficulties remain. Guerra-Reyes also gives ethnographic attention to health care workers. She explains the class and educational backgrounds of traditional birth attendants and midwives, interviews doctors and health care administrators, and describes their interactions with local families. Interviews with national policy makers put the program in context.
The book tells the story of how the British consular service in the Aegean, in the years of the British protectorate of the Ionian Islands (1815-1864) became an agency for the retrieval, excavation and collection of antiquities eventually destined for the British Museum. Exploring the historical, political and diplomatic circumstances that allowed the consular service to develop from a chartered company into a state run institution under the direction of the Foreign Office, it provides a unique perspective on the intersection of state policy, private ambition, and the collecting of antiquities. Drawing extensively on consular correspondence, the study sets out several challenges to current views. For those interested in the history of travel in the Levant, or more generally in the Grand Tour, the book presents an alternative point of view that challenges the travellers' descriptions of the region. The book also intersects with British diplomatic history, providing an insight into the consuls in both their official and private circumstances, and comparing their situation under the Levant Company with that of the Foreign Office run consular service. The complex political situation in the Aegean at the time of the take over of the service is examined along with the political and commercial roles of the consuls, their daily dealings with the Greeks and Ionians, and also with the Ottoman authorities. Through private correspondence, it shows how the consuls' reflected the belief that Greek, Egyptian, Babylonian, Roman and other antiquities would be better looked after in a British, French, German or American museum, than by the people, and in the countries, they were created for. In particular, the book illuminates the public/private nature of the consuls' role, the way they worked with, but independently of, government, and it reveals how Britain was able to acquire major pieces of sculpture from the nineteenth century Aegean.
This book presents an integrated approach to recent regulations on air pollution with particular emphasis on transborder air pollution, climate change and energy policies in the new Europe.
This volume focuses on the ongoing protest in the US against racial discrimination and racial profiling, which often result in the loss of black lives at the hands of police agents, a phenomenon that has recently attracted unprecedented media attention. The topics dealt with here, such as the relevance of the ‘Black Lives Matter’ movement, are currently included in a variety of education curricula in the US, and, in like manner, this book can be used in first and second level degrees in linguistic and cultural studies, communication, media studies and political sciences. It contains well-developed methodological sections (with tables, figures, graphs and notes), where the tenets of critical discourse analysis are concisely illustrated from its Foucauldian roots up to the more recent developments of multimodal critical discourse analysis and positive discourse analysis, as well as the contribution of the Sidney School with their emphasis on mapping culture through narrative genres and the wealth of resources for discourse analysis provided by the appraisal framework.
As the case with her fiction, Berlin's pieces here are as faceted as the brightest diamond." --Kristin Iversen, NYLON NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE. Named a Fall Read by Buzzfeed, Vulture, Newsday and HuffPost A compilation of sketches, photographs, and letters, Welcome Home is an essential nonfiction companion to the stories by Lucia Berlin Before Lucia Berlin died, she was working on a book of previously unpublished autobiographical sketches called Welcome Home. The work consisted of more than twenty chapters that started in 1936 in Alaska and ended (prematurely) in 1966 in southern Mexico. In our publication of Welcome Home, her son Jeff Berlin is filling in the gaps with photos and letters from her eventful, romantic, and tragic life. From Alaska to Argentina, Kentucky to Mexico, New York City to Chile, Berlin’s world was wide. And the writing here is, as we’ve come to expect, dazzling. She describes the places she lived and the people she knew with all the style and wit and heart and humor that readers fell in love with in her stories. Combined with letters from and photos of friends and lovers, Welcome Home is an essential nonfiction companion to A Manual for Cleaning Women and Evening in Paradise.
As real women increasingly entered the professions from the 1970s onward, their cinematic counterparts followed suit. Women lawyers, in particular, were the protagonists of many Hollywood films of the Reagan-Bush era, serving as a kind of shorthand reference any time a script needed a powerful career woman. Yet a close viewing of these films reveals contradictions and anxieties that belie the films' apparent acceptance of women's professional roles. In film after film, the woman lawyer herself effectively ends up "on trial" for violating norms of femininity and patriarchal authority. In this book, Cynthia Lucia offers a sustained analysis of women lawyer films as a genre and as a site where other genres including film noir, maternal melodrama, thrillers, action romance, and romantic comedy intersect. She traces Hollywood representations of female lawyers through close readings of films from the 1949 Adam's Rib through films of the 1980s and 1990s, including Jagged Edge, The Accused, and The Client, among others. She also examines several key male lawyer films and two independent films, Lizzie Borden's Love Crimes and Susan Streitfeld's Female Perversions. Lucia convincingly demonstrates that making movies about women lawyers and the law provides unusually fertile ground for exploring patriarchy in crisis. This, she argues, is the cultural stimulus that prompts filmmakers to create stories about powerful women that simultaneously question and undermine women's right to wield authority.
Splendid, spiritual, and subversive, this anthology offers a sampler of just some of the feminisms emerging in academic seminars, street demonstrations for justice, and places where people are reclaiming their ancestral values. She Is Everywhere! Vol. 2 is comprised of international essays, poems, and works of art from the growing community of women and men who recognize Her and feel Her call to expression in many forms. This unique volume presents a fresh look at women in the Judeo-Christian Bible, in the Koran, and in the kaleidoscopic beauty of the world's women from her signs in caves, cliffs, and forests to her many faces, manifestations, and hidden places. Celebrate woman's spirituality, her colors, her islands and continents, her rages and blessings in weather, her silences, and her surprising epiphanies. She Is Everywhere! Vol. 2 leads the contemporary cultural and political nonviolent revolution for a radically democratic and harmonious world full of compassion, equality, and transformation!
Connect, focus, align, and activate your team to increase performance fast The Four Mindsets: How to Influence, Motivate, and Lead High Performance Teams holds the key to significantly increasing productivity, performance, and revenue in your organisation. Developed as a guide proven to help all levels of managers to connect, focus, align and activate their teams to elevate results, this book also serves as a low-cost, first step, alternative to expensive training, coaching and mentoring programs by providing a range of resources and tools to use and become a 'best in class' leader today. Management, motivations and mindsets have changed considerably in the last 25 years and leaders are being challenged with the task of keeping their teams engaged while meeting goals that are more stringent than ever before. The High Performance Mindset Model will equip you with the skills you need to take your teams performance to the next level and considers hot topics in today's business environment, such as emotional intelligence, whole brain thinking, and what makes professionals tick, in a format that is applicable at all levels of management and leadership. The Four Mindsets updates you on what matters most today and the most common strategies and techniques used by high performing companies, leaders and managers–globally. Explore the simplest, fastest ways to increase productivity, performance, and revenue. Understand what you must do to be within the top five percent of today's managers. Discuss what makes people tick at work and how this understanding is the number one key to influencing accountability, focus and results. Consider current best practices in team management, and understand how to practically apply these concepts. The Four Mindsets: How to Influence, Motivate, and Lead High Performance Teams is the ultimate handbook for every manager —from team leader to CEO—HR professionals, management consultants, trainers, coaches, and mentors charged with the responsibility of developing today's modern leaders.
Acclaimed poet and MacArthur Foundation Fellow, Lucia Perillo, a former park ranger who loved to hike the Cascade Mountains alone and prided herself on daring solo skis down the wild slopes of Mount Rainier, was diagnosed with multiple sclerosis when she was in her thirties. I've Heard the Vultures Singing is a clear-eyed and brazenly outspoken examination of her life as a person with disabilities. In unwavering and witty prose, and without a trace of self-pity, she contemplates the bitter ironies of being unable to walk, what it’s like to experience eros as a sick person, how to lower one’s expectations for a wilderness experience, and how to deal with the vagaries of a disease that has no predictable trajectory. Masterfully written, the essays resonate with lovers of literature and nature, and with anyone who has dealt with disadvantages of the body or the hard-luck limitations of ordinary life.
The Thirty Pieces of Silver: Coin Relics in Medieval and Modern Europe discusses many interconnected topics relating to the most perfidious monetary transaction in history: the betrayal of Jesus by Judas for thirty pieces of silver. According to medieval legend, these coins had existed since the time of Abraham’s father and had been used in many transactions recorded in the Bible. This book documents fifty specimens of coins which were venerated as holy relics in medieval and modern churches and monasteries of Europe, from Valencia to Uppsala. Most of these relics are ancient Greek silver coins in origin mounted in precious reliquaries or used for the distribution of their wax imprints believed to have healing powers. Drawing from a wide range of historical sources, from hagiography to numismatics, this book will appeal to students and academics researching Late Antique, Medieval, and Early Modern History, Theology, as well as all those interested in the function of relics throughout Christendom. The Thirty Pieces of Silver is a study that invites meditation on the highly symbolic and powerful role of money through coins which were the price, value, and measure of Christ and which, despite being the most abject objects, managed to become relics.
Lucia Saks uses South African cinema as a lens through which to view cultural changes resulting from the end of apartheid in 1994. She examines how media transformed the meaning of race and nation during this period and argues that, as apartheid was disbanded and new racial constructs allowed, South Africa quickly sought a new mode of representation as a way to distance itself from the violence and racism of the half-century prior, as well as to demonstrate stability amid social disruption. This rapid search for a new way to identify and portray itself is what Saks refers to as the race for representation. She contextualizes this race in terms of South African history, the media, apartheid, sexuality, the economy, community, early South African cinema, and finally speculates about the future of "counter-cinema" in present-day South Africa.
Photochemistry of Heterocycles is a comprehensive review of the topic, including photooxidation, photoreduction and photoaddition reactions as well as industrial aspects of heterocyclic photochemistry. Many materials used for the manufacturing of OLEDs and other electrooptical switches contain heterocycles, and the use of small molecules or polymers containing heterocyclic substances are being studied as new photovoltaic materials. This reference is ideal for synthetic organic chemists, specifically researchers working in organic photochemistry, as well as medicinal chemists and material scientists. Heterocyclic compounds are widely used in the modern world, and most of the drugs currently in use have heterocyclic nuclei among their constituents. These compounds are subject to a photochemical degradation processes which must be known and prevented. Presents an authoritative and comprehensive review of the photochemistry of heterocycles Covers the full spectrum of photochemical reactivity, including photoreduction and photoaddition reactions of heterocyclic compounds Includes industrial aspects of heterocyclic photochemistry and materials used to manufacture OLEDs and other electrooptical switches
Distributed by the University of Nebraska Press for Caxton Press The high desert of the Owyhee Mountain region has a history rich in native conflicts, settlers braving its harsh deserts, miners searching for fortune in its rugged mountains and boomtowns springing up and then crashing down as the mines dried up.
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