The Aramaic Dead Sea New Jerusalem Text (NJ) survives in seven fragmentary copies: 1Q32, 2Q24, 4Q554, 4Q554a, 4Q555, 5Q15, and 11Q18. Lorenzo DiTommaso presents an edition of the 4Q NJ fragments, including a reconstruction of the text preserved in overlapping copies. He also discusses the genre of the NJ and the order of its material, its antecedents and parallels in ancient urban design, and its place among the many ancient Jewish and Christian literary expressions of the New Jerusalem. Finally, he examines the eschatological horizon of the NJ, its possible date of composition, and its relationship with other Dead Sea texts which describe the New Jerusalem or New Temple."--BOOK JACKET.
The Aramaic Dead Sea New Jerusalem Text (NJ) survives in seven fragmentary copies: 1Q32, 2Q24, 4Q554, 4Q554a, 4Q555, 5Q15, and 11Q18. Lorenzo DiTommaso presents an edition of the 4Q NJ fragments, including a reconstruction of the text preserved in overlapping copies. He also discusses the genre of the NJ and the order of its material, its antecedents and parallels in ancient urban design, and its place among the many ancient Jewish and Christian literary expressions of the New Jerusalem. Finally, he examines the eschatological horizon of the NJ, its possible date of composition, and its relationship with other Dead Sea texts which describe the New Jerusalem or New Temple."--BOOK JACKET.
Lorenzo Polizzotto examines the educational, religious, political, and philanthropic practices of the Florentine youth confraternity of the Purification. Founded in 1427 at a time of unbounded optimism in Florence's future, the Purification was entrusted with the socialization of the youths.With the right education and training, these youths were expected eventually to lead Florence to its manifest destiny.The Purification's educational practices were solidly grounded in religious and humanist principles. In concert with the other youth confraternities, the Purification pioneered an educational programme which influenced pedagogical practices throughout Europe until the middle of the twentiethcentury. Its success made it an attractive prize for the contending political forces in Florence, becoming first an instrument of Medici ambitions and then of Savonarolan radical millenarism. Once Florence fell under the permanent rule of the Medici, the Purification sought to serve the city byturning to philanthropy, which it dispensed as a moral and educational duty.
On the eve of the five hundredth anniversary of the discovery of the Americas, it bears remembering that in 1492, as Columbus was making his historic voyage, Europe was flourishing, at the very height of the Renaissance that transformed a continent. In art, politics, commerce, and society, the medieval world had given way to the modern era. But what was Europe really like then? What did London, Paris, Rome, and the other great centers of culture actually look like, and what was it like to travel from one to the other when the horse and the sailing ship were the most expeditious means available? How long would a typical journey take? Where would one stay and what could one eat along the way? And whom might one expect to meet? Both kings and pilgrims, to be sure. In Travel Guide to Europe 1492, the noted Italian historian Lorenzo Camusso offers modern-day readers and would-be adventurers ten itineraries for trips commonly taken in both the near and far reaches of fifteenth-century Europe. Whether Camusso's wayfarer is an ambitious young banker on the road From Florence to Bruges;the great painter Albrecht Rurer on his way from Nurember to Venice, a shipbuilder whose highly prized craft takes him from Seville to Antwerp via Barcelona, Beaune, and Paris; or a lonely pilgrim wandering from Vezelay to far-off Santiago de Compostela, he offers a vivid account of what such a journey would be like--the sights, sounds, perils, and pleasures--and in so doing he renders the very fabric of day-to-day life during this momentous ear in Europe's history.
This is the first book-length collection in English of the literary works of Lorenzo de&’Medici, the major poetic voice of the Florentine Resistance. Lorenzo de&’Medici (1449-92) was the ruler of Florence and the principal statesman of his time. A contemporary of Columbus, Lorenzo is hardly known in the English-speaking world as a major Quattrocento writer, author of a large and varied body of poetry as well as an important literary treatise. His poetry and patronage were instrumental in renewing the vernacular literature of his age after a period of stagnation. That Lorenzo&’s literary writings were for the most part never translated is a fascinating curiosity of history, attributable to the irreverent, bawdy subject matter of many of his poems, objections to his authoritarian politics, and the unconventional features of his poetic realism. Yet Lorenzo is now seen as the most interesting exponent of the cultural renaissance that he encouraged. His longer poems in particular reveal the central concerns, everyday activities, and favorite ideas of his day. No other Florentine writer succeeds in capturing as he does the beauty, seasonal changes, and rhythms of life of the Tuscan countryside. His poetic realism is that which sets him apart from his age, yet makes him such a vivid portrayer of it. The availability of his works in English will serve to modify and enlarge our conception of the Florentine Renaissance.
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