Genesis "was a political document of the state, and its major function was to exalt David and his monarchy, not only with his own people but also among the other states of that world. The scribes of the monarchy used many sources for this work, and certainly the literary criticism of the past has helped us to isolate many of these sources. However, the view presented here is quite different from the older criticism in that the sources that were used in this work must date from before the exile. This is obvious, if the sources were used by the scribes of the Davidic monarchy. None of this can be said with dogmatic zest, but we can at this point discuss some reasons why it seems possible to see Genesis in this way." --from the Introduction
Endorsements: "Gift yourself with a tour of ancient worlds. Fisher is a talented scholar in ancient languages and invites the reader into the dynamic world of language and international relations. Once one has read this novel (and hopefully the two previous novels in the series) one will read Old Testament Scriptures with new eyes. Fisher helpfully presents an alternative to a belief in a punishing and rewarding deity." --Rev. Arthur Gafke, author of Strong Ministry: Strengthening Your Pastoral Leadership and Pray the Seasons About the Contributor(s): Loren R. Fisher retired as Professor of Hebrew Bible at the School of Theology at Claremont and as Professor of Semitic Languages and Literature at the Claremont Graduate University. He is the author of The Many Voices of Job, Tales from Ancient Egypt, The Jerusalem Academy, and the editor of Ras Shamra Parallels, vols. 1 and 2.
This novel tells the story of the scribes who produced the book of Genesis. It is narrated by Keziah, the wife of Jonathan, one of the scribes. They collected the stories and put them together according to a detailed plan. These same scribes worked in the Jerusalem Academy during the time of the Davidic monarchy about 1000 BCE. The scribes understood their work to be a Royal Epic, and it helped bring Judah and Israel together and legitimize the throne of David. This epic was performed at the dedication of David's palace, and it is interesting to note the interplay between the scribes' text and the performance of the minstrels.
Four thousand years ago, Egyptian society struggled with the downfall of the Old Kingdom, which brought an end to material success and introduced anarchy and chaos. Out of this period of crisis came such literature as A Dialogue between a Man and His Ba, Instructions to Meri-ka-Re, as well as the story recounted in this volume, The Eloquent Peasant. In this story, Khun-Anup, a poor peasant, was robbed, beaten, and scorned by Nemtinakht, who was well connected. Khun-Anup appealed to authorities for redress but had to make his appeals nine times. This compelling narrative recounts the peasant's struggle for justice. Fisher's fresh translation with notes provides an engaging entry to a story that has contemporary implications.
Four thousand years ago, Egyptian society struggled with the downfall of the Old Kingdom, which brought an end to material success and introduced anarchy and chaos. Out of this period of crisis came such literature as A Dialogue between a Man and His Ba, Instructions to Meri-ka-Re, as well as the story recounted in this volume, The Eloquent Peasant. In this story, Khun-Anup, a poor peasant, was robbed, beaten, and scorned by Nemtinakht, who was well connected. Khun-Anup appealed to authorities for redress but had to make his appeals nine times. This compelling narrative recounts the peasant's struggle for justice. Fisher's fresh translation with notes provides an engaging entry to a story that has contemporary implications.
Genesis "was a political document of the state, and its major function was to exalt David and his monarchy, not only with his own people but also among the other states of that world. The scribes of the monarchy used many sources for this work, and certainly the literary criticism of the past has helped us to isolate many of these sources. However, the view presented here is quite different from the older criticism in that the sources that were used in this work must date from before the exile. This is obvious, if the sources were used by the scribes of the Davidic monarchy. None of this can be said with dogmatic zest, but we can at this point discuss some reasons why it seems possible to see Genesis in this way." --from the Introduction
The Egyptian tales witness to some of the great moments in the history of Egyptian literature and represent the earliest beginnings in world literature. Many literary critics do not seem to know the importance of Egyptian prose tales told for entertainment (including C. S. Lewis, who does not know that the "marvelous that knows itself as myth" was alive and well by 1800 BCE). Unlike some other ancient states, both Israel and Egypt wrote epic tales in prose. And these great prose stories are important for the study of the Hebrew Bible. Some of the most exciting narrative prose parallels to the Hebrew Bible are found in the stories from Egypt. The details may vary, but in the setting, the purpose, the vocabulary, and the genre of the stories, one can find many similarities. Contents 1 The Story of Sinuhe: A Wanderer on the Earth 2 The Enchanted Prince 3 The Story of the Shipwrecked Sailor 4 The Journey of Wen-Amon 5 A Dialogue between a Man and His Ba
Endorsements: "A novel is a novel way of entering into the world of biblical textual criticism! Fisher's novel about the writing of the Job poem and how its message was largely silenced by locating it within the more ancient story is a likely tale that, in any case, brings to life the world of scholars at David's court. It also shows that modern skepticism is not so modern after all!" --John Cobb, Emeritus Professor, Claremont School of Theology About the Contributor(s): Loren R. Fisher retired as Professor of Hebrew Bible at the School of Theology at Claremont and as Professor of Semitic Languages and Literature at the Claremont Graduate University. He is the author of The Many Voices of Job, Tales from Ancient Egypt, The Jerusalem Academy, and the editor of Ras Shamra Parallels, vols. 1 and 2.
Endorsements: "Gift yourself with a tour of ancient worlds. Fisher is a talented scholar in ancient languages and invites the reader into the dynamic world of language and international relations. Once one has read this novel (and hopefully the two previous novels in the series) one will read Old Testament Scriptures with new eyes. Fisher helpfully presents an alternative to a belief in a punishing and rewarding deity." --Rev. Arthur Gafke, author of Strong Ministry: Strengthening Your Pastoral Leadership and Pray the Seasons About the Contributor(s): Loren R. Fisher retired as Professor of Hebrew Bible at the School of Theology at Claremont and as Professor of Semitic Languages and Literature at the Claremont Graduate University. He is the author of The Many Voices of Job, Tales from Ancient Egypt, The Jerusalem Academy, and the editor of Ras Shamra Parallels, vols. 1 and 2.
This novel tells the story of the scribes who produced the book of Genesis. It is narrated by Keziah, the wife of Jonathan, one of the scribes. They collected the stories and put them together according to a detailed plan. These same scribes worked in the Jerusalem Academy during the time of the Davidic monarchy about 1000 BCE. The scribes understood their work to be a Royal Epic, and it helped bring Judah and Israel together and legitimize the throne of David. This epic was performed at the dedication of David's palace, and it is interesting to note the interplay between the scribes' text and the performance of the minstrels.
This extensive bibliography and reference guide is an invaluable resource for researchers, practitioners, students, and anyone with an interest in Canadian film and video. With over 24,500 entries, of which 10,500 are annotated, it opens up the literature devoted to Canadian film and video, at last making it readily accessible to scholars and researchers. Drawing on both English and French sources, it identifies books, catalogues, government reports, theses, and periodical and newspaper articles from Canadian and non-Canadian publications from the first decade of the twentieth century to 1989. The work is bilingual; descriptive annotations are presented in the language(s) of the original publication. Canadian Film and Video / Film et vidéo canadiens provides an in-depth guide to the work of over 4000 individuals working in film and video and 5000 films and videos. The entries in Volume I cover topics such as film types, the role of government, laws and legislation, censorship, festivals and awards, production and distribution companies, education, cinema buildings, women and film, and video art. A major section covers filmmakers, video artists, cinematographers, actors, producers, and various other film people. Volume II presents an author index, a film and video title index, and a name and subject index. In the tradition of the highly acclaimed publication Art and Architecture in Canada these volumes fill a long-standing need for a comprehensive reference tool for Canadian film and video. This bibliography guides and supports the work of film historians and practitioners, media librarians and visual curators, students and researchers, and members of the general public with an interest in film and video.
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