The author shows how Swift's poetry reveals a structural unity when it is examined as a coherent whole. The structure that emerges is a dynamic relationship between the effort to order--the poem's principle of unity--and an opposing principle of expansion.
Building upon recent research on the history of women, this book examines Swift, both as a man and writer, in terms of women: woman as intimates, acquaintances, subjects of satire, and those who have written about him. It also explores the subject of misogyny in Swift's writings.
Chicago's Pride chronicles the growth -- from the 1830s to the 1893 Columbian Exposition - of the communities that sprang up around Chicago's leading industry. Wade shows that, contrary to the image in Upton Sinclair's The Jungle, the Stockyards and Packingtown were viewed by proud Chicagoans as "the eighth wonder of the world." Wade traces the rise of the livestock trade and meat-packing industry, efforts to control the resulting air and water pollution, expansion of the work force and status of packinghouse employees, changes within the various ethnic neighborhoods, the vital role of voluntary organizations (especially religious organizations) in shaping the new community, and the ethnic influences on politics in this "instant" industrial suburb and powerful magnet for entrepreneurs, wage earners, and their families.
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