This handbook has been prepared to enable case workers, co-ordinators, care workers, consumers and primary care givers to work collaboratively when providing clinical care in a person's home. The handbook aims to be a practical guide for providing clinical care in the home. It encourages a wellness approach and is designed to maximise the abilities of consumers."--Page [iv]
The first intensive study of FDR's foreign nationalities policy Lorraine M. Lees explores the persistent tension between ethnicity and national security by focusing on the Yugoslav-American community during World War II. Identified by the Roosevelt administration as the most representative example of the ethnic conflict they sought to address, the Yugoslav-American community suffered from a severe political split, as right-wing monarchists loyal to Mihajlovi ́c and the Chetniks battled left-wing supporters of Tito's partisans. Lees examines the views of two groups of administration policy makers: one that perceived America's European ethnic groups as rife with divided loyalties, and hence a danger to national security; and a second that viewed such communities as valuable sources for political intelligence that would help the war effort in Europe. Yugoslav-Americansand National Security during World War II is significant not only to understanding the Roosevelt administration's equation of ethnicity with disloyalty, but also for its insights into similar attitudes that have arisen throughout periods of crisis in American history as well as today.
Dusan Makavejev is a filmmaker, teacher, and intellectual whose films intersect with major historical and political upheavals in Eastern Europe--World War II, the unification and breakup of Yugoslavia, and the fall of communism. Subversive and moving, his films remain touchstones for transcultural and political cinema. Matching the intensity of the films, Lorraine Mortimer takes a radically interdisciplinary approach in this first book-length critical analysis of Makavejev's work. Studies in contrasts, Makavejev's films combine documentary and fiction, tragedy and comedy. Mortimer examines seven of his films made between 1965 and 1994--including Montenegro (1981), Sweet Movie (1974), and WR: Mysteries of the Organism (1971)--looking at them historically, politically, and aesthetically and highlighting their implications for the contemporary world. Both Makavejev's films and Mortimer's scrutiny of them are haunted by the specter of apocalyptic revolutionary movements that sacrifice people and the planet in the name of ideologies and idealisms. Mortimer argues that the aesthetic dimension is vital to our conception of old and new tribalisms and, ultimately, our understanding of being in the world.
The Apple Park Gang decides to investigate when the members hear ghostly music coming from the park's carousel and spot some mysterious people lurking in the bushes.
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