This is a true story. It had to be; that was an edict handed down by Godyes, that God, the Supreme Authority, the Creator of heaven and earth and everything else. The God of Thou shall not bear false witness. So let me tell you about the family God placed me in. First, Neil Diamond isnt really my father. No kidding, right? But knowing that Neil Diamond isnt my father also meant knowing that my mother lived with a significant mental illness. How are you supposed to go back to the beginning and find your way once youve realized the map youve been following is not only illusory, it isnt even your own illusion?
This is a very strong and persuasive, even compelling narrative. Donovan's argument is clearly presented, well documented and convincing to the reader. Moreover the writer is able to demonstrate that this is a very important and significant issue, far greater than the question of a single film being scuttled. The relative merit of the film is not the central issue of the case bit rather the question of whether the merit was fairly and openly determined by Australian Film Commision personnel and procedures." Emeritus Professor, Donald Shea College of Letters and Science, Department of Political Science University of Wisconsin, Milwaukee December, 1998.
This engaging and accessible introduction to social work encourages reflective learning in preparation for practice. Direct linking of key concepts to professional standards ensures that students are able to build up an understanding through context and reflective points, and with an emphasis on diversity, ideology, and preparing for practice, students will benefit from both practical and theoretical guidance. Sections are designed to work as both integrated and standalone resources and the flexible methodology will support a range of courses and learning techniques.
In this candid, conversational memoir, actress Lorraine Bracco openly reveals the details of her struggle with depression, the treatment that helped her triumph, and her experience playing psychiatrist Dr. Jennifer Melfi on HBO’s The Sopranos—the role that helped to save her life. Here, Lorraine shares the deeply personal story of her spiral into—and back from—the depths of depression; how she finally got the help she needed; her marriages and brutal custody battle; her determination to be a good mother; and her refusal to be marginalized in a society obsessed with youth and beauty. “I hope my story encourages people to come forward and get the help they need. I want to help others to do what I did—to let go of the shame and the fear. When I was depressed, I wallowed in the idea that the best part of my life was over. I blew it. I took the wrong path, and this was what I got—what I deserved. Thank God I got help before I went too far down that road. . . . There’s help. It’s treatable. Getting treatment for depression was the best decision I ever made; going public about it was the second best.”
Child care law and policy issues generate very strong emotions and some crucial questions concerning the role of the state. For instance, under what circumstances should the state be able to intervene and use the force of the law to protect children? Do children have similar rights to adults? Such questions are matters of controversial debate and, in the light of well publicised child abuse cases, official inquiries and a government review led to the passing of the Children Act in 1989. Perspectives in Child Care Policy presents four different value perspectives on child care policy - laissez-faire; state paternalism; defence of the birth family and children's rights. These perspectives differ in their underlying values, concepts and assumptions concerning children, families, the rights and powers of parents and the role of the state.
Kevin Kearney-Audio Artist, Sound Designer, Location Sound Recordist follows the growth of television, television commercial production and filmmaking in Australia. The extremely small population of Australia up to the seventies allowed a major crossover in the arts between poets, musicians, writers, experimental filmmakers and entrepreneurs which in turn influenced the work of audio artists, like Kearney, in both their commercial and personal film work. Moreover because there is a paucity of information and very few books available on such people as audio artists, sound designers and location sound recordists, this book and the following volume will be invaluable to those interested in analogue sound on film production period.
Despite the fame Ted Hughes’s poetry has achieved, there has been surprisingly little critical writing on his children’s literature. This book identifies the importance of Hughes’s children’s writing from an ecocritical perspective and argues that the healing function that Hughes ascribes to nature in his children’s literature is closely linked to the development of his own sense of environmental responsibility. This book will be the first sustained examination of Hughes’s greening in relation to his writing for children, providing a detailed reading of Hughes’s children’s literature through his poetry, prose and drama as well as his critical essays and letters. In addition, it also explores how Hughes’s children’s writing is a window to the poet’s own emotional struggles, as well as his environmental consciousness and concern to reconnect a society that has become alienated from nature. This book will be of great interest to not only those studying Ted Hughes, but also students and scholars of environment and literature, ecocriticism, children’s literature and twentieth-century literature.
Materials Processing: A Unified Approach to Processing of Metals, Ceramics and Polymers, Second Edition is the first textbook to bring the fundamental concepts of materials processing together in a unified approach that highlights the overlap in scientific and engineering principles. It teaches students the key principles involved in the processing of engineering materials, specifically metals, ceramics and polymers, from starting or raw materials through to the final functional forms. Its self-contained approach is based on the state of matter most central to the shaping of the material: melt, solid, powder, dispersion and solution, and vapor. With this approach, students learn processing fundamentals and appreciate the similarities and differences between the materials classes. This fully updated edition includes expanded coverage on additive manufacturing, as well as adding a new section on machining. The organization has been modified and a greater emphasis has been placed on the fundamentals of processing and manufacturing methods. This book can be utilized by upper-level undergraduates and beginning graduate students in Materials Science and Engineering who are already schooled in the structure and properties of metals, ceramics and polymers, and are ready to apply their knowledge to materials processing. It will also appeal to students from other engineering disciplines who have completed an introductory materials science and engineering course. - Includes comprehensive coverage on the fundamental concepts of materials processing - Provides coverage of metals, ceramics, and polymers in one text - Presents examples of both standard and newer additive manufacturing methods throughout - Gives students an overview on the methods that they will likely encounter in their careers
In Roger Sandall's Films and Contemporary Anthropology, Lorraine Mortimer argues that while social anthropology and documentary film share historic roots and goals, particularly on the continent of Australia, their trajectories have tended to remain separate. This book reunites film and anthropology through the works of Roger Sandall, a New Zealand–born filmmaker and Columbia University graduate, who was part of the vibrant avant-garde and social documentary film culture in New York in the 1960s. Mentored by Margaret Mead in anthropology and Cecile Starr in fine arts, Sandall was eventually hired as the one-man film unit at the newly formed Australian Institute of Aboriginal Studies in 1965. In the 1970s, he became a lecturer in anthropology at the University of Sydney. Sandall won First Prize for Documentary at the Venice Film Festival in 1968, yet his films are scarcely known, even in Australia now. Mortimer demonstrates how Sandall's films continue to be relevant to contemporary discussions in the fields of anthropology and documentary studies. She ties exploration of the making and restriction of Sandall's aboriginal films and his nonrestricted films made in Mexico, Australia, and India to the radical history of anthropology and the resurgence today of an expanded, existential-phenomenological anthropology that encompasses the vital connections between humans, animals, things, and our environment.
Follow the backroads, the historical paths, and the scenic landscape that were fashioned by geologic Ice Ages and traveled by Big Thicket explorers as well as contemporary park advocates as you explore this diverse area. From Spanish missionaries to Jayhawkers, and from timber barons to public officials, travel along fifteen tours, with maps included.
Just off the main building on the open verandah, there are many more little patients. It's not a sunny veranda and it can be cold. The head of each bed is pushed up against the brick wall in a row down the veranda. Each child is fixed in place in some way." This was how Beryl Wyber spent much of her childhood in a hospital system which was overwhelmed by the polio epidemic of the 1930s: confined to a hospital bed at 17 months with spinal TB and allowed to see her mother for only an hour a week. On her release at 13 after 12 years in hospital she is mystified by things she had never experienced. No one had ever shown her a stove, a carpet, a chest of drawers or an electric fan. Beryl's story of discovery and her building a life in her teens is told by her daughter, author Lorraine Townsend. My book "Heavens Special Mum" is a moving tribute to the triumph over adversity ending in tragedy which was my Mother's life.
Kitty Robertson has grown up wealthy and influential, and she’s never more at home than when in an English parlour displaying her social graces. When she looks for a husband, of course she seeks a man just as home in his position—hopefully a lofty one—as she is. Nicholas Glenville, Marquess of Greystone, is just such a man. He is so attentive and gentlemanly that she can’t help but accept his proposal of marriage, and is now looking forward to this Season being her last one as a single woman. But at the very first ball of the year she meets an enigmatic, gorgeous duke who asks her for a dance. That duke is Trevor Nicholson, a man who knows the marquess well enough to know that he would not make her any kind of husband at all. Instead he nominates himself for the position, but as he soon finds, convincing the beautiful Miss Robertson to marry him instead will be the trickiest—and most worthwhile—task of his life.
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