An understanding of rocks and the minerals that comprise them lies at the core of every geologist’s education. As more curricula combine mineralogy and petrology into a single course, Raymond and Johnson have responded with a concise introduction to the study of Earth materials. The authors have written at a level that won’t intimidate students encountering fundamental concepts for the first time, yet with enough rigor that they’ll be well prepared for future study. A broad approach to the subject that incorporates fluids and soils will appeal to instructors who teach engineering and environmental science students as well as future geoscientists. Abundant illustrations reinforce all of the ideas in the text. Many images are presented in color, with additional color images available at waveland.com/Raymond-Johnson. Problems appear throughout the book, encouraging a deeper understanding for students. Helpful appendices make it easy for instructors to assign further exercises in rock and mineral identification as well as optical mineralogy and petrography.
This extensive bibliography and reference guide is an invaluable resource for researchers, practitioners, students, and anyone with an interest in Canadian film and video. With over 24,500 entries, of which 10,500 are annotated, it opens up the literature devoted to Canadian film and video, at last making it readily accessible to scholars and researchers. Drawing on both English and French sources, it identifies books, catalogues, government reports, theses, and periodical and newspaper articles from Canadian and non-Canadian publications from the first decade of the twentieth century to 1989. The work is bilingual; descriptive annotations are presented in the language(s) of the original publication. Canadian Film and Video / Film et vidéo canadiens provides an in-depth guide to the work of over 4000 individuals working in film and video and 5000 films and videos. The entries in Volume I cover topics such as film types, the role of government, laws and legislation, censorship, festivals and awards, production and distribution companies, education, cinema buildings, women and film, and video art. A major section covers filmmakers, video artists, cinematographers, actors, producers, and various other film people. Volume II presents an author index, a film and video title index, and a name and subject index. In the tradition of the highly acclaimed publication Art and Architecture in Canada these volumes fill a long-standing need for a comprehensive reference tool for Canadian film and video. This bibliography guides and supports the work of film historians and practitioners, media librarians and visual curators, students and researchers, and members of the general public with an interest in film and video.
John Muir is considered to be the supreme icon of western wilderness and preservation. His counterpart in the east is Harlan P. Kelsey, an often obscure and forgotten figure. In Beautiful Land of the Sky, author Loren M. Wood chronicles Kelsey's journey from the humblest of beginnings to national prominence in horticulture and the establishment of national parks in the eastern United States. In this biography, Wood tells how, a century ago, Kelsey was the first to pioneer native plants for the American landscape and a leader in that process; how he was a leading participant in bringing all of America to our native plants in their finest original setting; and how he helped make a reality of the Great Smoky Mountains National Park, a zenith of horticultural biomass and diversity in America. In addition, this biography explores the parallels in the odysseys of Muir and Kelsey. Though primarily a biography of Kelsey, Wood compares the similarities, differences, and accomplishments of the two men. Including details gathered from more than fifty thousand items in Kelsey's personal files, Beautiful Land of the Sky narrates the inspiring and entertaining story of how the idea of national parks was implemented east of the Mississippi.
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