The first and best biography of the great Troubadour with artwork by Martin Sharp. Throughout his lifetime, Tiny Tim was a repository of recorded music stemming from the early days of vaudeville to the latest chart favourites. But despite all these influences he remained a true original perfecting his performances as an outreach of his personality. True, he had some strange traits, but they did not impede on his enthusiastic kindness to people he loved, to the musicians he accompanied, and to the many listeners he met. In the age of celebrity, he functioned as the complete entertainer. Lowell Tarling has provided Tiny with a living biography and given us a definitive incentive to re-listen to his recording and re-visit his numerous You Tube postings. You get the feeling that somewhere Tiny is standing on his tiptoes, strumming his ukulele, blowing kisses and saying, 'God bless you all!' - Hal Stein, (Tiny's cousin and close friend) April 2013
In 1901, Cadbury learned that its cocoa beans purchased from Portuguese-owned plantations on the island of Sao Tome off West Africa were produced by slave labor.
Political Warfare against the Kremlin provides a comparative study and holistic review of American and British propaganda policy toward the Soviet Union during the first fifteen years of the Cold War, ranging from the role senior policymakers played in setting propaganda policy to the West's radio broadcasts to the Soviet Union.
A Field of Broken Stones, first published in 1950 (after numerous rejections by ‘traditional’ publishers, the book was printed by the Libertarian Press), is Lowell Naeve’s account of his experiences as a conscientious objector to the Second World War, starting with his refusal to be drafted, followed by his prison time. The book describes Naeve’s personal transformation as his political and social views develop through talks with fellow inmates, his writing, and his drawings and paintings (some of which are included in the book). Naeve was eventually released from prison on May 14, 1946. Naeve would continue to be a social activist, and also taught art at a school in Vermont. He eventually settled in Creston, British Columbia, where he passed away on August 21, 2014 at the age of 97.
The definitive story of a South Carolina newspaper editor’s murder at the hands of a 1902 gubernatorial candidate, and the dramatic trial that ensued. On January 15, 1903, South Carolina lieutenant governor James H. Tillman shot and killed Narciso G. Gonzales, editor of South Carolina’s most powerful newspaper, the State. Blaming Gonzales’s stinging editorials for his loss of the 1902 gubernatorial race, Tillman shot Gonzales to avenge the defeat and redeem his “honor” and his reputation as a man who took bold, masculine action in the face of an insult. James Lowell Underwood investigates the epic murder trial of Tillman to test whether biting editorials were a legitimate exercise of freedom of the press or an abuse that justified killing when camouflaged as self-defense. This clash—between the revered values of respect for human life and freedom of expression on the one hand and deeply engrained ideas about honor on the other—took place amid legal maneuvering and political posturing worthy of a major motion picture. One of the most innovative elements of Deadly Censorship is Underwood’s examination of homicide as a deterrent to public censure. He asks the question, “Can a man get away with murdering a political opponent?” Deadly Censorship is courtroom drama and a true story. Underwood offers a painstaking re-creation of an act of violence in front of the State House, the subsequent trial, and Tillman’s acquittal, which sent shock waves across the United States. A specialist on constitutional law, Underwood has written the definitive examination of the court proceedings, the state’s complicated homicide laws, and the violent cult of personal honor that had undergirded South Carolina society since the colonial era. “Since the 1920s, the United States has had dozens of sensational trials—all of which have been labeled “the trial of the century.” There is no question had the trial of Lieutenant Governor James Tillman for the murder of N. G. Gonzales, the editor of the State newspaper, occurred in our time that it would have had the same appellation. . . . Riveting . . . as gripping as any contemporary courtroom drama.” —Walter Edgar, author of South Carolina: A History “An insightful and in-depth look at the assassination of Columbia newspaper editor N.G. Gonzales by South Carolina Lt. Gov. James H. Tillman in 1903. Jim Underwood’s carefully researched work not only reports on the killing and ensuing trial, it explains the forces that created a society where it was acceptable to kill a man to silence his pen.” —Jay Bender, Reid H. Montgomery Freedom of Information Chair, University of South Carolina “Finally, Jim Underwood has unraveled the killing, the murder trial, and the aftermath, and through his narrative tells a story of unfettered freedom of the press versus hot-bloodied Southern manhood honor. Without question, Deadly Censorship is a remarkable, eloquent, and important book.” —W. Lewis Burke, Director of Clinical Legal Studies, School of Law, University of South Carolina
Robert Lowell once remarked in a letter to Elizabeth Bishop that "you ha[ve] always been my favorite poet and favorite friend." The feeling was mutual. Bishop said that conversation with Lowell left her feeling "picked up again to the proper table-land of poetry," and she once begged him, "Please never stop writing me letters—they always manage to make me feel like my higher self (I've been re-reading Emerson) for several days." Neither ever stopped writing letters, from their first meeting in 1947 when both were young, newly launched poets until Lowell's death in 1977. Presented in Words in Air is the complete correspondence between Bishop and Lowell. The substantial, revealing—and often very funny—interchange that they produced stands as a remarkable collective achievement, notable for its sustained conversational brilliance of style, its wealth of literary history, its incisive snapshots and portraits of people and places, and its delicious literary gossip, as well as for the window it opens into the unfolding human and artistic drama of two of America's most beloved and influential poets.
Treasure in a Box: A Guide to the Icons of St. Andrew is a narrative companion to the largest body of Pokrovsky icons in North America, located at St. Andrew Antiochian Orthodox Church in Lexington, Kentucky. The late Ksenia Mihailovna Pokrovskaya was a world-renowned master iconographer who immigrated to the United States from Moscow in 1991, six months before the collapse of the Soviet Union. During the 1960s, she gave up a promising career as a biophysicist at Moscow University to become a leader of a clandestine movement that revived the tradition of icon painting in her homeland, where it was forbidden by law. Over the past two decades the curious as well as the faithful have come to survey the interior of an unremarkable shoebox structure that is St. Andrew Orthodox Church. The universal response has been one of awe when standing before this visual gospel that portrays the history of salvation from the conception of the Virgin Mary to the evangelistic preaching of the apostles. Treasure in a Box: A Guide to the Icons of St. Andrew provides an up close look at these symbols of faith.
While growing up in South Dakota, Ray Lillibridge saw Sioux Indian chief Sitting Bull, witnessed the Children's Blizzard of 1888, and lived through prairie fires, grasshopper infestations, and times of want. But when he moved to Delavan, Illinois, in the early 1900s to live with his uncle, he had no idea that destiny was already guiding him to the love of his life. In a compilation of letters, recollections, and photographs, James Lowell Hall leads others through the love story of Ray Lillibridge and Marguerite Jenike as they courted each other, fell in love, corresponded, and bridged the ten-mile gap between their homes. The book gives a glimpse of life and hardships in America over one hundred years ago, recounting Ray's internal struggles, Marguerite's devotion to her faith and family, and the legacy they left behind. Good Night, Sweetheart, Good Night shares the true love story of a young couple at the turn of the twentieth century as they created a life together.
Environmental law expert Lowell E. Baier reveals how over centuries the federal government slowly preempted the states’ authority over managing their resident wildlife. In doing so, he educates elected officials, wildlife students, and environmentalists in the precedents that led to the current state of wildlife management, and how a constructive environment can be fostered at all levels of government to improve our nation’s wildlife and biodiversity.
A novel about a high school band by Lowell Tarling with artwork by Martin Sharp. You may finish school with no plans, no money, and no direction. But if all you want is to play guitar with your teeth, smash a Rickenbacker or grow your hair long - then being in a high school band could be the last thing you need… It is 1967. Tom is 18, and ready… This novel combines the cunning wit of Lowell Tarling with the atmospheric pop art of the iconic Martin Sharp.It is the best of times. It is the worst of times. It is the age of wisdom. It is the age of foolishness. It is the age of The Who and the Beatles. It is the time of Dylan. It is the season of Light. It is the season of Darkness. Nobody is who they think they are. Everyone is whoever they want to be. It is the autumn of despair, the winter of discontent, the spring of hope. And the Summer of Love. We have everything before us. Everything is original. Everything borrowed. People come only in two types: those who ARE Rock and Roll and those who aint. 1967 - THIS IS IT! embraces the journey of Thomas Truscott - wannabee rock god and all round misfit as he careens from disaster to discovery in his last year of school, battling the establishment, prefects, the Vietnam war and most of all, himself.
Fred Stott says in his preface to this book that "if you ever hiked or skied a White Mountain trail between 1922 and 1959 you may well have met Joe Dodge. Certainly you know his name. If you have been on a trail since 1959 the chances are good you have heard of him, very possibly a tale about him. Without question the best-known inhabitant of the White Mountains in this century was Joseph Brooks Dodge, Huts Manager of the Appalachian Mountain Club, Pinkham Notch, New Hampshire. He became a legend during his lifetime. The legend has grown in the years since his death." Here is the first book to tell about that legend thanks to Bill Putnam's long and intimate friendship with Joe Dodge, and his numerous anecdotes which make this remarkable man come to life. Joe himself tells much of the story in his colorful and often blunt speech. Joe Dodge managed the far flung AMC Hut System, running from Lonesome Lake to Evans Notch, each hut providing food, shelter, and sleeping quarters for hikers. In addition he founded the Mount Washington Observatory because he was interested in weather and realized the importance of establishing a permanent year-round outpost on the highest peak in northeast North America. He was also a public servant of the community where he lived. Joe Dodge was a builder, too -- of huts located miles from the nearest habitations or highways. Just as important, he was a builder of public awareness that these huts and all outdoors belonged to and must be open to the public. He was also an educator who shared with all his wisdom, his knowledge, and his zest for learning. Everyone who loves mountains and relishes a skillfully written portrait of an unique personality who understood both the out-of-doors and the people who enjoy it, will want to read and own this book.
When Luke Taylor's father leaves home to fight for the South in the Civil War, it's up to Luke to be the man of his family. Luke struggles to keep his family safe as Union soldiers march through the South burning crops, destroying buildings, and killing livestock. When a band of renegades dressed as Union soldiers attacks his home, killing his brother and beating him and his mother, Luke must leave the farm to find his father. Luke and his father return to see their farm facing a new threat-carpetbaggers from the North who threaten to seize their land. When Luke and his father resist, Luke has to kill a carpetbagger to defend his father. The leader of the carpetbaggers reports to the Union army that Luke killed his man in cold blood. Luke must either stay with his family and risk being hanged or leave his home forever in search of a better life in the West. In Luke Taylor-Westward Bound, Luke races against time, Union soldiers, and bounty hunters on his way to join a wagon train in Independence, Missouri. With only a packhorse, a few days' supply of food, and a stowaway dog, Luke heads west on a tense, adventure-filled journey of survival. Luke Taylor-Westward Bound takes readers along on a thrilling quest for freedom, peace, and ultimately, revenge.
Martin Sharp was an integral part of international Pop Art in the 1960s, magnified through his covers for OZ magazine in Sydney and London, his covers for Cream, and posters of Dylan, Hendrix and Donovan. His efforts at making The Yellow House and Luna Park cultural precincts were aided by his screen prints and exhibitions to flaunt the work of others, especially the singer Tiny Tim. In this first of two volumes, Lowell Tarling offers us a way into the enigmatic and reclusive artist, through interviews with Sharp and all of his trusted friends, including artists Tim Lewis, Peter Kingston, Garry Shead, photographers Greg Weight, Jonny Lewis and William Yang, film-maker Phillippe Mora, actor Lex Marinos, musicians Mic Conway, Jeannie Lewis, Tiny Tim; Richard Neville and Jim Anderson from London Oz. 'Lowell Tarling was a close friend of Martin Sharp and other Yellow House artists for over forty years and has been recording interviews and discussions with Martin and the rest of us all that time. This is an extraordinary archive of primary source material of those heady and life changing times.' - Roger Foley-Fogg (Ellis D Fogg) 'Martin Sharp, through this wonderful collage of interviews, reminds us all, that ETERNITY is just around corner.' - Jonny Lewis
Keith Lowell Jensen thinks you should punch Nazis. In this collection of essays, stories, interviews, and rants, he tells us why. Jensen grew up and into the Sacramento punk music scene in the late eighties and early nineties, where weirdos, LGBTQ folk, feminists, and allies strived to carve out safe community spaces. This scene also attracted a different kind of outsider--white supremacists and Nazi skinheads—making for a politically charged and complicated landscape. In Punching Nazis, he reflects on his experiences with these racist fringe groups that infiltrated the progressive scene that gave rise to bands like Green Day. From unwittingly driving around in a lowrider with a gang called “The Suicidals,” to a night doing stand-up with a clown with an unwanted Swastika tattoo, Jensen brings his brand of subtle, sincere comedy to reflect on the complicated relationship that punk music has with racist skinheads and what we should do about it. In recent times, Americans are surprised to find groups like the Klan, and more recently the "Racial Realists" and the "Alt-Right," are still prominent, and now as they grow increasingly emboldened, it’s intriguing and valuable to hear tales of those who, through the love of punk rock music, have a history of dealing with racist fringe groups.
Germany's merchant marine fleet -- the second largest in the world prior to 1914 -- played an unintended but decisive role in that nation's defeat in World War I. There were those ships that went to war for the Kaiser on the high seas, those that stayed at home or otherwise played no significant part, and those that were commandeered (mostly in 1917 and by the United States) and used against Germany. This is a well illustrated history, both practical and romantic, of the association each ship may have had with famous people and events of the war, and of the fates of the ships that comprised that fleet.
On June 1,1792, Kentucky became the fifteenth state in the new nation and the first west of the Alleghenies. Lowell Harrison reviews the tangled and protracted process by which Virginia's westernmost territory achieved statehood. By the early 1780s, survival of the Kentucky settlements, so uncertain only a few years earlier, was assured. The end of the American Revolution curtailed British support for Indian raids, and thousands of settlers sought a better life in the "Eden of the West." They swarmed through Cumberland Gap and down the Ohio River, cleared the land for crops, and established towns. The division of sprawling Kentucky County into three counties in 1780 indicated its rapid growth, and that growth accelerated during the following decade. With population increase came sentiment for separation from Virginia. Such demands had been voiced earlier, but a definite separation movement began in 1784 when a convention—the first of ten such—met in Danville. Not until April 1792 was a constitution finally drafted under which the Commonwealth of Kentucky could enter the Union. While most Kentuckians favored separation, they differed over how and when and on what terms it should occur. Three factions struggled to control the movement, but their goals and methods shifted with changing circumstances. This confusing situation was made more complex by the presence of the exotic James Wilkinson and the "Spanish Conspiracy" he fomented. Harrison addresses many questions about the convoluted process of statehood: why separation was desired, why it was so difficult to achieve, what type of government the 1792 constitution established, and how Governor Isaac Shelby and the first General Assembly implemented it. His engaging account, which includes the text of the first constitution, will be treasured by all Kentuckians.
Redefining the way we think about unemployment in America today, Out of Work offers devastating evidence that the major cause of high unemployment in the United States is the government itself. An Independent Institute Book
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