Most books on linguistic pragmatics overlook the role of emotion in communication. This book faces the challenges head-on by providing an original study of how we communicate our emotions through language, integrating affect in pragmatic theory. Innovative yet accessible, it is essential reading for anyone interested in communication and emotion.
Fishing for Jonah (anew) introduces students of theology to a wide range of approaches or ?methods? in biblical interpretation, drawing on the book of Jonah for illustrations. This thoroughly revised version of Fishing for Jonah (Conradie, Jonker, Lawrie & Arendse, 1992) represents both a contraction and an expansion compared to its predecessor.
This is a collection of twenty-two essays by an eminent philosopher, critic, and theorist that appeared between 1971 and 1992. The book interrogates the theory and practice of representation as it is carried out by both linguistic and graphic signs, and thus the complex relation between language and image, between perception and conception.
The written legacy of C.S. Lewis continues to be a rich mine of Christian thought and perspective. And each work continues to be as relevant today as it was at its original publishing.And now, Lewis scholar Louis Markos has done the community of faith a great service by organizing Lewis’s thoughts on a wide scope of subjects pertaining to modernity and postmodernity—on science and the natural world, the new age movement, philosophy, evil and suffering, the arts, and heaven and hell. Lewis Agonistes will make readers work in the same way that Lewis’s writings made them work, forcing them to rethink and examine ideas—to become participants in the agon (or wrestling match) of the twenty-first century.
The present state of the exegetical discipline is characterized in this book by the exploration of the concepts exclusivity and variety. There is variety not only in the numerous methods and approaches, but also in variants in methodological application, hermeneutical presuppositions, confessional and dogmatic specialization areas and the increasingly volume of scholarly literature. To escape the abyss of variety, exegetes often resort to exclusivistic claims, sometimes deliberately. The main interest of this book is methodological, with the implication that the discussion is limited to the variety of exegetical methodologies. The working hypothesis is that a multidimensional and/or integrational aproach to exegesis can evade the dangers of exclusivity and variety. Various theoretical guidelines, which should be taken into consideration in this discussion, are filtered out from previous attempsts in this regard. Two methodologies, namely a historical-critical one and a narrative one, are used as examples in this investigation. In order to investigate the practical implementation of these methodologies, the Samson Cycle (Judges 13-16) is analyzed. Subsequently, both methodologies are evaluated to the theoretical guidelines formulated earlier. The multidimensional and/or integrational possibilities of these methodologies are then scrutinized. The investigation leads to the formulation of three models which may serve as guidelines for further discussion on this topic. Preference is given to an adapted communication model which serves as a hermeneutical 'map' on which exegetical methodologies can be 'plotted'. It is proposed that the operative factor of such a communication model is a reading strategy which consists of two components, namely (I) a specialized component and (II) a competence component
Hailed in The New York Times Book Review as "eclectic, exciting, convincing, provocative" and in The Washington Post Book World as "brilliantly original," Henry Louis Gates, Jr.'s The Signifying Monkey is a groundbreaking work that illuminates the relationship between the African and African-American vernacular traditions and black literature. It elaborates a new critical approach located within this tradition that allows the black voice to speak for itself. Examining the ancient poetry and myths found in African, Latin American, and Caribbean culture, Gates uncovers a unique system for interpretation and a powerful vernacular tradition that black slaves brought with them to the New World. Exploring the process of signification in black American life and literature by analyzing the transmission and revision of various signifying figures, Gates provides an extended analysis of what he calls the "Talking Book," a central trope in early slave narratives that virtually defines the tradition of black American letters. Gates uses this critical framework to examine several major works of African-American literature--including Zora Neale Hurston's Their Eyes Were Watching God, Ralph Ellison's Invisible Man, and Ishmael Reed's Mumbo Jumbo--revealing how these works signify on the black tradition and on each other. This superb 25th-Anniversary Edition features a new preface by Gates that reflects on the impact of the book and its relevance for today's society as well as a new afterword written by noted critic W. T. J. Mitchell.
First published in 1970 in Germany, this is a revised and enlarged English translation of what remains the standard introduction to the subject. Each section contains a detailed bibliography.
Mechanical Witness is the first cultural and legal history charting the changing role and theoretical implications of film and video use as courtroom evidence. Schwartz moves from the earliest employment of film in the courts of the 1920s to the notious 1991 Rodney Kind video, revealing how the courts have developed a reliance on film and video technologies and contributed to the growing influence of visual media as a dominant mode of knowledge formation. At the same time, film and video in juridical contexts has developed a distinct theoretical legacy. The particular qualities of film as evidence both resonate with and contradict existing scholarship-focusing on economic, social, or aesthetic factors-which hitherto has defined film's status and cultural contribution. In the context of a trial, the possible meanings of a film change from its meanings when shown in a movie theater or broadcast on television, yet the public (and cinema scholars) tend to assume that the two are the same. Mechanical Witness demonstrates that we must understand evidentiary film and video's institutional specificity if we are to understand the full effects of motion picture technologies on our culture. This study sets the terms for a long overdue assessment of how the entertainment industry has shaped our film viewing practices, the place of moving picture evidence in the courtroom, and the social and cultural consequences of these intertwined histories.
An Introduction to Applied Semiotics presents nineteen semiotics tools for text and image analysis. Covering a variety of different schools and approaches, together with the author’s own original approach, this is a full and synthetic introduction to semiotics. This book presents general tools that can be used with any semiotic product. Drawing on the work of Fontanille, Genette, Greimas, Hébert, Jakobson, Peirce, Rastier and Zilberberg, the tools deal with the analysis of themes and action, true and false, positive and negative, rhythm narration and other elements. The application of each tool is illustrated with analyses of a wide range of texts and images, from well-known or distinctive literary texts, philosophical or religious texts or images, paintings, advertising and everyday signs and symbols. Each chapter has the same structure – summary, theory and application, making it ideal for course use. Covering both visual and textual objects, this is a key text for all courses in semiotics and textual analysis within linguistics, communication studies, literary theory, design, marketing and related areas.
Educator, writer, critic, intellectual, film-maker-Henry Louis Gates, Jr., has been widely praised as being one of America's most prominent and prolific scholars. In what will be an essential volume, The Henry Louis Gates, Jr., Reader collects three decades of writings from his many fields of interest and expertise. From his earliest work of literary-historical excavation in 1982, through his current writings on the history and science of African American genealogy, the essays collected here follow his path as historian, theorist, canon-builder, and cultural critic, revealing a thinker of uncommon breadth whose work is uniformly guided by the drive to uncover and restore a history that has for too long been buried and denied. An invaluable reference, The Henry Louis Gates, Jr., Reader will be a singular reflection of one of our most gifted minds.
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