This pathbreaking study of Italian stage works reconsiders a crucial period of music history: the late eighteenth century through the early nineteenth century. In her interdisciplinary examination of the statue animated by music, Ellen Lockhart deftly shows how Enlightenment ideas influenced Italian theater and music and vice versa. As Lockhart concludes, the animated statue became a fundamental figure within aesthetic theory and musical practice during the years spanning 1770–1830. Animation, Plasticity, and Music in Italy, 1770–1830 begins with an exploration of a repertoire of Italian ballets, melodramas, and operas from around 1800, then traces and connects a set of core ideas between science, philosophy, theories of language, itinerant performance traditions, the epistemology of sensing, and music criticism.
Many readers are unaware of the vast universe of Latin American science fiction, which has its roots in the 18th century and has flourished to the present day. Because science fiction is part of Latin American popular culture, it reflects cultural and social concerns and comments on contemporary society. While there is a growing body of criticism on Latin American science fiction, most studies treat only a single author or work. This reference offers a broad overview of Latin American science fiction. Included are alphabetically arranged entries on 70 Latin American science fiction writers. While some of these are canonical figures, others have been largely neglected. Since much of science fiction has been written by women, many women writers are profiled. Each entry is prepared by an expert contributor and includes a short biography, a discussion of the writer's works, and primary and secondary bibliographies. The volume closes with a general bibliography of anthologies and criticism.
The first comprehensive analytical bibliography of Atlantic Canadian imprints, this volume covers some 320 books, pamphlets, broadsides, government publications, and serials. Most have not been listed before in any bibliography or catalogue. They represent the holdings of more than thirty libraries and archives in the four Atlantic provinces, and in Ontario, Quebec, the United States, and England. Each entry follows the principles of descriptive bibliography and includes full collation, contents, record of paper, type, and binding, analysis of issue and state, and location of every copy examined. Historical notes deal with authorship, printing, publishing, distribution and sales, and with the content of important works and the relationship between items. Arrangement is by province, then by year of publication. The material catalogued encompasses a wide range of subjects. God and government are two of the most common, but there are many others: education, municipal organization, history, elections, transportation, agriculture, legal trials, and a number of societies—benevolent, national, religious, and masonic. There are also many almanacs, including one in German, several satires and addresses in verse, and a French abécédaire. Not surprisingly in a nineteenth-century Maritime bibliography, signal books and decisions about piracy abound. Six indexes provide access by author, title, genre, trades, place of publication, and language. Patricia Fleming’s work continues Marie Tremaine’s A Bibliography of Canadian Imprints, 1751–1800 and supplements that work with new and previously unlocated imprints. It adds an essential element to our understanding of print communication in Atlantic Canada.
This celebrated seven-volume biography (1837-8) draws on personal accounts of Sir Walter Scott (1771-1832), correspondence and autobiographical sketches.
Biography yields to no other species of composition, in interest and instruction. More especially is this true, when the subjects of which it treats are the struggles and vicissitudes of a life devoted to the pursuits of literature. There is a pleasure of the purest kind in observing the gradual development of thought and refinement of expression in one, who, smitten with a love of the good and the beautiful, and desirous to leave something behind him less perishable than his tombstone, has "scorned delights and loved laborious days." No one can read these Memoirs of Sir Walter Scott, so long and so anxiously expected, without feeling this pleasure, and without deriving from them that instruction which might not be received from the perusal of less interesting works. In our judgment, not the least important lesson which these memoirs teach, is the advantage, or rather the necessity, which there is of having some profession less precarious than that of literature, upon which the child of genius can fall back for comfort or support in the hour when adversity clouds the lights which hope hung up in the uncertain future. This is volume 7 out of 7 of one of the best and most extensive Scott biographies ever and it covers the years 1816 through 1820.
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