In Honour of the 500th Anniversary of the Publication of Luca Pacioli's Summa de Arithmetica, Geometria, Proportioni Et Proportionalita, Siena, 18th-19th November 1992
In Honour of the 500th Anniversary of the Publication of Luca Pacioli's Summa de Arithmetica, Geometria, Proportioni Et Proportionalita, Siena, 18th-19th November 1992
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A new English interpretation of Fra Luca Pacioli's (the Father of Accounting) treatise on accounting, commemorating the 500th anniversary of its original publication in Venice in 1494. His PARTICULARIS was the first codification of double-entry accounting & a guide for merchants on sound accounting & business practice: "If you are in business & do not know all about your money, it will go like flies, that is, you will lose it."--(Luca Pacioli) Originally written not in Latin, but in vernacular Italian, it was a tremendous success, & earned Pacioli his place in history. "...the name Pacioli is linked with famous artists, writers, & political figures of his day"--(THE WALL STREET JOURNAL, January 29, 1993). This very readable translation by Dr. Jeremy Cripps brings Pacioli's material to life, & captures the enduring nature of the underlying principles of accounting & business. To order: for U.S. orders, send $45.00 check or money order (includes shipping & handling); for foreign orders send $60.00 (in U.S. dollars). Will accept purchase orders from U.S. institutions. Sorry, no credit cards. The Pacioli Society, Albers School of Business, Seattle University, 900 Broadway, Seattle, WA 98122.
This is a facsimile (in black and white) of De Divina Proportione ("On the Divine Proportion"), printed June 1st 1509 in Venice, of which only two copies reached our XXIth century. It had to become one among the most famous books in the world, but not only because it was partly made by Leonardo da Vinci and printed during his lifetime. He drew fifty nine of the sketches it includes, which form the earliest work from the artist's hand to appear in print. Luca Bartolomeo de Pacioli (1445-1517), Italian mathematician and Franciscan friar, wrote the full text of it. He and Leonardo da Vinci set forth a way of describing the visible world in terms of its common geometrical elements, what he calls the "divine proportion", equally known as the "Golden ratio". Even the layout of this book, which we may find somehow surprising today, Pacioli and da Vinci drafted it on a geometrical grid with respect to the divine proportion. De Divina proportione also is one of the most remarkable illustrated books published in the sixteenth century. Based on the writings of Plato, Euclid, and Vitruvius, and arguing his thesis by means of exegesis and the generous use of evocative illustration, Pacioli claims that this proportional element is shared by a variety of solid bodies, from human anatomy to architectural forms and even to the composition of the letter's design in the Roman alphabet. Today we don't know how many copies of De Divina Proportione were printed in Venice by printer Paganinus de Paganinus. Two surviving copies only exist, one at the Biblioteca Ambrosiana in Milan, and the second at the Bibliothèque de Genève in Geneva, Switzerland. For the intersection of art and science and the active engagement of the pre-eminent genius of the period, Leonardo da Vinci, this is one of the most iconic works of the Italian Renaissance. The clarity of both the written material and Leonardo's diagrams gave the book a popularity beyond mathematical circles. It has since then been reprinted several times and translated in many languages.
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