In Minefield six Falklands/Malvinas war veterans who once faced each other across a battlefield now face each other across a stage. Together they share memories, films, songs and photos as they recall their collective war and embody the political figures that led them into it. Soldier, veteran, human – these men have stories to share as they take us from the horrors of war to today's uncertainties, with brutal honesty and startling humour.
In Minefield six Falklands/Malvinas war veterans who once faced each other across a battlefield now face each other across a stage. Together they share memories, films, songs and photos as they recall their collective war and embody the political figures that led them into it. Soldier, veteran, human – these men have stories to share as they take us from the horrors of war to today's uncertainties, with brutal honesty and startling humour.
The aim of this handbook is to help those wanting to find a path through the UN system in relation to indigenous issues. The handbook provides a brief overview of the structure of the UN and the role that indigenous peoples have or could potentially have. It also attempts to clarify the position of the members of the Permanent Forum regarding relevant governments, agencies and NGOs.
A German-Danish love story during the Cold War. A Spartan existence in the forests of Costa Rica. A tireless dedication to establish the country ́s first nature reserve. An unexpected and mysterious tragedy. A gentle coati consoling a woman with suicidal thoughts. A continuous struggle to conserve nature from beyond the grave. A true story.
Poetry. Edited and with an introduction by Daniel Tobin. LIGHT IN HAND offers selections from Ridge's first three volumes of poetry that have entered the public domain: The Ghetto and Other Poems, Sun-Up and Other Poems, and Red Flag. The poems in this volume showcase Ridge's critical yet compassionate eye for the world around her, from the Jewish ghetto of the Lower East Side to the bloody frontlines of World War I. Rich with finely-drawn details of person and place, Ridge's poems marry a materialist political sensibility with a deep spiritual belief in the ability of humankind to transcend the world's havoc and strife. As Ridge writes in "Obliteration" of "The emptily effacing air,/ That has closed upon so many cries./ Yet holds in its blue vacuum/ No bleached white evidence," it is often the work of history to bury the cries of the oppressed, as well as those who try to speak out against injustice. It was Ridge's lifelong mission to counteract this erasure and illuminate that evidence.
What happens when a woman over 60 falls for a man then learns he's half her age? She writes poetry, of course. These are the poems of elation, confusion, reflection, joy, anger, and sadness that might be the result.
Lola Taubman was born in 1925 in the Carpathian Mountains (then Czechoslovakia). Life was rich in her extended Jewish family, part of a community with citizens from many backgrounds, where multiple languages were common currency, and education mingled with the joys and games of youth. By the late 1930s, anti-Semitism grew, and communities were disrupted. In May 1944, Lola and her family, and the remaining Jews from her town, were sent to Auschwitz. Lola was chosen to work; her immediate family perished. In January 1945, as the allies approached, the Nazis moved her, with many others from Auschwitz, on a series of death marches. Life as a DP followed, with a 4-year struggle to emigrate to the U.S. Arriving in New York in 1949, she later relocated to the Detroit area, where she married Sam Taubman and raised a family. Since the mid-1990s, she has been an inspiring speaker about her Holocaust experiences. Now, she shares her amazing story with us in this moving narrative of her life's journey.
In Working My Way through Retirement, author Lola Albion finds that retirement has many surprises and totally unexpected opportunities in store for her. She shares her unique trek in a series of e-mails written to family and friends from locations throughout the world over a period of nearly eight years. Her travels spanned far and wide, with her messages relayed from places as diverse as Doomadgee, an Aboriginal community in remote Australia; Labrador on the Atlantic edge of Canada; Montenegro in the Balkans; Tanna in the Pacific; Qatar in the Middle East; Italy; Jordan; and Cambodia. Albion shares her extraordinary experiences with a great deal of humour, gentleness, and wise insight into the human condition. She also considers themes of change, ageing, the universality of human hopes and dreams, and the wonder of the world and its people throughout.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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