A new hardcover selection of Lord Byron's letters, poems, and journals, tracing his dramatic, scandalous, heroic life and his wide-ranging travels—and timed to the two-hundredth anniversary of his tragic early death George Gordon, Lord Byron, was one of the leading figures of British Romanticism. The Byronic hero he gave his name to—the charming, dashing, rebellious outsider—remains a powerful literary archetype. Byron was known for his unconventional character and his extravagant and flamboyant lifestyle: he had numerous scandalous love affairs, including with his half-sister Augusta Leigh. Lady Caroline Lamb, one of his lovers, famously described him as "mad, bad and dangerous to know." His letters and journals were originally published in two volumes; this new one-volume selection includes poems and provides a vivid overview of his dramatic life arranged to reflect his travels through Scotland, Italy, Spain, Turkey, Albania, Switzerland, and of course Greece, where he died. It contains a new introduction by scholar Fiona Stafford highlighting Byron’s enduring significance and the ways in which he was ahead of his time. Everyman's Library pursues the highest production standards, printing on acid-free paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Each title includes an introduction, a select bibliography, and a chronology of the author's life and times.
Lord George Gordon Byron was the flamboyant aristocratic poet who is as renowned for his personal life as he is for his poetry. The victim of an untimely death, Lord Byron lived from 1788 to 1824. Despite this relatively short life he still managed to create a volume of poetry that achieved him the status as one of the greatest of all English poets. This representative selection includes such classics as "Childe Harold's Pilgrimage," a sweeping narrative poem which relays the story of a world-weary young man who abandons a life of pleasure for distraction in foreign lands, and a selection from "Don Juan," generally considered by critics as Byron's masterpiece, which tells the legend of Don Juan as a man who is easily seduced by women instead of the more common womanizing portrayal. A leading figure of the Romantic movement, Lord Byron's poetry is still widely read and admired to this day. Fans of English Romantic poetry would be remiss in skipping this fine collection of over one hundred of Byron's classic poetic works. This edition is printed on premium acid-free paper.
Donald Low's collection contains Byron's most subversive, spirited and playful poetry as well as his outspoken prose. With helpful and informative annotation and a full bibliography this is an essential study aid for students.
Don Juan is a satiric poem by Lord Byron, based on the legend of Don Juan, which Byron reverses, portraying Juan not as a womanizer but as someone easily seduced by women. It is a variation on the epic form. Byron himself called it an "Epic Satire" (Don Juan, c. xiv, st. 99). Modern critics generally consider it Byron's masterpiece, with a total of more than 16,000 lines of verse. Byron completed 16 cantos, leaving an unfinished 17th canto before his death in 1824. Byron claimed he had no ideas in his mind as to what would happen in subsequent cantos as he wrote his work.When the first two cantos were published anonymously in 1819, the poem was criticized for its 'immoral content', though it was also immensely popular.Byron was a rapid as well as a voluminous writer. Nevertheless, the composition of his great poem, Don Juan, was coextensive with a major part of his poetical life. He began the first canto of Don Juan in the autumn of 1818, and he was still at work on a seventeenth canto in the spring of 1823. The poem was issued in parts, with intervals of unequal duration. Interruptions in the composition and publication of Don Juan were due to the disapproval and discouragement of friends as well as the publisher's hesitation and procrastination. Canto I. was written in September 1818; Canto II. in December–January, 1818-1819. Both were published on 15 July 1819. Cantos III. and IV. were written in the winter of 1819-1820; Canto V., after an interval of nine months, in October–November 1820, but the publication of Cantos III., IV., V. was delayed till 8 August 1821. In June 1822, Byron began to work at a sixth, and by the end of March, 1823, he had completed a sixteenth canto. But the publication of these later cantos, which had been declined by John Murray, and was finally entrusted to John Hunt, was spread over a period of several months. Cantos VI., VII., VIII., with a Preface, were published on 15 July; Cantos IX., X., XI on 29 August; Cantos XII., XIII., XIV., on 17 December 1823; Cantos XV., XVI. on 26 March 1824. It has been said that the character of Donna Inez (Don Juan's mother) was a thinly veiled portrait of Byron's own wife, Annabella Milbanke (daughter of Sir Ralph Milbanke).Many of Byron's remarks and reflections on the motive behind his poem are humorous paradoxes, provoked by advice and opposition. For instance, writing to Thomas Moore, he says, "I have finished the first canto of a poem in the style and manner of Beppo, encouraged by the good success of the same. It is meant to be a little quietly facetious upon every thing. But I doubt whether it is not—at least as far as it has gone—too free for these very modest days." Critical opinion aligned itself with the opinion that the poem was "too free," however, a month after the two first cantos had been issued, Byron wrote to Murray , "You ask me for the plan of Donny Johnny; I have no plan—I had no plan; but I had or have materials.... You are too earnest and eager about a work never intended to be serious. Do you suppose that I could have any intention but to giggle and make giggle?—a playful satire, with as little poetry as could be helped, was what I meant." After the completion but before the publication of Cantos III., IV., V., in a further letter to Murray , he writes, "The Fifth is so far from being the last of Don Juan, that it is hardly the beginning. I meant to take him the tour of Europe, with a proper mixture of siege, battle, and adventure, and to make him finish as Anacharsis Cloots in the French Revolution.... I meant to have made him a Cavalier Servente in Italy, and a cause for a divorce in England, and a Sentimental 'Werther-faced' man in Germany, so as to show the different ridicules of the society in each of these countries, and to have displayed him gradually gâté and blasé, as he grew older, as is natural. But I had not quite fixed whether to make him end in Hell, or in an unhappy marriage, not knowing which would be the severest.
George Gordon Byron, later Noel, 6th Baron Byron FRS (1788-1824) was an English poet and a leading figure in Romanticism. Amongst Byron's best-known works are the brief poems She Walks in Beauty, and So We'll Go no More a-Roving, and the narrative poems Childe Harold's Pilgrimage (1812-1818) and Don Juan (1819-1824), although the latter remained incomplete on his death. He is regarded as one of the greatest European poets and remains widely read and influential, both in the Englishspeaking world and beyond. Byron served as a regional leader of Italy's revolutionary organization the Carbonari in its struggle against Austria. He later travelled to fight against the Ottoman Empire in the Greek War of Independence, for which Greeks revere him as a national hero. He died from a fever in Messolonghi in Greece. Amongst his other works are: Fugitive Pieces (1806), Hours of Idleness (also titled Juvenilia) (1807), English Bards and Scotch Reviewers (1809), Hebrew Melodies (1815), The Prisoner of Chillon (1816), Manfred (1817) and The Works of Lord Byron (7 volumes) (1898).
George Gordon Byron (aka Lord Byron), later Noel, 6th Baron Byron of Rochdale FRS was a British poet and a leading figure in Romanticism. Amongst Byron's best-known works are the brief poems She Walks in Beauty, When We Two Parted, and So, we'll go no more a roving, in addition to the narrative poems Childe Harold's Pilgrimage and Don Juan. He is regarded as one of the greatest British poets and remains widely read and influential, both in the English-speaking world and beyond. Byron's notabilty rests not only on his writings but also on his life, which featured upper-class living, numerous love affairs, debts, and separation. He was notably described by Lady Caroline Lamb as "mad, bad, and dangerous to know." Byron served as a regional leader of Italy's revolutionary organization, the Carbonari, in its struggle against Austria. He later travelled to fight against the Ottoman Empire in the Greek War of Independence, for which Greeks revere him as a national hero. He died from a fever contracted while in Messolonghi in Greece.
George Gordon Byron (later Noel), 6th Baron Byron, FRS (22 January 1788 - 19 April 1824), commonly known simply as Lord Byron, was an English poet and a leading figure in the Romantic movement. Among Byron's best-known works are the lengthy narrative poems Don Juan and Childe Harold's Pilgrimage, and the short lyric "She Walks in Beauty".
George Gordon Byron, later Noel, 6th Baron Byron FRS (1788-1824) was an English poet and a leading figure in Romanticism. Amongst Byron's best-known works are the brief poems She Walks in Beauty, and So We'll Go no More a-Roving, and the narrative poems Childe Harold's Pilgrimage (1812-1818) and Don Juan (1819-1824), although the latter remained incomplete on his death. He is regarded as one of the greatest European poets and remains widely read and influential, both in the Englishspeaking world and beyond. Byron served as a regional leader of Italy's revolutionary organization the Carbonari in its struggle against Austria. He later travelled to fight against the Ottoman Empire in the Greek War of Independence, for which Greeks revere him as a national hero. He died from a fever in Messolonghi in Greece. Amongst his other works are: Fugitive Pieces (1806), Hours of Idleness (also titled Juvenilia) (1807), English Bards and Scotch Reviewers (1809), Hebrew Melodies (1815), The Prisoner of Chillon (1816), Manfred (1817) and The Works of Lord Byron (7 volumes) (1898).
The quintessential depiction of the Byronic hero is accompanied in this edition by a substantial selection of contextual materials, including Byron’s original draft of the play’s conclusion; influences on the poem, such as Paradise Lost, Goethe’s Faust, and Vathek; further examples of the Byronic hero from the poet’s other writings; a selection of contemporary reviews; and an excerpt from Man-Fred, a dramatic parody in which the protagonist is reimagined as a chimney-sweep.
I can never get people to understand that poetry is the expression of excited passion, and that there is no such thing as a life of passion any more than a continuous earthquake, or an eternal fever. Besides, who would ever shave themselves in such a state? Lord Byron, in a letter to Thomas Moore, 5 July 1821.
George Gordon Byron, later Noel, 6th Baron Byron FRS (1788-1824) was an English poet and a leading figure in Romanticism. Amongst Byron's best-known works are the brief poems She Walks in Beauty, and So We'll Go no More a-Roving, and the narrative poems Childe Harold's Pilgrimage (1812-1818) and Don Juan (1819-1824), although the latter remained incomplete on his death. He is regarded as one of the greatest European poets and remains widely read and influential, both in the Englishspeaking world and beyond. Byron served as a regional leader of Italy's revolutionary organization the Carbonari in its struggle against Austria. He later travelled to fight against the Ottoman Empire in the Greek War of Independence, for which Greeks revere him as a national hero. He died from a fever in Messolonghi in Greece. Amongst his other works are: Fugitive Pieces (1806), Hours of Idleness (also titled Juvenilia) (1807), English Bards and Scotch Reviewers (1809), Hebrew Melodies (1815), The Prisoner of Chillon (1816), Manfred (1817) and The Works of Lord Byron (7 volumes) (1898).
George Gordon Byron (aka Lord Byron), later Noel, 6th Baron Byron of Rochdale FRS was a British poet and a leading figure in Romanticism. He is regarded as one of the greatest British poets and remains widely read and influential, both in the English speaking world and beyond. Byron was profoundly impressed by Mariner's report of the scenery and folklore of the Friendly Islands, he was "never tired of talking of it to his friends," and, in order to turn this poetic material to account, finally bethought him that Bligh's Narrative of the mutiny of the Bounty would serve as a framework or structure "for an embroidery of rare device" - the figures and foliage of a tropical pattern. This early work by Lord Byron was originally published in 1823 and we are now republishing it with a brand new introductory biography.
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
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