A single city woman meets Mr. Right-he has amber eyes and a wily heart. There's only one catch . . . he has four legs and a tail. Relatively indifferent to the natural world, allergic to dogs, and happily independent, writer Louise Bernikow never had a pet and knew nothing about caring for one. But one day while running along Manhattan's Hudson River, she came across an abandoned boxer. He had a gimpy leg and a dim past, but Bernikow instantly, bewilderingly, did the one thing her mother always warned her not to do-she brought the strange male home. Here is the comical and offbeat story of their first year together. Libro, as she comes to call him (for "book," in Spanish), introduces her to the curious world of dog runs and dog people, and to a local dive where the bartender pulls pints from the tap and dog biscuits from the drawer. Bernikow, in turn, introduces Libro to the eccentric neighbors and to life as a media hound. When they meet a handsome man and his equally handsome dachshund, life takes an unexpected turn for both of them. Wonderfully written and captivating to the last, this is a remarkable tale of companionship.
In a city park, a woman meets an abandoned, amber-eyed boxer who follows her home. They spend a honeymoon year discovering each other's idiosyncrasies (morning dog or evening dog?). Then life settles into routine, and the freewheeling woman realizes that she and her bilingual comedian of a dog are “happily stuck with each other,” for better or worse. In this witty, tender memoir, Louise Bernikow charts a love story across eight years, as she and Libro take Manhattan by storm. They revel in the perks of the media spotlight; spend a hilarious summer in the Hamptons; and volunteer for pet therapy after 9/11, where Libro gets treats and Louise gets kicked out for poor behavior. With wisecracking waggishness, this story about an urban dreamboat who rescues the woman who rescued him “will touch the heart” (BOOKLIST).
In a city park, a woman meets an abandoned, amber-eyed boxer who follows her home. They spend a honeymoon year discovering each other's idiosyncrasies (morning dog or evening dog? mystery lover or biography fan?). Then life settles into routine, and the freewheeling woman realizes that she and her bilingual comedian of a dog are ''happily stuck with each other.'' For better or worse. In this witty, tender memoir, Louise Bernikow charts a love story across eight years, as she and Libro take Manhattan by storm. They revel in the perks of the media spotlight; spend a hilarious summer in the Hamptons; and volunteer for pet therapy after 9/11, where Libro gets treats and Louise gets kicked out for poor behavior. With wisecracking waggishness, this story about an urban dreamboat who rescues the woman who rescued him ''will touch the heart'' (Booklist). ''Funny, self-revealing, sometimes sad, this is the touching and eminently readable story of a love affair.
In a city park, a woman meets an abandoned, amber-eyed boxer who follows her home. They spend a honeymoon year discovering each other's idiosyncrasies (morning dog or evening dog? mystery lover or biography fan?). Then life settles into routine, and the freewheeling woman realizes that she and her bilingual comedian of a dog are ''happily stuck with each other.'' For better or worse. In this witty, tender memoir, Louise Bernikow charts a love story across eight years, as she and Libro take Manhattan by storm. They revel in the perks of the media spotlight; spend a hilarious summer in the Hamptons; and volunteer for pet therapy after 9/11, where Libro gets treats and Louise gets kicked out for poor behavior. With wisecracking waggishness, this story about an urban dreamboat who rescues the woman who rescued him ''will touch the heart'' (Booklist). ''Funny, self-revealing, sometimes sad, this is the touching and eminently readable story of a love affair.
In a city park, a woman meets an abandoned, amber-eyed boxer who follows her home. They spend a honeymoon year discovering each other's idiosyncrasies (morning dog or evening dog? mystery lover or biography fan?). Then life settles into routine, and the freewheeling woman realizes that she and her bilingual comedian of a dog are ''happily stuck with each other.'' For better or worse. In this witty, tender memoir, Louise Bernikow charts a love story across eight years, as she and Libro take Manhattan by storm. They revel in the perks of the media spotlight; spend a hilarious summer in the Hamptons; and volunteer for pet therapy after 9/11, where Libro gets treats and Louise gets kicked out for poor behavior. With wisecracking waggishness, this story about an urban dreamboat who rescues the woman who rescued him ''will touch the heart'' (Booklist). ''Funny, self-revealing, sometimes sad, this is the touching and eminently readable story of a love affair.
In a city park, a woman meets an abandoned, amber-eyed boxer who follows her home. They spend a honeymoon year discovering each other's idiosyncrasies (morning dog or evening dog? mystery lover or biography fan?). Then life settles into routine, and the freewheeling woman realizes that she and her bilingual comedian of a dog are ''happily stuck with each other.'' For better or worse. In this witty, tender memoir, Louise Bernikow charts a love story across eight years, as she and Libro take Manhattan by storm. They revel in the perks of the media spotlight; spend a hilarious summer in the Hamptons; and volunteer for pet therapy after 9/11, where Libro gets treats and Louise gets kicked out for poor behavior. With wisecracking waggishness, this story about an urban dreamboat who rescues the woman who rescued him ''will touch the heart'' (Booklist). ''Funny, self-revealing, sometimes sad, this is the touching and eminently readable story of a love affair.
In a city park, a woman meets an abandoned, amber-eyed boxer who follows her home. They spend a honeymoon year discovering each other's idiosyncrasies (morning dog or evening dog? mystery lover or biography fan?). Then life settles into routine, and the freewheeling woman realizes that she and her bilingual comedian of a dog are ''happily stuck with each other.'' For better or worse. In this witty, tender memoir, Louise Bernikow charts a love story across eight years, as she and Libro take Manhattan by storm. They revel in the perks of the media spotlight; spend a hilarious summer in the Hamptons; and volunteer for pet therapy after 9/11, where Libro gets treats and Louise gets kicked out for poor behavior. With wisecracking waggishness, this story about an urban dreamboat who rescues the woman who rescued him ''will touch the heart'' (Booklist). ''Funny, self-revealing, sometimes sad, this is the touching and eminently readable story of a love affair.
A single city woman meets Mr. Right-he has amber eyes and a wily heart. There's only one catch . . . he has four legs and a tail. Relatively indifferent to the natural world, allergic to dogs, and happily independent, writer Louise Bernikow never had a pet and knew nothing about caring for one. But one day while running along Manhattan's Hudson River, she came across an abandoned boxer. He had a gimpy leg and a dim past, but Bernikow instantly, bewilderingly, did the one thing her mother always warned her not to do-she brought the strange male home. Here is the comical and offbeat story of their first year together. Libro, as she comes to call him (for "book," in Spanish), introduces her to the curious world of dog runs and dog people, and to a local dive where the bartender pulls pints from the tap and dog biscuits from the drawer. Bernikow, in turn, introduces Libro to the eccentric neighbors and to life as a media hound. When they meet a handsome man and his equally handsome dachshund, life takes an unexpected turn for both of them. Wonderfully written and captivating to the last, this is a remarkable tale of companionship.
An important, yet little explored, area of feminist research is women's subjective experience of everyday life. Claiming Reality is the first study to apply the insights of the growing discipline of phenomenological sociology to women's experience, particularly the experience of childbirth, in an attempt to develop a feminist phenomenological perspective.
In this inspiring book, based on her twenty years of research, highly acclaimed author and teacher Louise DeSalvo reveals the healing power of writing. DeSalvo shows how anyone can use writing as a way to heal the emotional and physical wounds that are an inevitable part of life. Contrary to what most self-help books claim, just writing won't help you; in fact, there's abundant evidence that the wrong kind of writing can be damaging. DeSalvo's program is based on the best available and most recent scientific studies about the efficacy of using writing as a restorative tool. With insight and wit, she illuminates how writers, from Virginia Woolf to Henry Miller to Audre Lorde to Isabel Allende, have been transformed by the writing process. Writing as a Way of Healing includes valuable advice and practical techniques to guide and inspire both experienced and beginning writers.
Situated at the intersection of the colonial and the postcolonial, the modern and the postmodern, the novelists Christina Stead, Doris Lessing, and Nadine Gordimer all bear witness to this century's global transformations. From the Margins of Empire looks at how the question of national identity is constructed in their writings. These authors—white women who were born or grew up in British colonies or former colonies—reflect the subject of national identity in vastly different ways in both their lives and their work. Stead, who resided outside of her native Australia, has an unsettled identity. Lessing, who grew up in southern Rhodesia and migrated to England, is or has become English. Gordimer, who was born in South Africa and remains there, considers herself South African. Louise Yelin shows how the three writers' different national identities are inscribed in their fiction. The invented, hybrid character of nationality is, she maintains, a constant throughout. Locating the writings of Stead, Lessing, and Gordimer in the national cultures that produced and read them, she considers the questions they raise about the roles that whites, especially white women, can play in the new political and cultural order.
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