If you're planning a trip to Colombia, you probably know already that guidebooks on this country have left a lot to be desired. Recognizing the need for a reliable travel guide to Colombia, V!VA sent a team of writers, and they came back with the best guidebook yet. From the pearl beaches of San Andrs Island and the emerald jungles of the Amazon to the stunning Guajira deserts and the enigmatic mangroves of the Pacific, this book offers information on all you need to know, including: * hotel, restaurant and activities listings for every budget; * shopping in markets and workshops for the nation's best artisan crafts; * coverage on almost two dozen National Parks Sanctuaries; * border crossing information, to Panam, Venezuela, Per, Brazil and Ecuador; * an extensive bibliography to keep informed and help make your journey safe. Whether for business, a family vacation or a gap-year adventure, V!VA Travel Guide to Colombia is the guidebook for all travelers.
If you're planning a trip to Colombia, you probably know already that guidebooks on this country have left a lot to be desired. Recognizing the need for a reliable travel guide to Colombia, V!VA sent a team of writers, and they came back with the best guidebook yet. From the pearl beaches of San Andrs Island and the emerald jungles of the Amazon to the stunning Guajira deserts and the enigmatic mangroves of the Pacific, this book offers information on all you need to know, including: * hotel, restaurant and activities listings for every budget; * shopping in markets and workshops for the nation's best artisan crafts; * coverage on almost two dozen National Parks Sanctuaries; * border crossing information, to Panam, Venezuela, Per, Brazil and Ecuador; * an extensive bibliography to keep informed and help make your journey safe. Whether for business, a family vacation or a gap-year adventure, V!VA Travel Guide to Colombia is the guidebook for all travelers.
What are the fears that govern our lives? Why do we seldom share them with others? How do they inform the way we think of the politics of the day and the life of the church? These are some of the questions addressed by Lorraine Cavanagh in this short and readable book. Her reflections take us through the kind of private fears that originate in early childhood and remain deeply embedded in the adult psyche, so that they later shape the person's thinking and often define that person's life. They also emerge as fear worked out through the need for power and control over others and how that can lead to collective dependency on the kind of leaders we most fear. Fear is also rooted in loneliness, the loneliness of the individual and the endemic loneliness of Western society, both of which we try to evade with the help of social media and the private screen worlds we inhabit. Through imaginative imagery drawn from the Christian tradition, In Such Times speaks of the need to re-learn trust in the corporate contexts of both church and world. As its title suggests, it is a book whose time has come.
Dusan Makavejev is a filmmaker, teacher, and intellectual whose films intersect with major historical and political upheavals in Eastern Europe--World War II, the unification and breakup of Yugoslavia, and the fall of communism. Subversive and moving, his films remain touchstones for transcultural and political cinema. Matching the intensity of the films, Lorraine Mortimer takes a radically interdisciplinary approach in this first book-length critical analysis of Makavejev's work. Studies in contrasts, Makavejev's films combine documentary and fiction, tragedy and comedy. Mortimer examines seven of his films made between 1965 and 1994--including Montenegro (1981), Sweet Movie (1974), and WR: Mysteries of the Organism (1971)--looking at them historically, politically, and aesthetically and highlighting their implications for the contemporary world. Both Makavejev's films and Mortimer's scrutiny of them are haunted by the specter of apocalyptic revolutionary movements that sacrifice people and the planet in the name of ideologies and idealisms. Mortimer argues that the aesthetic dimension is vital to our conception of old and new tribalisms and, ultimately, our understanding of being in the world.
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