Louise Michel was born illegitimate in 1830 and became a schoolmistress in Paris. She was involved in radical activities during the twilight of France’s Second Empire, and during the Franco-Prussian War of 1870 and the siege of Paris. She was a leading member of the revolutionary groups controlling Montmarte. Michel emerged as one of the leaders of the insurrection during the Paris Commune of March-May 1871; and French anarchists saw her as martyr and saint – The Red Virgin. When the Versailles government crushed the Commune in May 1871, Michel was sentenced to exile in New Caledonia, until the general amnesty of 1880, when she returned to France and great popular acclaim and support from the working people of the country. Michel was arrested again during a demonstration in Paris in 1883 and sentenced to six years in prison. Pardoned after three years, she continued her speeches and writing, although she spent the greater part of her time from 1890 until her death in 1905 in England in self-imposed exile. It was during her prison term from 1883 to 1886 that she compiled her Memoires, now available in English. These memoirs offer readers a view of the non-Marxist left and give an in-depth look into the development of the revolutionary spirit. The early chapters treat her childhood, the development of her revolutionary feelings, and her training as a schoolteacher. The next section describes her activities as a schoolteacher in the Haute-Marne and Paris and therefore contains much of interest on education in 19th-century Europe. Her chapters on the siege of Paris, the Commune, and her first trial show those events from the point of view of a major participant. Of particular interest is a chapter on women’s rights, which Michel saw as part of the search for the rights of all people, male and female, and not as a separate struggle. The Red Virgin: Memoirs of Louise Michel will be useful to both scholars and students of 19th-century French history and women’s studies.
Surrealism and the Exotic is the story of the obsessive relationship between surrealist and non-western culture. Describing the travels across Africa, Oceania, Mexico and the Caribbean made by wealthy aesthetes, it combines an insight into the mentality of early twentieth century collectors with an overview of the artistic heritage at stake in these adventures. Featuring more than 70 photographs of artefacts, exhibitions and expeditions-in-progress, it brings to life the climate of hedonism enjoyed by Breton, Ernst, Durkheim, and Mauss, It is an unparalleled introduction to the Surrealist movement and to French thought and culture in the 1920s and 1930s.
Instant New York Times bestseller: #1 in Hardcover Fiction #1 in E-book Fiction #1 in Combined Print and E-book Fiction "Deep and grand and altogether extraordinary....Miraculous." —The Washington Post "Artful...Powerful...Magical." - The New York Times Book Review "Superb" - People “A Great Reckoning succeeds on every level." —St. Louis Post-Dispatch #1 New York Times bestselling author Louise Penny pulls back the layers to reveal a brilliant and emotionally powerful truth in her latest spellbinding novel. When an intricate old map is found stuffed into the walls of the bistro in Three Pines, it at first seems no more than a curiosity. But the closer the villagers look, the stranger it becomes. Given to Armand Gamache as a gift the first day of his new job, the map eventually leads him to shattering secrets. To an old friend and older adversary. It leads the former Chief of Homicide for the Sûreté du Québec to places even he is afraid to go. But must. And there he finds four young cadets in the Sûreté academy, and a dead professor. And, with the body, a copy of the old, odd map. Everywhere Gamache turns, he sees Amelia Choquet, one of the cadets. Tattooed and pierced. Guarded and angry. Amelia is more likely to be found on the other side of a police line-up. And yet she is in the academy. A protégée of the murdered professor. The focus of the investigation soon turns to Gamache himself and his mysterious relationship with Amelia, and his possible involvement in the crime. The frantic search for answers takes the investigators back to Three Pines and a stained glass window with its own horrific secrets. For both Amelia Choquet and Armand Gamache, the time has come for a great reckoning.
French Jesuit missionary, Father Sebastien Rale S.J. (1657-1724) arrived in Quebec, Canada. He quickly learned the native languages and started his dictionary for his school at his assignment in Maine among the Wabanaki people of the Norridgewock Tribe. He constructed a Church and the first school at the tribal home near the Kennebec River. The people quickly learned English and were able to read and understand the English way of handling treaties. More of their land was being taken for the natural forests, trees, wildlife and seafood. Shipbuilding along the coasts produced ships for England. The Massachusetts Bay Colony wanted Father Rale out of their way, so attacks happened several times. With a bounty of silver on his head, Father Rale and his people were attacked by the English soldiers. During the final attack resulting in the death of many tribal families, Father Rale was massacred on August 23, 1724.
Translation is tricky business. The translator has to transform the foreign to the familiar while moving and pleasing his or her audience. Louise Ladouceur knows theatre from a multi-dimensional perspective that gives her research a particular authority as she moves between two of the dominant cultures of Canada: French and English. Through the analysis of six plays from each linguistic repertoire, written and translated between 1961 and 2000, her award-winning book compares the complexities of a translation process shaped by the power struggle between Canada's two official languages. The winner of the Prix Gabrielle-Roy and the Ann Saddlemyer Book Award, Dramatic Licence addresses issues important to scholars and students of Translation Studies, Canadian Literature and Theatre Studies, as well as theatre practitioners and translators. The University of Alberta Press acknowledges the financial support of the Government of Canada, through the National Translation Program for Book Publishing, for our translation activities.
Subsistence crops – the grains and other food items necessary to a people's survival – were a central preoccupation of the early modern state. In New France, the principal crop in question was wheat, and its production, consumption, exchange, and regulation were matters to which the government devoted sustained attention. Power and Subsistence examines the official measures taken to regulate the grain economy in New France, the frequency and nature of state interventions in the system, and the responses these actions provoked. Drawing on social and political perspectives and methodologies, this book brings rural and agricultural history into conversation with colonial political economy. Louise Dechêne shows that unlike in early eighteenth-century France, where the marketplace dominated and trade was transparent, the grain economy in New France was hypercentralized and government measures were increasingly harsh. Attentive to the conflicts arising between producers, merchants, consumers, and colonial administrators over the allocation of the harvest, Dechêne offers a revealing perspective on the operation of political power in a colonial setting. Lively, elegant, and wry, Power and Subsistence provides insight into the last era of French rule in North America – and, in part, how that era came to an end.
Whether in the private parlor, public hall, commercial "dance palace," or sleazy dive, dance has long been opposed by those who viewed it as immoral--more precisely as being a danger to the purity of those who practiced it, particularly women. In Adversaries of Dance, Ann Wagner presents a major study of opposition to dance over a period of four centuries in what is now the United States. Wagner bases her work on the thesis that the tradition of opposition to dance "derived from white, male, Protestant clergy and evangelists who argued from a narrow and selective interpretation of biblical passages," and that the opposition thrived when denominational dogma held greater power over people's lives and when women's social roles were strictly limited. Central to Wagner's work, which will be welcomed by scholars of both religion and dance, are issues of gender, race, and socioeconomic status. "There are no other works that even begin to approach this definitive accomplishment." --Amanda Porterfield, author of Female Piety in Puritan New England
How do you convince men to charge across heavily mined beaches into deadly machine-gun fire? Do you appeal to their bonds with their fellow soldiers, their patriotism, their desire to end tyranny and mass murder? Certainly—but if you’re the US Army in 1944, you also try another tack: you dangle the lure of beautiful French women, waiting just on the other side of the wire, ready to reward their liberators in oh so many ways. That’s not the picture of the Greatest Generation that we’ve been given, but it’s the one Mary Louise Roberts paints to devastating effect in What Soldiers Do. Drawing on an incredible range of sources, including news reports, propaganda and training materials, official planning documents, wartime diaries, and memoirs, Roberts tells the fascinating and troubling story of how the US military command systematically spread—and then exploited—the myth of French women as sexually experienced and available. The resulting chaos—ranging from flagrant public sex with prostitutes to outright rape and rampant venereal disease—horrified the war-weary and demoralized French population. The sexual predation, and the blithe response of the American military leadership, also caused serious friction between the two nations just as they were attempting to settle questions of long-term control over the liberated territories and the restoration of French sovereignty. While never denying the achievement of D-Day, or the bravery of the soldiers who took part, What Soldiers Do reminds us that history is always more useful—and more interesting—when it is most honest, and when it goes beyond the burnished beauty of nostalgia to grapple with the real lives and real mistakes of the people who lived it.
This book is essential reading for understanding the legacy behind the Catholic Worker Movement. The founders of the movement, Dorothy Day and Peter Maurin met during the Great Depression in 1932. Their collaboration sparked something in the Church that has been both an inspiration and a reproach to American Catholicism. Dorothy Day is already a cultural icon. Once maligned, she is now being considered for sainthood. From a bohemian circle that included Eugene O'Neil to her controversial labor politics to the founding of the Catholic Worker Movement, she lived out a civil rights pacifism with a spirituality that took radical message of the Gospel to heart. Peter Maurin has been less celebrated but was equally important to the movement that embraced and uplifted the poor among us. Dorothy Day said he was, "a genius, a saint, an agitator, a writer, a lecturer, a poor man and a shabby tramp." Mark and Louise Zwick's thorough research into the Catholic Worker Movement reveals who influenced Peter Maurin and Dorothy Day and how the influence materialized into much more than good ideas. Dostoevsky, Catherine of Siena, Teresa of Avila, Francis of Assisi, Therese of Lisieux, Jacques and Raissa Maritain and many others contributed to fire in the minds of two people that sought to "blow the dynamite of the Church" in 20th-century America. This fascinating and detailed work will be meaningful to readers interested in American history, social justice, religion and public life. It will also appeal to Catholics wishing to live the Gospel with lives of action, contemplation, and prayer. +
A poignant story of the impact of war on a defenceless French village during the Second World War. Four courageous villagers join the Maquis, the Resistance in Vichy occupied France, to protect their families. They are swept into a treacherous conflict where one false word or brave action can result in the torture and death of people they know and love. One old man and a young girl survive the savage destruction that wipes out the whole community. This novel uses the recorded history of the devastation of many rural villages in the Aveyron, Lot and Tarn departments of the Midi-Pyrénées. Oradour-sur-Glane in the Haute-Vienne Department is a famous memorial to the brutality of the Second World War.
A LODGING FOR THE NIGHT by R. L. Stevenson A LEAF IN THE STORM by Ouida A TERRIBLY STRANGE BED by Wilkie Collins MICHEL LORIO'S CROSS by Hesba Stretton A PERILOUS AMOUR by Stanley J. Weyman
The Nazi occupation of Europe of World War Two is acknowledged as a defining juncture and an important identity-building experience throughout contemporary Europe. Resistance is what 'saves' European societies from an otherwise chequered record of collaboration on the part of their economic, political, cultural and religious elites. Opposition took pride of place as a legitimizing device in the post-war order and has since become an indelible part of the collective consciousness. Yet there is one exception to this trend among previously occupied territories: the British Channel Islands. Collective identity construction in the islands still relies on the notion of 'orderly and correct relations' with the Germans, while talk of 'resistance' earns raised eyebrows. The general attitude to the many witnesses of conscience who existed in the islands remains ambiguous. This book conversely and expertly argues that there was in fact resistance against the Germans in the Channel Islands and is the first text to fully explore the complex relationship that existed between the Germans and the people of the only part of the British Isles to experience occupation.
This innovative title provides an in-depth interdisciplinary study of the influence of theatre and fiction in defining character in eighteenth century architecture, pushing current architects to rediscover the communicative aspects of their work.
“A moving examination of how French civilians experienced the fighting” at Normandy during WWII from the acclaimed author of What Soldiers Do (Telegraph, UK). “Like big black umbrellas, they rain down on the fields across the way, and then disappear behind the black line of the hedges.” Silent parachutes dotting the night sky—that’s how one Normandy woman learned that the D-Day invasion was under way in June of 1944. Though they yearned for liberation, the French had to steel themselves for war, knowing that their homes, lands, and fellow citizens would have to bear the brunt of the attack. With D-Day through French Eyes, Mary Louise Roberts turns the conventional narrative of D-Day on its head, taking readers across the Channel to view the invasion anew. Roberts builds her history from an impressive range of gripping first-person accounts by French citizens throughout the region. A farm family notices that cabbage is missing from their garden—then discovers that the guilty culprits are American paratroopers hiding in the cowshed. Fishermen rescue pilots from the wreck of their B-17, then search for clothes big enough to disguise them as civilians. A young man learns to determine whether a bomb is whistling overhead or silently plummeting toward them. When the allied infantry arrived, French citizens guided them to hidden paths and little-known bridges, giving them crucial advantages over the German occupiers. As she did in her acclaimed account of GIs in postwar France, What Soldiers Do, Roberts here sheds vital new light on a story we thought we knew. "In the great tradition of Studs Terkel and Is Paris Burning?, Mary Louise Roberts uses the diaries and memoirs of French civilians to narrate a history of the French at D-Day that has for too long been occluded by the mythology of the allied landing.”—Alice Kaplan, author of Dreaming in French
The content of my book is based on my belief in God and my life story in depth. This book will be a learning experience and very entertaining as well. As we go through the pages of my life, you see how sexual, mental and physical abuse as a child led me to mental breakdown, alcoholism, drug addiction and prostitution I will show you how important a strong family foundation is needed in the home as a child. Even though as a child the abuse was intensive and consistent, I still had hopes and dreams like other kids with a heart of gold. At 13 years old, l left home. I learn how to survive off of fruit trees as I felt safe sleeping under a house. You will see after I was made a ward of the court how cruel society can be. You will learn why I was placed in a mental institution at the age 14. As I go through my teenage pregnancy and give birth to baby girl, you will hold my hand. As my story unfolds you will smile with me and say "a job well done!
From the late-nineteenth to mid-twentieth century juvenile reformatories served as citizen-building institutions and a political tool of state racism in post-emancipation America. New South advocates cemented their regional affiliation by using these reformatories to showcase mercies which were racialized, gendered, and linked to sexuality. Southern Mercy uses four historical examples of juvenile reformatories in North Carolina to explore how spectacles of mercy have influenced Southern modernity. Working through archival material pertaining to race and moral uplift, including rare photos from the private archives of Samarcand Manor (the State Home and Industrial Manor for Girls) and restricted archival records of reformatory racial policies, Annette Bickford examines the limits of emancipation, and the exclusions inherent in liberal humanism that distinguish racism in the contemporary "post-race" era.
Since September 11, 2001, the imagination of "low probability, high consequence" events has become a distinctive feature of contemporary politics. Uncertain futures—devastation by terrorist attack, cyber crime, flood, financial market collapse—must be discerned and responded to as possibilities, however improbable they may be. In The Politics of Possibility, Louise Amoore examines this development, tracing its genealogy through the diverse worlds of risk management consulting, computer science, commercial logistics, and data visualization. She focuses on the increasingly symbiotic relationship between commercial opportunities and state security threats, a relation that turns the trusted, iris-scanned traveler into "a person of national security interest," and the designer of risk algorithms for casino and insurance fraud into a homeland security resource. Juxtaposing new readings of Agamben, Foucault, Derrida, Massumi, and Connolly with interpretations of post–9/11 novels and artworks, Amoore analyzes the "politics of possibility" and its far-reaching implications for society, associative life, and political accountability.
Adds a new dimension to our understanding of eighteenth-century France by investigating the provenance, treatment, and fate of exotic animals living in Paris in the 1700s."" -- American Historical Review.
#1 New York Times and Globe and Mail bestselling author Louse Penny's beloved Chief Inspector Armand Gamache mystery novels have received critical acclaim, won numerous awards, and have enthralled millions of readers. Featuring Chief Inspector of Homicide Armand Gamache of the Sûreté du Québec, these extraordinary novels are here together for the first time in a fabulous ebook bundle. Still Life Chief Inspector Gamache and his team of investigators are called to the scene of a suspicious death in Three Pines, a rural village south of Montreal. The locals are certain it's a tragic hunting accident and nothing more, but Gamache smells something foul this Thanksgiving season. A Fatal Grace When CC de Poitiers is found dead the day after Christmas, electrocuted in the middle of curling match with no witnesses, Chief Inspector Gamache digs beneath the surface to find where the real secrets are buried. But it seems that Gamache has some enemies of his own, and with the coming of the bitter winter winds, something far more chilling is in store. The Cruelest Month A group of Three Pines villagers decide to celebrate Easter with a séance at the Old Hadley House, hoping to rid the town of its evil-until one of their party dies of fright. But was it a natural death, or murder? As Chief Inspector Gamache investigates, he will be forced to face his very own ghosts as well as those residing in this seemingly idyllic town.
This student's guide is a clear and concise handbook to the key connections between Classical Studies and critical theory in the twentieth century. Louise Hitchcock looks at the way Classics has been engaged across a number of disciplines. Beginning with four foundational figures – Freud, Marx, Nietzshe and Saussure – Hitchcock goes on to provide guided introductions of the major theoretical thinkers of the past century, from Adorno to Williams. Each entry offers biographical, theoretical and bibliographical information along with a discussion of each figure's relevance to Classical Studies and suggestions for future research. Theory for Classics, adapted from Theory for Religious Studies, by William E. Deal and Timothy K. Beal, is a brisk, thoughtful, provocative, and engaging title, which will be an essential first volume for anyone interested in the intersection between theory and classical studies today.
Read the series that inspired Three Pines on Prime Video. The Cruelest Month is the third book in Louise Penny's award winning Three Pines mystery series featuring the wise and beleaguered Inspector Armand Gamache. "Many mystery buffs have credited Louise Penny with the revival of the type of traditional murder mystery made famous by Agatha Christie ... " -Sarah Weinman Welcome to Three Pines, where the cruelest month is about to deliver on its threat. It's spring in the tiny, forgotten village; buds are on the trees and the first flowers are struggling through the newly thawed earth. But not everything is meant to return to life. . . When some villagers decide to celebrate Easter with a séance at the Old Hadley House, they are hoping to rid the town of its evil---until one of their party dies of fright. Was this a natural death, or was the victim somehow helped along? Brilliant, compassionate Chief Inspector Armand Gamache of the Sûreté du Québec is called to investigate, in a case that will force him to face his own ghosts as well as those of a seemingly idyllic town where relationships are far more dangerous than they seem.
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