The foremost woman artist of her age, Elisabeth Vigée Le Brun (1755—1842) exerted her considerable charm to become the friend, and then official portraitist, of Marie Antoinette. Though profitable, this role made Vigée Le Brun a public and controversial figure, and in 1789 it precipitated her exile. In a Europe torn by strife and revolution, she nevertheless managed to thrive as an independent, self-supporting artist, doggedly setting up studios in Rome, Naples, Venice, Milan, Vienna, St. Petersburg, and London. Long overlooked or dismissed, Vigée Le Brun’s portraits now hang in the Louvre, in a room of their own, as well as in all leading art museums of the world. This gripping biography tells the story of a singularly gifted and high-spirited woman during the revolutionary era and explores the development and significance of her art. The book also recounts the public and private lives of Elisabeth Vigée Le Brun, connecting her with such personalities of her age as Catherine the Great, Napoleon, and Benjamin Franklin, and setting her experiences in the context of contemporary European politics and culture. A generous selection of illustrations, including sixteen of Vigée Le Brun’s portraits presented in full color, completes this exceptional volume.
Elisabeth-Louise Vigee-Lebrun (1755-1842) was a French painter. Her style is generally considered Rococo and shows interest in the subject of neoclassical painting. By the time she was in her early teens, she was painting portraits professionally. After her studio was seized, for practicing without a license, she applied to the Academie de Saint Luc, which unwillingly exhibited her works in their Salon. In 1783, she was made a member of the Academie. She painted portraits of many of the nobility of the day and as her career blossomed, she was invited to the Palace of Versailles to paint Marie Antoinette. After the arrest of the royal family during the French Revolution Vigee-Lebrun fled France with her young daughter Julie. She lived and worked for some years in Italy, Austria, and Russia. She was welcomed back to France during the reign of Emperor Napoleon I. She visited England at the beginning of the nineteenth century and painted the portrait of several British notables including Lord Byron. She published her memoirs in 1835 and 1837, which provide an interesting view of the training of artists at the end of the period dominated by royal academies.
American Workman presents a comprehensive, novel reassessment of the life and work of one of America’s most influential self-taught artists, John Kane. With a full account of Kane’s life as a working man, including his time as a steelworker, coal miner, street paver, and commercial painter in and around Pittsburgh in the early twentieth century, the authors explore how these occupations shaped his development as an artist and his breakthrough success in the modern art world. A rough-and-tumble blue-collar man prone to brawling and drinking, Kane also sought out beauty in the industrial world he inhabited. This Kane paradox—brawny and tough, sensitive and creative—was at the heart of much of the public’s interest in Kane as a person. The allure of the Kane saga was heightened all the more by the fact that he did not achieve renown until he was at the age at which most people are retiring from their professions. Kane’s dedication to painting resulted in a fascinating body of work that has ended up in some of America’s most important museums and private collections. His dramatic life story demonstrates the courage, strength, and creativity of his generation of workmen. They may be long gone, but thanks to Kane they cannot be forgotten.
The works of the late Victorian painter Lawrence Alma Tadema have recently enjoyed a revived interest. This second volume in the Getty Museum Studies on Art focuses on Spring, one of Alma Tadema’s most renowned paintings. The book is lavishly illustrated and includes many details of the painting. The author traces the history of the painting and provides an analysis of its sources, composition, and symbolism.
Nurture Your Artistic Side with 60 Exciting Paint Projects Learn important skills to help you become a better artist with this super-fun collection of art projects. Louise McMullen, founder of the children’s craft blog, Messy Little Monster, brings her experience as both a teacher and a mother to ensure there’s a project for every artist, whatever your interest, ability or age. Learn different techniques such as how to create new colors, how to use different types of paints and even how to paint like famous artists. There are small, detailed projects for indoors and large interactive projects where you can get messy outdoors. And you’ll be inspired to think outside the box, like using shaving cream and paint to make a marbling effect, or dish soap and toothpicks to make scratch art. With 60 unique and totally fun projects, plus plenty of ideas to change things up, you’ll be inspired to paint all day every day!
Presents the story of a young girl of Bologna who worked in her father's all-male painting studio and came to enjoy more fame than any female artist before her.
Jonathan Langley's life took a devastating turn when he lost his eyesight to a rare illness. Once a successful painter and printmaker, Jonathan now lives in complete darkness, rarely leaving his apartment and angry at the world. When he encounters his precocious 11-year-old neighbor, Lupe, the two form an unlikely friendship. Her cheerful presence shatters his hardened exterior, revealing a gentle man struck by tragedy. Lupe leads him to a fresh perspective by showing him the power of kindness, compassion, and love. Based on the celebrated teachings of Louise Hay, Painting the Future explores the power of positive thinking in healing past struggles and learning to live a joyful, heart-centered life.
The Norwegian artist Edvard Munch painted his Starry Night in 1893, and a century later it continues to intrigue and even mystify viewers. The subject and emotional content of the painting are powerfully felt and yet difficult to define with precision, and its style seems strangely far removed from the Impressionist and Realist paintings of the artist’s contemporaries. In her fascinating study, Louise Lippincott explores the genesis of this great painting, placing it in the context of Scandinavian art of the late nineteenth century and Munch’s own development as an artist. Her generously illustrated and detailed analysis provides a clear understanding of this haunting masterpiece, which is one of the most popular paintings in the J. Paul Getty Museum.
This handbook contains all the information needed to pass the driving test, covering both theory and practical examinations in one volume. Produced in a clear, modern style, with full-colour photographs and diagrams, this format is designed to appeal to young readers. The book takes readers through all areas of learning to drive - from choosing a driving instructor to taking the test. The two main sections include information on all elements of the practical test and list all the official theory questions.
Hahndorf artist Nora Heysen was the first woman to win the Archibald Prize, and Australia's first female painter to be appointed as an official war artist. A portraitist and a flower painter, Nora Heysen's life was defined by an all-consuming drive to draw and paint. In 1989, aged 78, Nora re-emerged on the Australian art scene when the nation's major art institutions restored her position after years of artistic obscurity. Extensively researched, and containing artworks and photographs from the painter's life, this is the first biography of the artist, and it has been enthusiastically embraced by the Heysen family. This authorized biography coincides with a major retrospective of the works of Nora and her father, landscape painter Hans Heysen, to be held at the National Gallery of Victoria in March 2019.
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