Tracing the days of the writer edging into middle age, the 888 poems presented in volume four of The Complete Poems of Louis Daniel Brodsky offer a glimpse into the frenzied life of a man compelled, by his discipline and inner passion, to capture the elements of his existence and explode them upon the page ... Startlingly honest and bristling with the energy of Brodsky's discontent, this book records the poet gaining momentum, as a writer, even as his personal life spirals out of control. --Time Being Books.
The second volume in Louis Daniel Brodsky's Complete Poems series, covering his early years as a professional poet, from 1967-1976, contains more than eight hundred chronologically arranged pieces. This body of work shows Brodsky developing a number of artistic strategies to record the life he chose outside the realm of academia, which he abandoned after complete his master's degree in creative writing at San Francisco State University in 1968. --Time Being Books.
Poetry. The second and third years of a child's life are filled with the extraordinary ordinary events that are steppingstone rites of passage: learning to walk and speak; reveling in play and mischief; enduring the travails of illness; growing familiar with the world beyond the house, where dogs, rabbits, and fireflies mesmerize curious eyes; taking part in adventures with mom and dad--vacations, holidays, visits to grandparents. In this second book of a five-volume series about his children, Louis Daniel Brodsky chronicles the progress of his daughter, as she grows by leaps and bounds, and the evolution of his family, which is soon to grow as well, with the birth of a second child.
Poetry. What mom doesn't recall the magical seasons surrounding the birth of her baby--the anticipation felt during pregnancy; the pain and pride, on delivering; the joy of watching her child grow? And what dad can forget saying to himself, upon first holding his infant, "I'm really a father now," with all the accompanying awareness of being responsible for another human being? Chronicling the development of his own firstborn, from her conception through age one, Louis Daniel Brodsky provides, for us all--from experienced parents to those who have yet to see that "gleam in the eye"--a window on that glorious time.
A Transcendental Almanac takes you through a one-year span of the seasons, inviting you to linger in each month's four poems. Beginning in April, with nature exultantly proclaiming its freedom from hibernation, and ending, the following March, after the cyclical passing of summer, autumn, and winter, the book evokes an intimacy with the flora and fauna, the life and essence, of the world's elemental existence.
Our Time continues the love passages begun in Just Ours, with sensuous poems describing the growing and deepening intimacy of two irrepressibly youthful lovers in the fullness of their years -- a couple who revel in traveling, from their homes, in St. Louis, to Chicago, Florida, Laguna Beach, to celebrate themselves and their families; two sensitive spirits exploring, even more deeply, the heights of the romance shaping their shared souls.
The third volume of THE SEASONS OF YOUTH celebrates the author's growing family, with the birth of a son. Father and mother revisit the daily joys and challenges of seeing a child flourish from infancy into the preschool years, while they marvel at their daughter's rapid physical and social development, as she progresses from age three to six and a half, exhibiting the first hints of who she'll be as an adult. In thirty-nine poems that poignantly dramatize the interweaving of four lives, Louis Daniel Brodsky shares myriad rituals of childrearing (bathing, meal time, school days, pets, playing, first words, getting ready for bed), all of which offer chances to experience the coming-of-age wonders of early maturation and the rites of initiation into love's simple complexities--opportunities to seize the sun and moon.
While history may withhold its judgment of President George W. Bush, for several more years, Brodsky, in Showdown with a Cactus, sees no reason to wait. In 101 poems, he relentlessly questions the motives behind the foreign and domestic policies of our forty-third president, with special attention paid to the disastrous military excursion into Iraq. Bush's cabinet and advisors, also, are treated to Brodsky's sometimes scathing examination, as is the complacency of many American citizens, who, in the poem "Re: Election," are only too happy to ignore the state of the world: "Sing Hallelujah! George the Lord has risen!
Combing Florida's Shores is a poetic memoir. Part one depicts a man, his wife, and their girl and boy reveling in the joys of vacationing in Fort Lauderdale. The second section chronicles the now-divorced man returning to his old haunts, with a new love, to find that everything, and nothing, is the same.
Fiction. GETTING TO UNKNOW THE NEIGHBORS is a collection of short fictions, by L. D. Brodsky, that presents the reader with one of the strangest casts of misfits in contemporary literature. Many of these characters dwell in an apartment building that seems to be located in a Kafkaesque twilight zone. GETTING TO UNKNOW THE NEIGHBORS is a true masterpiece of the bizarre.
In Peddler on the Road: Days in the Life of Willy Sypher, Louis Daniel Brodsky sets forth a series of poetic vignettes about one Jewish traveling salesman's journeys as a representative for a major Midwest manufacturer of men's dress clothing, depicting the odyssey of a fifty-year career devoted to the road and to the small towns that define it.
As the initial volume of an impressive series comprising the full collection of verse by Louis Daniel Brodsky, this book begins with Brodsky's first poem, written during his final months at Yale, in 1963, and traces the author's maturation into his apprentice years (when he was a young graduate student in English, at Washington University, in St. Louis), presenting the hundreds of poems, prose poems, and short, autobiographical prose works he had composed by June of 1967, when he launched his professional writing career. These pieces serve not only as a measure of Brodsky's evolution as a poet but as a human being, chronicling one man's struggle to find his purpose in life, to make a place for himself in a society often at odds with his own convictions. His hopes, fears, and frustrations permeate the work, revealing the intense inner conflicts he felt compelled to set to paper, from individual matters -- his indecision over vocational goals, his candid experiences with love and rejection, the overwhelming isolation inherent in his academic pursuits -- to more global concerns, especially his acute awareness of the increasing social and political turbulence surrounding him. By grappling with these issues in his writing, he explored passionate emotions, released tension, and, at times, resolved doubts evoked through his introspection. But more important, he used this outpouring to hone his creative skills and develop his personal and professional identity, ultimately creating this tangible record of his travail and his ecstasy, his certitude and his confusion, and, finally, his journey into the heart of the person he would never stop becoming -- a poet.
The second volume in Louis Daniel Brodsky's Complete Poems series, covering his early years as a professional poet, from 1967-1976, contains more than eight hundred chronologically arranged pieces. This body of work shows Brodsky developing a number of artistic strategies to record the life he chose outside the realm of academia, which he abandoned after complete his master's degree in creative writing at San Francisco State University in 1968. --Time Being Books.
The third volume of The Complete Poems of Louis Daniel Brodsky presents over seven hundred poems, written from July 1976 through December 1980. By this period in his life, Brodsky had a wife and two children, a thriving business that kept him traveling, and a passion for acquiring Faulkneriana, sparked by his deep appreciation of the author's literature, that had led him on increasingly frequent journeys to Oxford, Mississippi, and elsewhere, to meet those who knew Faulkner and those who might supplement Brodsky's expanding collection. Spending considerably more time away from home than ever before, he began to compose most of his poems while driving, eating in small-town caf , staying in motels, and retreating to bars after twelve-hour workdays, always filling his omnipresent notebook with new images and metaphors. It was during these trips that Brodsky conceived many of his poetic personae: Willy Sypher, the Jewish ragman road peddler; a man who, though he lost no family in it, still feels he's a victim of the Holocaust; the Northern outlander, who appears in many of his "Southern" poems; the nature poet, who captures the beauty of rural America, and the cynical city poet, who observes its bigotry and vulgarity; and the unhappy family man, who feels he must escape home, for the freedom of the open road, but nevertheless suffers guilt and remorse. The poems from this segment of Brodsky's literary career reflect a man, in his mid and late thirties, facing growing desperation as he attempts to fulfill the complex responsibilities of his day-to-day commitments and yet address an unrelenting compulsion to record his frenetic life, in verse.
Tracing the days of the writer edging into middle age, the 888 poems presented in volume four of The Complete Poems of Louis Daniel Brodsky offer a glimpse into the frenzied life of a man compelled, by his discipline and inner passion, to capture the elements of his existence and explode them upon the page ... Startlingly honest and bristling with the energy of Brodsky's discontent, this book records the poet gaining momentum, as a writer, even as his personal life spirals out of control. --Time Being Books.
In the fourth volume of the fivebook series The Seasons of Youth, Louis Daniel Brodsky traces the growth of his daughter, from ages six to eleven, and that of his son, from three to eight. His girl develops socially, attending her first sleepover and making friends with her classmates. She also matures emotionally, as evidenced during the mornings she shares with her father, who practices spelling with her, at home, and drives her to school, the two of them often sharing breakfast in one of their small town's cafes. His boy goes through phases of fascination -- trains, airplanes, dinosaurs and whales -- but finds his mother's avocations of drawing and painting to be his steady preoccupations, allowing him to give order to his ever-expanding world. And both kids begin coming to terms with their father's increasingly frequent business trips. Hopgrassers and Flutterbies is a touching universal portrait of a devoted, loving father and mother and their two flourishing children.
Fiction. Short Stories. Meet the ordinary people who inhabit Louis Daniel Brodsky's neighborhood. There's the young man who becomes a tree, and the one who, thanks to magical seeds, becomes who he is. There's the open-heart-surgery patient whose chest cavity becomes the trash receptacle for the operating team. And just what do all these characters have in common? They have one foot in the funny farm, and they're candidates for the butterfly net. In other words, like Brodsky himself, they're folks "with one foot in the butterfly farm.
In this book, Louis Daniel Brodsky proves to be not only a skilled poet but also a very sensitive contemporary Jew. Vividly portraying the inner turmoil and chutzpadik bravery of Abraham, he then traces the "Diaspora mentality" of Jews throughout our history. Periods of progress and persecution inform the contemporary Jewish psyche. In the tradition of Biblical prophets, he portrays the alienated and disaffected Jew with disgust yet also with hope that the ties can be rebound. These writings will cause anyone interested in four thousand years of Jewish history to look deeper into its meaning in today's assimilated Jewish world.
Louis Daniel Brodsky's Shadow War, Volume Five begins on June 17, 2002, and concludes with an epilogue written the day after the first anniversary of the 9/11 attacks, thus bringing the series to closure.
Beginning on January 21, 2002, and concluding on April 18, 2002,Shadow War, Volume Three resumes Louis Daniel Brodsky's chronicle of America's war on terrorism. In forty-one poems, he records the aftershocks created by the September 11 devastations of the World Trade Center and the Pentagon.
In The Swastika Clock, Louis Daniel Brodsky writes the daily log of his passion, his anger, his desolation, his entrails-deep pain. In the ticking darkness of the Holocaust, in which we have lived, these past 70 years, and driven by his unremitting war against forgiveness and forgetting, he hurls rant after rant at us, his amazed and chastened readers, giving full rein to his Diasporan anger over what was done to his people, the Jews of Europe, during the Shoah decade, when millions were not merely murdered but mortified to the quick, mutilated beyond recognition, massacred in nearly unimaginable ways. In this book, which packs the wallop of a centuries'-long scream, Brodsky refuses to mask the occasion by singing of reconciliation and healing, and yet, at key moments of this late hour, his raging words modulate, to deliver demolishing insights to our shattered hearts.
Poetry. In this fifth and concluding volume of THE SEASONS OF YOUTH, Louis Daniel Brodsky celebrates his girl's and boy's passage into teenage years, his daughter progressing from age eleven to sixteen and his son from seven to thirteen. Both parents relive their own youths, as their children experience the joys, adventures, and challenges of this formative time. Their son goes to summer camp—his first trip away from home—and joins a soccer team and the Cub Scouts. Their daughter begins taking interest in cultural events, by going to weekly dance classes and by occasionally attending the symphony, with her father. During this time, both son and daughter encounter the gravity of death, when they lose pets and, much more powerfully, their mother's brother, their beloved "Uncle Duck." Contrasting with their parents' comforting presence during these milestones is the subtly evolving prospect of divorce. All of these elements unfold before the children, as they eye widening horizons that beckon them to journey toward the adult world, where they'll soon take their places.
During thirty years of literary collecting, Louis Daniel Brodsky has acquired some of the most important source materials on the life and work of William Faulkner anywhere available. Indeed, the Brodsky Collection, now owned by Southeast Missouri State University, has been characterized by Robert Penn Warren as "stupendous." In William Faulkner, Life Glimpses, Brodsky mines this storehouse of previously unpublished material, using interviews, letters, speeches, movie scripts, and notes to enrich our understanding of this well-known Southern writer. The result is a highly readable biography that is thematic and episodic rather than chronological in its organization. Building on specific documents in the collection, Brodsky opens new windows on the parallel development of Faulkner's literary career and personal life. New material on the early poems ''Elder Watson in Heaven" and "Pregnancy" gives insight into Faulkner's developing literary and personal aesthetics during the 1920s and 1930s. Faulkner's metamorphosis from self-doubting, isolated artist to confident public spokesman during the 1940s and 1950s forms the central core of the study. Through previously unavailable screenplays written for Warner Bros. during World War II and an interview with Faulkner's fellow screenwriter Albert I. "Buzz" Bezzerides, Brodsky charts the decline in Faulkner's literary output and his corresponding discovery of a public voice. He shows how Faulkner's astonishingly positive 1950 Nobel Prize acceptance speech was not a sudden about-face from the bleak outlook that had produced The Sound and the Fury. Rather, Faulkner's years in Hollywood showed him that words, even screenplays, could shape the way people think and react. Faulkner's lifelong quest for a "manly" role ended, Brodsky declares, when he took up the mantle of public spokesmanship. In the final chapter, a revealing interview with Faulkner's granddaughter, Victoria Fielden Johnson, paints an insider's portrait of life at the Faulkner home, Rowan Oak. A copy of Faulkner's recipe for curing pork, included in the appendix, emphasizes his longterm struggle to produce fine literature while supplying the everyday needs of a large family. These and other materials, previously unavailable to scholars and the reading public, will broaden and enrich our understanding of one of America's most celebrated writers.
During thirty years of literary collecting, Louis Daniel Brodsky has acquired some of the most important source materials on the life and work of William Faulkner anywhere available. Indeed, the Brodsky Collection, now owned by Southeast Missouri State University, has been characterized by Robert Penn Warren as "stupendous." In William Faulkner, Life Glimpses, Brodsky mines this storehouse of previously unpublished material, using interviews, letters, speeches, movie scripts, and notes to enrich our understanding of this well-known Southern writer. The result is a highly readable biography that is thematic and episodic rather than chronological in its organization. Building on specific documents in the collection, Brodsky opens new windows on the parallel development of Faulkner's literary career and personal life. New material on the early poems ''Elder Watson in Heaven" and "Pregnancy" gives insight into Faulkner's developing literary and personal aesthetics during the 1920s and 1930s. Faulkner's metamorphosis from self-doubting, isolated artist to confident public spokesman during the 1940s and 1950s forms the central core of the study. Through previously unavailable screenplays written for Warner Bros. during World War II and an interview with Faulkner's fellow screenwriter Albert I. "Buzz" Bezzerides, Brodsky charts the decline in Faulkner's literary output and his corresponding discovery of a public voice. He shows how Faulkner's astonishingly positive 1950 Nobel Prize acceptance speech was not a sudden about-face from the bleak outlook that had produced The Sound and the Fury. Rather, Faulkner's years in Hollywood showed him that words, even screenplays, could shape the way people think and react. Faulkner's lifelong quest for a "manly" role ended, Brodsky declares, when he took up the mantle of public spokesmanship. In the final chapter, a revealing interview with Faulkner's granddaughter, Victoria Fielden Johnson, paints an insider's portrait of life at the Faulkner home, Rowan Oak. A copy of Faulkner's recipe for curing pork, included in the appendix, emphasizes his longterm struggle to produce fine literature while supplying the everyday needs of a large family. These and other materials, previously unavailable to scholars and the reading public, will broaden and enrich our understanding of one of America's most celebrated writers.
The Capital Cafe is a collection of forty-eight poems, in two sections, set in a bedroom community of St. Louis and in a Missouri farm town. The poems build on each other like chapters in an engrossing novel. The first half is a slice of life observed by Moe Fischer, formerly a high-school English teacher, now a proofreader for the local newspaper, but always an eavesdropper, an oral historian, and a Jew, adrift in a belt of Baptist piety. The second section is a mosaic occurring at the "gas station turned cafe," related by rural Americans in seed caps and other regulars, such as the local car dealer, the mortician, and the Holsum Bread man, who spends his time winking furtively at the waitress (Reverend Bone's eighteen-year-old daughter). Brodsky makes the reader understand that Redneck, U.S.A., isn't so much a specific geographic location as it is a state of being that exists in every big city and four-way-stop hamlet across the nation.
This book's thirty-eight poems stitch Brodsky's "awareness of days passing" into a crazy-quilt whose patches are the beautifully detailed memories captured from his daily life at home in Farmington, Missouri, his business trips throughout the Midwest, and his vacations to Fort Lauderdale, with his wife.
Toward the Torah, Soaring achieves its purpose in grand style. It is a refreshing blend of ancient and modern Jewish imagery that moves with ease between two worlds. . . . It is the passionate record of a Jew who discovers his Jewish soul and cannot hold back his enthusiasm.
In the small town of Lake Nebagamon, Wisconsin, Brodsky finds a full sense of love for the outdoors. He finds himself "Taking time to look and listen, see and hear." Poem after poem shares one man's alerted words for the American north country and for our journeying moods of mind and body, in this ever-changing natural world. AT WATER'S EDGE introduces us to Brodsky's own corner of nature and leaves us anticipating future visits, in the subsequent volumes of POEMS OF LAKE NEBAGAMON.
The forty-six poems in this book reveal the "fractured, disoriented soul" the poet became during his years as a factory manager, when frequent business travel forced him to "navigate the unmapped reaches of Catalepsy" and "pray for peace, guidance, delivery," leading him home, "after an eon on the road," to his beloved wife and child.
September 11, 2001, will never be forgotten. So much changed so quickly -- our sense of security, our national identity, our trust in the continuity of civilization itself. A bewildering mixture of shock, fear, vulnerability, sorrow, anger, and resolve overtook the United States after the World Trade Center and the Pentagon were attacked by terrorists.
Poetry. Louis Daniel Brodsky's At Shore's Border: Poems of Lake Nebagamon offers a range of pleasures. Recalling Whitman in his effortless prose-like rhythms, Thoreau in his immersion in a single natural setting, and Emerson in his rapturous encounter with nature's mobile cast of creatures and settings, Brodsky joins company with earlier American romantics, yet speaks in his own inimitable voice. The self's encounter with nature is at once an inexhaustible American story and Brodsky's compellinig personal theme.
This volume's forty-seven poems trace Brodsky's life as a road-poet and manager of outlet stores, during a time when he was "itinerant minister of surplus and flaw," traveling throughout the Midwest, "selling his soul wholesale," by day, and assuaging his loneliness, at night, with wine and music, while hiding himself away in hotel bars that might absorb him in their "dim-lit anonymity.
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