Lowell Tarling recorded Martin Sharp's life, and his effect on his friends, over twenty years. Now two volumes in one, in advance of the film of these books - GHOST TRAIN... Sharp: The Road to Abraxas - Part One, 1942-1979 Sharper: Bringing It All Back Home - Part Two, 1980-2013 'Like the Ancient Mariner, it's also a ghastly tale. I could understand the events at Luna Park a bit. I was trying to understand them and then suddenly there was this poetic language working to say: this is a crucifixion, Golgotha, death by fire. And then it starts to fit into Apocalyptic vision. It was Abraxas if you like - the dark face and the light face. To look upon Abraxas is blindness. To know it is sickness. To worship it is death. To fear it is wisdom. To assist it not is redemption. I don't know what it means. I've never been able to work it out. You get a Pop Art Parallel. It was the Year of the Child, the place of Golgotha, the Place of the Skull, and the Ghost Train. You then get these events that are caused by plotting, not caring for kids, carelessness, living a human life - the way of the world.' - Martin Sharp, 4 March 1984
The first and best biography of the great Troubadour with artwork by Martin Sharp. Throughout his lifetime, Tiny Tim was a repository of recorded music stemming from the early days of vaudeville to the latest chart favourites. But despite all these influences he remained a true original perfecting his performances as an outreach of his personality. True, he had some strange traits, but they did not impede on his enthusiastic kindness to people he loved, to the musicians he accompanied, and to the many listeners he met. In the age of celebrity, he functioned as the complete entertainer. Lowell Tarling has provided Tiny with a living biography and given us a definitive incentive to re-listen to his recording and re-visit his numerous You Tube postings. You get the feeling that somewhere Tiny is standing on his tiptoes, strumming his ukulele, blowing kisses and saying, 'God bless you all!' - Hal Stein, (Tiny's cousin and close friend) April 2013
(Book). The late Lowell George is best known as the lead singer, slide guitarist, songwriter and producer of Little Feat. George's humor and surreal lyrics became a Little Feat trademark, making songs like "Fat Man in the Bathtub" and "Dixie Chicken" unforgettable. Rock and Roll Doctor explores the genius that animated Little Feat from George's early bands to his work with Frank Zappa, landmark albums such as Feats Don't Fail Me Now and The Last Record Album , and his later production work with Linda Ronstadt and the Grateful Dead. George's colorful childhood is covered in depth as is his solo career after Little Feat that was cut short tragically. Each Little Feat album is treated to a separate chapter that examines the development of every song how it was conceived, recorded and produced. The analysis of Little Feat's complex rhythms will fascinate musicians and fans alike. "Lowell George was the best singer, songwriter and guitar player I have ever heard, hands down, in my life." Bonnie Raitt
This book is not claiming Melanchthon rediscovered the gospel. That honor belongs to his friend and mentor, Martin Luther. Nevertheless, Dr. Lowell C. Green argues that Melanchthon helped Luther in the task. Dr. Green knew that in choosing the title, How Melanchthon Helped Luther Discover the Gospel, he risked arousing the prejudice of those who look on Melanchthon with suspicion. Green is not blind to Melanchthon's faults; at times, he is critical of him. But, he debunks the myth that when Melanchthon came to Wittenberg in 1518, Luther had already developed his Reformational doctrine. Green shows that Melanchthon brought the tools of humanism to the aid of the emerging agitation. Although maintaining a subordinate role to Luther, Melanchthon helped him repeatedly at the turning points of the Reformation. Green asserts that Melanchthon was the first to speak of the authority of the Bible over the church. In his Baccalaureate Theses of 1519, Melanchthon became the first to articulate the forensic nature of justification. Most surprisingly, Melanchthon helped Luther move from the medieval view of faith as credulitas or adhaesio (adherence) to the Reformational view of faith as fiducia (trust) and assurance of salvation. Luther testified that he learned this from Melanchthon in 1518. As late as 1519, Luther had not yet abandoned the medieval view of grace as an infused substance. Melanchthon again led the way in 1520 when he declared that grace was simply the attitude of God-His favor. In his 1521 Loci Communes Melanchthon not only pointed out that grace is not something in us, but he made the important distinction between "grace" and "the gift of grace" (the Holy Spirit). Luther generously acknowledged the brilliance of Melanchthon's Loci Communes. This and other accolades Luther showered on Melanchthon are an indication of young scholar's influence on the great reformer's central teachings. Lowell C. Green was one of America's foremost Luther scholars, and his body of work continues to inform and shape Reformation studies today. This edition of How Melanchthon Helped Luther Discover the Gospel is the fruition of more than twenty-five years of Luther studies. Dr. Green's central thrust was to challenge the "Young Luther" cult which originated in the early 1900s and gained such a stranglehold on Luther studies in the 1950s and 1960s. In this volume, Green marshals the evidence gathered over a lifetime of study, joining his voice to a choir of scholars who challenge the central thesis of the "Young Luther" movement. After thoroughly demonstrating that Luther's early works contained a medieval or Roman Catholic "analytical justification," Green traces the emergence of the Reformational doctrine and a real break with medieval theology beginning in 1519. Green amply demonstrates that the mature Luther subscribed to and frequently expressed the doctrine of justification in forensic terms so that the glory of our salvation could be ascribed wholly to Christ and for the comfort of conscience against the accusing power of the law.
Galilee is a Gospel music label started in 1978 and active until 1982, when all the key players were Christians (more or less). Now, three of the four believe in something else, leaving record producer, songwriter, lecturer in Rock, and Bible translator, Robert Wolfgramm as the only true believer. Such is their respect for Robert and the Gospel years that Sally Hilder, Genna Levitch and Lowell Tarling have re-joined Robert and re-formed Galilee. They have re-released all three Galilee records and written this book. Galilee songs go into unusual territory. All My Friends Are Sinners and Refugee are 'moody' albums. Not happy-clapping. More like the blue note resonating from the Psalms of David. After which comes Persecution Games - unusual territory indeed. Welcome to the crucifixion.
The U.S. occupation of Japan transformed a brutal war charged with overt racism into an amicable peace in which the issue of race seemed to have disappeared. During the Occupation, the problem of racial relations between Americans and Japanese was suppressed and the mutual racism transformed into something of a taboo so that the two former enemies could collaborate in creating democracy in postwar Japan. In the 1980s, however, when Japan increased its investment in the American market, the world witnessed a revival of the rhetoric of U.S.-Japanese racial confrontation. Koshiro argues that this perceived economic aggression awoke the dormant racism that lay beneath the deceptively smooth cooperation between the two cultures. This pathbreaking study is the first to explore the issue of racism in U.S.-Japanese relations. With access to unexplored sources in both Japanese and English, Koshiro is able to create a truly international and cross-cultural study of history and international relations.
Olivia Greyson is the proud owner of The Gingerbread House—a quaint shop that specializes in all things cookie—and her best friend, Maddie, is her sidekick, baking up scrumptious treats for their cookie-themed parties. But when a stunning antique cookie cutter collection leads to murder, things get a bit too hot to handle…
The increasing consolidation of the defense aerospace industry, brought about by post-Cold War reductions in defense authorizations, has led to the proliferation of cross-border relationships between U.S. and European firms. This report examines aerospace industry globalization trends with a view toward determining how the U.S. Air Force can best exploit such trends while minimizing their risks. It concludes that further research must be done to ascertain how the advantages of globalization, such as increased competition and interoperability, can best be achieved without compromising security concerns.
As one of only two states in the nation to still allow slavery by the time of the Thirteenth Amendment in 1865, Kentucky's history of slavery runs deep. Based on extensive research, The Antislavery Movement in Kentucky focuses on two main antislavery movements that emerged in Kentucky during the early years of opposition. By 1820, Kentuckians such as Cassius Clay called for the emancipation of slaves—a gradual end to slavery with compensation to owners. Others, such as Delia Webster, who smuggled three fugitive slaves across the Kentucky border to freedom in Ohio, advocated for abolition—an immediate and uncompensated end to the institution. Neither movement was successful, yet the tenacious spirit of those who fought for what they believed contributes a proud chapter to Kentucky history.
Olivia Greyson is the proud owner of The Gingerbread House-a quaint shop that specializes in all things cookie-and her best friend, Maddie, is her sidekick, baking up scrumptious treats for their cookie-themed parties. But now they must take a break from baking and find a killer, or else their reputation-and quite possibly their lives-will be battered for good.
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