The result of twenty years of searching out and recording ancient designs on rocks in Oregon and Washington, Pictographs and Petroglyphs of the Oregon Country is now in a convenient, one-volume edition. The authors, Malcolm and Louise Loring, began their monumental task in the early 1960s as members of the Oregon Archaeological Society committee dedicated to surveying and recording rock art. Soon finding themselves a committee of two, they soldiered on with the monumental task of cataloging and illustrating rock art of the region. After Malcolm retired from the US Forest Service in 1963, he and Louise began a full-time effort to record the sites. For many of these sites, this volume is the only record. Part I describes sites in Washington along the Columbia River and sites in northern and central Oregon. Part II contains sites in southern Oregon, Idaho, and Nevada.
Sophy smiled at her image in the mirror, and her grey eyes smiled back at her. The shadows under them—warm, golden stains like those on a bruised magnolia leaf—gave them a mysterious, impassioned look. She felt that she was going to have a happy evening. In those days, in the early '90s, electric light was not much used in the houses in Regent's Park. Candles in brass sconces lighted her dressing-table. They brought out flickering shimmers from her gown of white brocade. Sleeves were full that year. The transparent masses of azalea pink, drooping on either side of her slender body, made it look slenderer. These sleeves were like huge orchids, and from them her arms drooped stamenlike in the soft, gold wash from the candles. Matilda, her little Kentish maid, could not keep her eyes away from her. As she hooked the long, tightly wound sash of azalea pink she kept peering at her lady's image in the glass. There, Sophy's eyes met hers. She smiled again—at Tilda this time.
In Literature of Place Melanie Simo looks beyond crowded malls and boarded-up storefronts on Main Street to our collective memory, finding answers to these questions in stories, novels, memoirs, poetry, essays, diaries, travel writing, and nature writing that range in origin from New England and the Southern Highlands to Hawaii and in subject from little gardens to lost or reinhabited places in cities, mill towns, deserts, and woodlands. In her consideration of selected American works from 1890 to 1970 - years that mark the closing of the Western frontier and later openings in space exploration, environmental protection, genetic engineering, and cyberspace - Simo uncovers a literature of place and the often-surprising relationship of place to our daily lives."--BOOK JACKET.
The papers in this volume derive from the conference on textile terminology held in June 2014 at the University of Copenhagen. Around 50 experts from the fields of Ancient History, Indo-European Studies, Semitic Philology, Assyriology, Classical Archaeology, and Terminology from twelve different countries came together at the Centre for Textile Research, to discuss textile terminology, semantic fields of clothing and technology, loan words, and developments of textile terms in Antiquity. They exchanged ideas, research results, and presented various views and methods. This volume contains 35 chapters, divided into five sections: - Textile terminologies across the ancient Near East and the Southern Levant - Textile terminologies in Europe and Egypt - Textile terminologies in metaphorical language and poetry - Textile terminologies: examples from China and Japan - Technical terms of textiles and textile tools and methodologies of classifications
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