The manner in which Kathryn Johnston died so tragically at the hands of Atlanta narcotics police on the evening of November 21, 2006, anticipates and informs a number of very contemporary--and extremely volatile--issues that have become closely associated with the name of Ferguson, Missouri. As the "Black Lives Matter" movement makes clear, the issues center primarily around the relationship between racial identity and lethal police violence in the United States today. In this Second Edition of Policing the State, Louis A. Ruprecht Jr. attempts to situate both "Ferguson" and "Black Lives Matter" within a relatively narrow historical frame of the two years since Policing the State was first published, as well as a longer history of the emergence of a more violent policing regime and an ever-more intensely carceral society that came on the scene quite suddenly in the United States in the mid-to-late 1980s.
Working within two popular genres, gardening books and biblical meditations, God Gardened East offers a meditation on the first twenty-five chapters of Genesis, emphasizing the tropes of cultivation, wandering, and the east. Reconceived in a post-9/11 environment, Ruprecht wrestles with difficult questions about the violent legacy of monotheism and traces some of this violence back to the foundational story of Abraham and his dislocation from his homeland.
Anne Carson (b. June 21, 1950, in Toronto, Canada) is one of the most versatile of contemporary classicists, poets, and translators in the English language. In Reach without Grasping, Louis A. Ruprecht Jr. explores the role played by generic transgressions on the one hand, and by embodied spirituality on the other, throughout Carson’s ambitious literary career. Where others see classical dichotomies (soul versus body, classical versus Christian), Carson sees connection. Like Nietzsche before her, Carson decries the images of the Classics as merely bookish and of classicists as disembodied intellects. She has brought religious, bodily erotics back into the heart of the classical tradition.
This book about nostalgia raises the question of why it has become such a dominant and influential posture in contemporary philosophical and theological writing. The author notes the presence of the word "after" in a great many contemporary academic titles, and notes a spiritual sort of alienation that many feel in the "modern age." Out of this scholarly discontent emerges one of two related attempts: the attempt to return to a pre-modern manner of thinking and being (nostalgia); and the playful flight into some vaguely defined "postmodernity" (utopia). In either case, the common perception is that modernity is a problem, a problem to be avoided or escaped. Bringing philosophical and theological texts into conversation with one another, the book discovers a startling similarity in the accounts of modernness offered in these disparate idioms. Both are telling a story—a story which, the author argues, is as seductive as it is misguided.
The manner in which Kathryn Johnston died so tragically at the hands of Atlanta narcotics police on the evening of November 21, 2006, anticipates and informs a number of very contemporary--and extremely volatile--issues that have become closely associated with the name of Ferguson, Missouri. As the "Black Lives Matter" movement makes clear, the issues center primarily around the relationship between racial identity and lethal police violence in the United States today. In this Second Edition of Policing the State, Louis A. Ruprecht Jr. attempts to situate both "Ferguson" and "Black Lives Matter" within a relatively narrow historical frame of the two years since Policing the State was first published, as well as a longer history of the emergence of a more violent policing regime and an ever-more intensely carceral society that came on the scene quite suddenly in the United States in the mid-to-late 1980s.
Working within two popular genres, gardening books and biblical meditations, God Gardened East offers a meditation on the first twenty-five chapters of Genesis, emphasizing the tropes of cultivation, wandering, and "the east." Reconceived in a post-9/11 environment, Ruprecht wrestles with difficult questions about the violent legacy of monotheism and traces some of this violence back to the foundational story of Abraham and his dislocation from his homeland.
Father Matthew Kelty was an especially beloved monk at the historic Abbey of Gethsemani in Kentucky. Perhaps best known as Thomas Merton's colleague and confessor in the year prior to Merton's death, Father Matthew was also an enormously gifted spiritual writer in his own right, one whose homilies at Gethsemani attracted a wide following. This is the first book-length study of Matthew Kelty's life in relation to his spiritual writings and his profound reflections on the virtues of the monastic life in the modern age.
This Tragic Gospel suggests that the "Gospel" of John intended to supplant the first three gospels and succeeded in gaining undue influence on the early churches. This study focuses on the tragic moment when Jesus prays for deliverance from his impending death in the garden of Gethsemane. Ruprecht contends that John rewrote this scene in order to convey a very different dramatic meaning from the one reflected in Mark's gospel. In John's version, not only did Jesus not pray to be spared, he actually mocked this prayer, embracing his imminent demise with godlike confidence. Ruprecht believes that this dramatic reinterpretation undermined the tragedy of Jesus's death as Mark imagined it and so paved the way for the development of a kind of Christianity that focused far less on compassion in the face of human suffering. John's Jesus offers the faithful food so that they will never hunger, water so that they will never thirst, and the promise of a world in which no faithful person ever sheds a tear. Mark's Christians do suffer, but they witness to suffering and death differently...with compassion. Mark's Christ suffers, like all Christians after him, but he embodies a tragic hope in the promise of a faith shored up by love and compassion.
The manner in which Kathryn Johnston died so tragically at the hands of Atlanta narcotics police on the evening of November 21, 2006, anticipates and informs a number of very contemporary--and extremely volatile--issues that have become closely associated with the name of Ferguson, Missouri. As the "Black Lives Matter" movement makes clear, the issues center primarily around the relationship between racial identity and lethal police violence in the United States today. In this Second Edition of Policing the State, Louis A. Ruprecht Jr. attempts to situate both "Ferguson" and "Black Lives Matter" within a relatively narrow historical frame of the two years since Policing the State was first published, as well as a longer history of the emergence of a more violent policing regime and an ever-more intensely carceral society that came on the scene quite suddenly in the United States in the mid-to-late 1980s.
The manner in which Kathryn Johnston died so tragically at the hands of Atlanta narcotics police on the evening of November 21, 2006, anticipates and informs a number of very contemporary--and extremely volatile--issues that have become closely associated with the name of Ferguson, Missouri. As the "Black Lives Matter" movement makes clear, the issues center primarily around the relationship between racial identity and lethal police violence in the United States today. In this Second Edition of Policing the State, Louis A. Ruprecht Jr. attempts to situate both "Ferguson" and "Black Lives Matter" within a relatively narrow historical frame of the two years since Policing the State was first published, as well as a longer history of the emergence of a more violent policing regime and an ever-more intensely carceral society that came on the scene quite suddenly in the United States in the mid-to-late 1980s.
Anne Carson is one of the most versatile of those living writers in the English language who have drawn deeply from the well of Classical waters. This book explores the role of generic transgressions and of antique spirituality throughout Carson's long career of re-staging the classical literary legacy in creative contemporary terms. It examines the way in which Carson deliberately plays with genre - and with the expectations normally associated with certain genres - and shows that it is the fluidity of genre expectations that she adapts most creatively from the classical tradition. Trained as a classicist, but perhaps better known as an accomplished poet and translator, Carson burst on the scene in 1986 with the publication of her first book, Eros the Bittersweet. What this book announced most clearly, in addition to Carson's complex identity as a poet, classicist and philosopher, was her unique ability to work across boundaries of genre and to create new genres along the way. This book also considers how religion (loosely understood as a mingled interest in grief, mourning, aspiration and transcendence) is a unifying thread in Carson's work, once again inspired by classical models.
Anne Carson (b. June 21, 1950, in Toronto, Canada) is one of the most versatile of contemporary classicists, poets, and translators in the English language. In Reach without Grasping, Louis A. Ruprecht Jr. explores the role played by generic transgressions on the one hand, and by embodied spirituality on the other, throughout Carson’s ambitious literary career. Where others see classical dichotomies (soul versus body, classical versus Christian), Carson sees connection. Like Nietzsche before her, Carson decries the images of the Classics as merely bookish and of classicists as disembodied intellects. She has brought religious, bodily erotics back into the heart of the classical tradition.
This book about nostalgia raises the question of why it has become such a dominant and influential posture in contemporary philosophical and theological writing. The author notes the presence of the word "after" in a great many contemporary academic titles, and notes a spiritual sort of alienation that many feel in the "modern age." Out of this scholarly discontent emerges one of two related attempts: the attempt to return to a pre-modern manner of thinking and being (nostalgia); and the playful flight into some vaguely defined "postmodernity" (utopia). In either case, the common perception is that modernity is a problem, a problem to be avoided or escaped. Bringing philosophical and theological texts into conversation with one another, the book discovers a startling similarity in the accounts of modernness offered in these disparate idioms. Both are telling a story—a story which, the author argues, is as seductive as it is misguided.
Father Matthew Kelty was an especially beloved monk at the historic Abbey of Gethsemani in Kentucky. Perhaps best known as Thomas Merton's colleague and confessor in the year prior to Merton's death, Father Matthew was also an enormously gifted spiritual writer in his own right, one whose homilies at Gethsemani attracted a wide following. This is the first book-length study of Matthew Kelty's life in relation to his spiritual writings and his profound reflections on the virtues of the monastic life in the modern age.
Socrates was wise, because he knew that he did not know anything; this has long been the prevailing wisdom of the Socratic-Platonic tradition. In Plato's Middle Period—spanning dialogues such as Phaedo, Symposium, Republic, and Phaedrus—Socrates consistently claims to have knowledge in one area: the erotic. This book argues that the underlining of erotic matters —in what it refers to as Plato's Erotic Period—marks the most significant and dramatic moment in Plato's career. Plato's attention to the erotic in this period calls for a fundamental reassessment of many of the most important Platonic ideas: his complicated quarrel with poetry, his dubious doctrine of forms, his alleged hostility to the body and embodiment. In the Erotic Period, Plato's views are much richer, and infinitely more complex, than the many caricatures of his thought allow.
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