snowstorms along the Northeastern Coast of the United States: 1955 to 1985 documents 20 of the most crippling snowstorms that have affected the heavily populated coastal region of the Middle Atlantic states and southern New England over the last four decades. Heavy snowfall and high winds associated with storms often referred to as "nor'easters" can maroon millions of people at home or in transit, severely disrupt human services and commerce, and endanger the lives of those who venture out doors. Paul J. Kocin and Louis W. Uccellini provide answers to questions of how these important storms develop, what factors delineate snow/no snow situations, and what weather patterns provide clues that foretell such events. The book provides a comprehensive overview of this phenomenon from historical, climatological, and dynamical perspectives, using many illustrations, maps, tables, and color schematics. The introduction describes the major effects of such storms, the complex physical interactions that fuel their development, and the problems they present to forecasters trying to predict their fickle behavior and progress. A review of the great northeastern storms of the past three centuries follows, along with a climatology of the heavy snow events over a 30-year period. Descriptions of 20 major storms supply a framework for understanding the dynamical and thermodynamical processes that contribute to heavy snowfall. A summary of the physical processes that contribute to the storms concludes with issues that remain to be resolved. The case-study approach presents a great deal of material contained in hundreds of synoptic analyses in a well-organized and useful layout, allowing case-by-case comparisons of common features and differences. Extensive tables, diagrams, and photographs show weather patterns at the surface and aloft, emphasizing cyclone tracks and deepening rates, the contributions of cold surface anticyclones, cold-air damming and coastal frontogenesis, upper-level processes, jet streak circulations, satellite imagery, and three-dimensional air flow. It is hoped that this book will provide a foundation for researchers and students interested in investigating the processes that interact to produce major winter storms. The weather patterns described here provide a first step in the generation of conceptual models, and also serve as an easily referenced guide for forecasters concerned with predicting heavy snowfalls along the northeastern coast of the United States.
For much of the nineteenth century and all of the twentieth, the per capita rate of suicide in Cuba was the highest in Latin America and among the highest in the world--a condition made all the more extraordinary in light of Cuba's historic ties to the Catholic church. In this richly illustrated social and cultural history of suicide in Cuba, Louis A. Perez Jr. explores the way suicide passed from the unthinkable to the unremarkable in Cuban society. In a study that spans the experiences of enslaved Africans and indentured Chinese in the colony, nationalists of the twentieth-century republic, and emigrants from Cuba to Florida following the 1959 revolution, Perez finds that the act of suicide was loaded with meanings that changed over time. Analyzing the social context of suicide, he argues that in addition to confirming despair, suicide sometimes served as a way to consecrate patriotism, affirm personal agency, or protest injustice. The act was often seen by suicidal persons and their contemporaries as an entirely reasonable response to circumstances of affliction, whether economic, political, or social. Bringing an important historical perspective to the study of suicide, Perez offers a valuable new understanding of the strategies with which vast numbers of people made their way through life--if only to choose to end it. To Die in Cuba ultimately tells as much about Cubans' lives, culture, and society as it does about their self-inflicted deaths.
In the fall of 2015, a collection of faculty at liberal arts colleges began a conversation about the challenges we faced as instructors: Why were there so few course materials accessible to undergraduates and lay readers that reflected current scholarly debate? How can we convey the relevance of studying music history to current and future generations of students? And how might we represent and reflect the myriad, often conflicting perspectives, positions, and identities that make up both music’s history and the writers of history? Here we offer one response to those questions. Open Access Musicology is a collection of essays, written in an accessible style and with a focus on modes of inquiry rather than content coverage. Our authors draw from their experience as scholars but also as teachers. They have been asked to describe why they became musicologists in the first place and how their individual paths led to the topics they explore and the questions they pose. Like most scholarly literature, the essays have all been reviewed by experts in the field. Unlike all scholarly literature, the essays have also been reviewed by students at a variety of institutions for clarity and relevance. These essays are intended for undergraduates, graduate students, and interested readers without any particular expertise. They can be incorporated into courses on a range of topics as standalone readings or used to supplement textbooks. The topics introduce and explore a variety of subjects, practices, and methods but, above all, seek to stimulate classroom discussion on music history’s relevance to performers, listeners, and citizens.
From Greek drama through vaudeville and modern cinema, nothing in the theatrical experience has ever guaranteed a laugh like a man in a dress. This spectacular pictorial history examines the grand tradition of male cross-dressing in the movies through more than 700 photos, more than half of which are previously unpublished. The screen's greatest stars, from comedians like Buster Keaton and Peter Sellers to "serious" actors like Marlon Brando and Max von Sydow, are pictured in everything from bustiers to ball gowns. Just as in real life, the cinematic motives for cross-dressing are complex, ranging from plot device (I Was a Male War Bride) and social commentary (Tootsie) to the simple sight gags of Laurel and Hardy. The book explores these and myriad other reasons actors are coaxed out of dress suits and into dresses. By turns provocative, serious, and silly, Ladies or Gentlemen is a delightful study of a seldom-explored facet of cinema history.
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