Floods are a fundamental part of Dutch history. Indeed, having ‘tamed’ the threats associated with living below sea level is part of Dutch national identity. In the cultural depictions of these devastating events, however, national pride at a certain collective resilience goes hand-in-hand with the collective trauma of exposed vulnerability. All too often, the Dutch were the losers in these battles against the elements. In a time of rising global sea levels, cultural scholar Lotte Jensen dives into the stories and images of the past to unpack this paradox for today. Over the centuries, large parts of the Netherlands have been progressively reclaimed from its river delta home. Throughout that process, the country suffered countless floods, a number of which were truly catastrophic, such as the Saint Elizabeth’s Flood of 1421 or the North Sea Flood of 1953. Jensen describes how the Dutch have dealt with these disasters, in practice but also in the imagination. It is the story of babies in floating cradles, fatherly monarchs, community fundraisers, and the boy who stuck his finger in the dike. Centuries before the nation-building associated with the 1800s, the Dutch created a unifying ‘us’ – the image of the Dutch lion – against a ‘them’ – the ‘waterwolf’, the major threat which water embodied. This national feeling and narrative were crafted with a set repertoire of images; role models (heroes and monarchs); charity (national and international solidarity); and a culture of remembrance. Jensen gives particular attention to the at times funny poems, books and songs, later criticized as clichéd or melodramatic, which these collective traumas inspired. She also demonstrates through monuments and works of art how this narrative has multiplied and acquired variations with time right up to the present. Though once cast in a more religious light – the flood as punishment for a general lack of religious devotion – the waterwolf has become, for example, a collective responsibility for the environment that begins with lifestyle choices. Today the Netherlands lives with water more than it battles it, some thinkers even envisioning an ‘amphibian’ future for the country. The stories and images of the past, however, reveal that precisely vulnerability can be fertile ground for solidarity and togetherness. With rising sea levels representing a growing threat, this well-researched and highly readable cultural history shows how over time a culture’s imagination can gain new relevance beyond its borders. Acknowledging and building from a place of collective vulnerability might now be more important than ever.
Iron Age Myth and Materiality: an Archaeology of Scandinavia AD 400-1000 considers the relationship between myth and materiality in Scandinavia from the beginning of the post-Roman era and the European Migrations up until the coming of Christianity. It pursues an interdisciplinary interpretation of text and material culture and examines how the documentation of an oral past relates to its material embodiment. While the material evidence is from the Iron Age, most Old Norse texts were written down in the thirteenth century or even later. With a time lag of 300 to 900 years from the archaeological evidence, the textual material has until recently been ruled out as a usable source for any study of the pagan past. However, Hedeager argues that this is true regarding any study of a society’s short-term history, but it should not be the crucial requirement for defining the sources relevant for studying long-term structures of the longue durée, or their potential contributions to a theoretical understanding of cultural changes and transformation. In Iron Age Scandinavia we are dealing with persistent and slow-changing structures of worldviews and ideologies over a wavelength of nearly a millennium. Furthermore, iconography can often date the arrival of new mythical themes anchoring written narratives in a much older archaeological context. Old Norse myths are explored with particular attention to one of the central mythical narratives of the Old Norse canon, the mythic cycle of Odin, king of the Norse pantheon. In addition, contemporaneous historical sources from late Antiquity and the early European Middle Age - the narratives of Jordanes, Gregory of Tours, and Paul the Deacon in particular - will be explored. No other study provides such a broad ranging and authoritative study of the relationship of myth to the archaeology of Scandinavia.
This enlightening book scrutinizes the shifting governance paradigms that inform public administration reforms. From the rise to supremacy of New Public Management to new the growing preference for alternatives, four world-renowned authors launch a powerful and systematic comparison of the competing and co-existing paradigms, explaining the core features of public bureaucracy and professional rule in the modern day.
Universal Primary Education programs are being promoted around the globe as the solution to poverty and health problems, but very little in-depth qualitative knowledge is available about the experiences of these programs in children's life-worlds. Hopes in Friction offers a vivid portrait of life and the implementation of Universal Primary Education in Eastern Uganda, based on long-term fieldwork following a group of children as they grow up. The book considers how the actions and hopes of these children and families, to attain what they perceive as 'a good life', are crosscut by political aspirations and projects of schooling and health education. When hopes are in friction inspiration as well as disappointment occur. Policy makers in Uganda and in international organisations expect health improvements as one of the bonuses of education programs. Families in Eastern Uganda also hope for and experience health – in the local sense of a good life – as part of schooling. Lotte Meinert explores the taken for granted effect of schooling on health and focuses a careful eye on how boys and girls appropriate and negotiate ideas and moralities about health in the context of what is possible ethically, materially and experientially.
Westerners 'know' Palestine through images of war and people in immediate distress. Yet this focus has as its consequence that other, less spectacular stories of daily distress are rarely told. Those seldom noticed are the women behind the men who engage in armed resistance against the military occupation: wives of the Palestinian prisoners in Israeli detention and the widows of the martyrs. In Palestine, being related to a detainee serving a sentence for participation in the resistance activities against Israel is a source of pride. Consequently, the wives of detainees are expected to sustain these relationships through steadfast endurance, no matter the effects upon the marriage or family. Often people, media, and academic studies address the dramatic violence and direct affliction of the Palestinians. Lotte Buch Segal takes a different approach, and offers a glimpse of the lives, and the contradictory emotions, of the families of both detainees and martyrs through an in-depth ethnographic investigation. No Place for Grief asks us to think about what it means to grieve when that which is grieved does not lend itself to a language of loss and mourning. What does it mean to "endure" when ordinary life is engulfed by the emotional labor required to withstand the pressures placed on Palestinian families by sustained imprisonment and bereavement? Despite an elaborate repertoire of narrative styles, laments, poetry, and performance of bodily gestures through which mourning can be articulated, including the mourning tied to a political cause, Buch Segal contends that these forms of expression are inadequate to the sorrow endured by detainees' wives. No Place for Grief reveals a new language that describes the entanglement of absence and intimacy, endurance and everyday life, and advances an understanding of loss, mourning, and grief in contemporary Palestine.
Lying at the bottom of his apartment stairs, a postman is found dead. At first glance, his death appears to be a tragic accident. However, when Detective Superintendent Konrad Simonsen is called to investigate, he notices that something doesn't add up. Did he fall? When life-sized images of a vanished girl are discovered plastering the walls of the dead man's attic, the case takes a new and sinister turn. Who is she? Could she be alive? Soon the homicide team find themselves delving into the past, but as they approach the truth, Simonsen is forced to confront long-hidden skeletons in his own cupboard.
Elegant, trumpet-like lilies, she thought. But there was something off. Something not right. It was the colour. It was strange, sort of pale and flesh-coloured... In a sleepy seaside town outside Copenhagen, a strange light at the bottom of the harbour has the police call in a military diver with a speciality in wet crime scenes. Deep down in the dark water sits a car, with the dead body of a young woman in the driver’s seat. The dead woman seems to have been the victim of a sadistic surgery. On some jagged cliffs off of a rural town in the south of Norway, a dog walker finds a partly skeletal corpse wearing a wetsuit. In their search for the identity of the victim, local police send out a black notice through Interpol, and before long another dead girl in a similar wetsuit is found all the way down in Holland. But when a woman bearing a scar similar to the others is found lifeless and icy cold in a forest lake, she could be the most important witness for the police — if only they are able to bring her back from the dead. Partly based on actual events, Black Notice is a thrilling Scandi Noir following the international hunt for a ruthless serial killer. Perfect for fans of Jo Nesbo, Samuel Bjork and Cara Hunter. Lotte Petri is a Danish crime fiction author. In 2009, her first book was nominated for Danske Bank’s Newcomer of the Year Award. Her Selma Eliassen series was lauded by critics, and in 2017, the first book in the series starring bone expert Josefine Jespersen, "The Devil’s Work", was released.
Amsterdam was, after London and Paris, the third largest city in early modern Europe, and was renowned throughout Europe for its widespread and visible prostitution. Delving deep into a wide range of sources, but making particular use of the transcripts of thousands of trials, The Burgher and the Whore reconstructs Amsterdam's whoredom in detail. The colourful and fascinating descriptions of the prostitutes, their bawds, their clients, and the police shed new light on the cultural, social, and economic conditions of the lives of poor women in a seafaring society. Lotte van de Pol explores how the vice trade was embedded in Amsterdam's society, economy, and judicial system, and how legislation and policing were shaped by misogynist attitudes towards women and fear of God's wrath and venereal diseases towards sex. The story concentrates on the people living at the margins of a rich metropolis, in which there was a large surplus of women, many of them poor immigrants with little prospect of marriage. Many changes are visible in the 150 years under scrutiny, including the view of prostitution from immorality to trade, and of prostitutes from whores and criminals to paupers. The result is a book that can be read as the history of the Dutch Golden Age from below.
A riveting crime novel from the internationally bestselling authors of The Hanging and The Girl in the Ice--the fifth book in the Konrad Simonsen series. Sixteen children and four adults are killed in a devastating boat crash in Copenhagen. Detective Chief Superintendent Konrad Simonsen is called in, only to discover that this was no accident and that one of the passengers has a very personal connection to the homicide team. Reeling from this revelation and not knowing who to trust, Simonsen follows a trail that eventually leads him to Bosnia and a network of criminal misconduct. All evidence points towards one shady figure: a high-ranking army specialist with a suspicious past. But the more Simonsen digs, the further the truth slips from his grasp.
Indeed, human motherhood was held in such low esteem that Eskimo women were forced to give birth completely alone, with no human companionship and no helpful deities of childbirth. Likewise, while various Mexican goddesses ruled over healing, women's crafts, motherhood, and childbirth, and functioned as tribal protectors or divine ancestors, none of them either embodied the earth itself or granted fertility to the crops: for that the Mexicans looked to the male gods of maize and of rain. Nor were the rituals of these goddesses nurturing or peaceful.
The complete Detective Chief Superintendent Konrad Simonsen series – a must-read for all fans of Nordic Noir The Hanging: Two children make a gruesome discovery; hanging from the roof of the school gymnasium are the bodies of five naked and heavily disfigured men. Detective Chief Superintendent Konrad Simonsen and his team from the Murder Squad are called in to investigate. The Girl in the Ice The body of a girl is discovered; buried hundreds of miles from any signs of life, she has lain hidden in the ice cap, for twenty-five years until a recent ice melt has revealed her. When Konrad Simonsen is flown in to investigate, it triggers a dark memory. The Vanished A man is found lying dead at the bottom of his apartment stairs. At first glance, his death appears to be a tragic accident. Then life-sized images of a vanished girl are discovered plastering the walls of the dead man's attic. Who is she? And could she still be alive? The Lake The skeleton of a young woman is discovered, tied to a stone, in a lake deep in the Danish countryside and it soon becomes clear that this unknown woman is the key to a sinister world of human trafficking, prostitution and violence. The Night Ferry Sixteen children and four adults are killed in a devastating boat crash in Copenhagen. Konrad Simonsen quickly discovers that one of the passengers has a very personal connection to the homicide team. But the more Simonsen digs, the further the truth slips from his grasp.
Managers today are faced with numerous complex challenges speckled with paradoxes. They must have a sharp economical focus while simultaneously engaging in creative and innovative thinking. They must support individuals as well as teams, think globally, and do business locally. This book views complexity as a fundamental element of leadership, rather than something that should simply be reduced and removed. It presents a leadership concept that includes both sides of the paradox. Managing Leadership Paradoxes uses case studies and practical exercises to show how managers can maintain decisiveness in the face of paradoxes, complexities, and contradictory demands. Lotte Lüscher draws on research gleaned from managers within the international corporation, Lego, to provide first-hand knowledge of how a large-scale organization meets and manages change paradoxes, rather than treating them as something that needs to be reduced and removed. It will assist managers and aspiring managers in expanding their understanding of leadership challenges beyond dilemmas, and equip them with the managerial skills to handle the most persistent and pervasive paradoxical challenges that arise as a result of organizational change. The book will be of interest to leaders and managers, as well as students of leadership, management and organizational studies.The intent is to provide the reader with a foundation for reflecting on his or her own leadership practice with special focus on organizational complexity, ambiguity, and paradoxes.
Almost half a million books printed in the fifteenth century survive in collections worldwide. In Incunabula in Transit Lotte Hellinga explores how and where they were first disseminated. Propelled by the novel need to market hundreds of books, early printers formed networks with colleagues, engaged agents and traded Latin books over long distances. They adapted presentation to suit the taste of distinct readerships, local and remote. Publishing in vernacular languages required typographical innovations, as the chapter on William Caxton’s Flanders enterprise demonstrates. Eighteenth-century collectors dislodged books from institutions where they had rested since the sales drives of early printers. Erudite and entertaining, Hellinga’s evidence-based approach, linked to historical context, deepens understanding of the trade in early printed books.
A couple of old yearbooks from a school in a posh suburb north of Copenhagen show a boy who looks eerily similar to the man with the strange eyes. But with the rest of Europe’s police focusing on border crossings and refugee camps, Felix is now on his own. He believes that the killer has a medical background, perhaps even an employee of Denmark’s largest hospital, Rigshopitalet, where the first victim worked and where the comatose woman was treated. Felix’s deputy Kathrine tries to convince him to let her go to the hospital as a decoy. But is it too risky? Or will it just not even work? Black Notice is a crime story told in five parts. Partly based on actual events, Black Notice tells the thrilling story of the international hunt for a ruthless serial killer. Lotte Petri is a Danish author of crime fiction. In 2009, her first book was nominated for Danske Bank’s Newcomer of the Year Award. Her Selma Eliassen series was lauded by critics, and in 2017, the first book in the series starring bone expert Josefine Jespersen, "The Devil’s Work", was released.
New into paperback, The Hanging is the first in an exciting six-part crime series. An explosive introduction to the dark world of Copenhagen police investigator Konrad Simonsen.
This thesis presents several new insights on the interface between mathematics and theoretical physics, with a central role for Riemann surfaces. First of all, the duality between Vafa-Witten theory and WZW models is embedded in string theory. Secondly, this model is generalized to a web of dualities connecting topological string theory and N=2 supersymmetric gauge theories to a configuration of D-branes that intersect over a Riemann surface. This description yields a new perspective on topological string theory in terms of a KP integrable system based on a quantum curve. Thirdly, this thesis describes a geometric analysis of wall-crossing in N=4 string theory. And lastly, it offers a novel approach to constuct metastable vacua in type IIB string theory.
The Golden Age of German cinema began at the end of the First World War and ended shortly after the coming of sound. From The Cabinet of Dr. Caligari onwards the principal films of this period were characterized by two influences: literary Expressionism, and the innovations of the theatre directors of this period, in particular Max Reinhardt. This book demonstrates the connection between German Romanticism and the cinema through Expressionist writings. It discusses the influence of the theatre: the handling of crowds; the use of different levels, and of selective lighting on a predominately dark stage; the reliance on formalized gesture; the innovation of the intimate theatre. Against this background the principal films of the period are examined in detail. The author explains the key critical concepts of the time, and surveys not only the work of the great directors, such as Fritz Lang and F. W. Murnau, but also the contribution of their writers, cameramen, and designers. As The Times Literary Supplement wrote, 'Mme. Eisner is first and foremost a film critic, and one of the best in the world. She has all the necessary gifts.' And it described the original French edition of this book as 'one of the very few classics of writing on the film and arguably the best book on the cinema yet written.
Floods are a fundamental part of Dutch history. Indeed, having ‘tamed’ the threats associated with living below sea level is part of Dutch national identity. In the cultural depictions of these devastating events, however, national pride at a certain collective resilience goes hand-in-hand with the collective trauma of exposed vulnerability. All too often, the Dutch were the losers in these battles against the elements. In a time of rising global sea levels, cultural scholar Lotte Jensen dives into the stories and images of the past to unpack this paradox for today. Over the centuries, large parts of the Netherlands have been progressively reclaimed from its river delta home. Throughout that process, the country suffered countless floods, a number of which were truly catastrophic, such as the Saint Elizabeth’s Flood of 1421 or the North Sea Flood of 1953. Jensen describes how the Dutch have dealt with these disasters, in practice but also in the imagination. It is the story of babies in floating cradles, fatherly monarchs, community fundraisers, and the boy who stuck his finger in the dike. Centuries before the nation-building associated with the 1800s, the Dutch created a unifying ‘us’ – the image of the Dutch lion – against a ‘them’ – the ‘waterwolf’, the major threat which water embodied. This national feeling and narrative were crafted with a set repertoire of images; role models (heroes and monarchs); charity (national and international solidarity); and a culture of remembrance. Jensen gives particular attention to the at times funny poems, books and songs, later criticized as clichéd or melodramatic, which these collective traumas inspired. She also demonstrates through monuments and works of art how this narrative has multiplied and acquired variations with time right up to the present. Though once cast in a more religious light – the flood as punishment for a general lack of religious devotion – the waterwolf has become, for example, a collective responsibility for the environment that begins with lifestyle choices. Today the Netherlands lives with water more than it battles it, some thinkers even envisioning an ‘amphibian’ future for the country. The stories and images of the past, however, reveal that precisely vulnerability can be fertile ground for solidarity and togetherness. With rising sea levels representing a growing threat, this well-researched and highly readable cultural history shows how over time a culture’s imagination can gain new relevance beyond its borders. Acknowledging and building from a place of collective vulnerability might now be more important than ever.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.