Here in the authorized translation by James Graham-Luján and Richard L. O'Connell, with an illuminating biographical introduction by the poet's brother, Francisco García Lorca, are three tragic dramas by the great modern Spanish poet and playwright which have caught the imagination and won the critical acclaim of the literate world.
Federico Garcia Lorca called The Public "the best thing I've written for the theater." Yet, he acknowledged, "this is for the theater years from now." Now, half a century later, The Public and another of Lorca's most daring works, Play without a Title, are available in English translation for the first time. Surrealism, folk theater, poetry, vivid costumes, black humor--in the The Public, dramatic traditions are ransacked to develop themes as timely in the 1980s as they were taboo when Lorca was writing: if Romeo were a man of thirty and Juliet a boy of fifteen, would their passion be any less authentic? No, says a young observer of the play within the play, "I who climb the mountain twice each day and, when I finish studying, tend an enormous herd of bulls that I've got to struggle with and overpower at every instant, I don't have time to think about whether Juliet's a man or a woman or a child, but only to observe that I like her with such a joyous desire." In both The Public and Play without a Title, the player himself is of as much consequence as the role he plays. The fierce, stark Play without a Title, with its cast of Author, Prompter, Stagehand in the wings, and hecklers in the gallery, clearly heralds developments in today's avant-garde theater. It also reflects the violence of the times in which it was written. As Carlos Bauer notes in his introduction, neither of the plays in this volume was complete in 1936, when Lorca was assassinated by Franco's forces. Still, both have here the unity and grace of finished tours de force.
A generous selection and fresh translation of Lorca's suites, work that might have taken its place beside Songs (1927) and Poem of the Deep Song (1931) as a trilogy of Lorca's early modernist lyric. More personal than the other two works, Lorca's suites explore a 'heart without echo' in his time.
Surfing Hawaii is a guidebook to surfing at some of the most incredible surfing destinations in the world. Join Periplus' team of knowledgeable authors-photographer-surfers as they take you on an action-filled tour of the remarkable island of Hawaii. Drop into stoking wave circumstances—hopping from north to south across the Hawaiian Islands—through the extraordinary birthplace of surfing. This surfing guide contains: More than 140 action-charged photographs Insightful essays by surfers for surfers Detailed maps of important surf spots Up-to-date travel advisories Surf, suft and more surf If you like surfing or you are an inspiring surfer; this book will help guide you through the tips and tricks of the sport, including travel advisories, medical precautions, and safety hazards signs. And of course the spectacular views and places to surf in Indonesia are will be made aware to you.
Surfing Indonesia: A Search for the World's Most Perfect Waves is a guidebook to surfing at some of the most incredible surfing destinations in the world. Explore the history of Indonesia surfing and gain some insight from surfers alike. Surfing Indonesia takes you on a safari, an ultimate surfers dream; from the huge island of Sumatra in the west and Indonesia's "Far East" through Java, Bali, and Lombok Sumbawa. Detailed maps of important surfing sites Insightful essays by surfers for surfers More than 120 action pumped photographs If you like surfing or you are an inspiring surfer; this book will help guide you through the tips and tricks of the sport, including travel advisories, medical precautions, and safety hazards signs. And of course the spectacular views and places to surf in Indonesia are will be made aware to you.
The revolutionary genius of Spanish theatre, Lorca brought vivid and tragic-poetry to the stage with these powerful dramas. All appeal for freedom and sexual and social equality, and are also passionate defences of the imagination.
Mariana Pineda (1925) was Lorca's first success in the theatre. Based on a popular Andalusian ballad, it tells the story of Mariana Pineda who was garrotted in 1831 under the reactionary regime of Ferdinand VII for embroidering a Liberal flag and refusing to betray her lover. Written during the dictatorship of Primo de Rivera, the political message would not have escaped Lorca's audience. But the play is primarily the work of a poet and its appeal lies in the delicate tension that results from a deft blend of lyricism and drama which culminates in an astonishing level of spirituality in the final scenes when Mariana awaits her execution in a prison-convent. The characteristic themes of Lorca's tragedies - love, frustration, fate, freedom, death and womanhood - flourish within the play's appropriate and exquisite romantic mood. Spanish text with facing-page translation, introduction and commentary.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.