Upon his death in 1898, the French Symbolist poet Stephane Mallarmé (b. 1842) left behind a body of published work which though modest in quantity was to have a seminal influence on subsequent poetry and aesthetic theory. He also enjoyed an unparalleled reputation for extending help and encouragement to those who sought him out. Rosemary Lloyd has produced a fascinating literary biography of the poet and his period, offering a subtle exploration of the mind and letters of one of the giants of modern European poetry.Every Tuesday, from the late 1870s on, Mallarmé hosted gatherings that became famous as the "Mardis" and that were attended by a cross section of significant writers, artists, thinkers, and musicians in fin-de-siecle France, England, and Belgium. Through these gatherings and especially through a voluminous correspondence—eventually collected in eleven volumes—Mallarmé developed and recorded his friendships with Paul Valery, Andre Gide, Berthe Morisot, and many others. Attractively written and scrupulously documented, Mallarme: The Poet and His Circle is unique in offering a biographical account of the poet's literary practice and aesthetics which centers on that correspondence.
“Gives readers the background and resources they need to effectively discuss a range of issues . . . as practical as it is hilarious.” —Bustle Have you ever been at a cocktail party when all of a sudden you feel like an outsider in the conversation because you have absolutely no idea what the person is talking about? You’re standing around with a glass of wine and someone starts talking about how the stock market did that day leading to the career highs of Ben Bernanke and the best way to short a stock. You stand there completely silent because you know nothing about the stock market, let alone the history of economics. You’re being pushed to the outside edge of the pack and there’s no way to reach gracefully for your iPhone and Google. Fear not: Imogen Lloyd Webber is on a mission to make everyone as conversationally nimble as she has learned to be as a cable news pundit. Her solution: get a few cheat sheets and study up. Remember cheat sheets, those slips of paper filled with facts? As Imogen might say “Google is good, but a cheat sheet is forever . . . ” In eight cheat sheets, Imogen takes you through the facts that come up in most conversations: the English language, math/economics, religion, history, politics, geography, biology and culture. From the history of money to who signed The Magna Carta, Imogen shows you how to get back in a conversation, win any argument and most importantly, how to pivot out of a tough conversational bind. Imogen Lloyd Webber’s The Intelligent Conversationalist will help you talk with anyone about anything anytime.
When Rassie Erasmus took over as coach of the Springboks in 2018, few thought they had a chance of winning the Rugby World Cup. The Boks had slipped to seventh in the world rankings and lost the faith of the rugby-loving public. Less than two years later, jubilant crowds lined the streets of South Africa's cities to welcome back the victorious team. Sportswriter Lloyd Burnard takes the reader on the thrilling journey of a team that went from no-hopers to world champions. He examines how exactly this turnaround was achieved. Interviews with players, coaches and support staff reveal how the principles of inclusion, openness and focus, as well as careful planning and superb physical conditioning, became the basis for a winning formula. The key roles played by Rassie Erasmus and Siya Kolisi shine through. There were ups and downs along the way: beating the All Blacks in Wellington during the Rugby Championship was a high point, but then came Kolisi's injury, while in Japan the distractions of a volatile support base sometimes shook the players' focus. Miracle Men is filled with marvellous anecdotes and sharp insights. It is also inspiring testimony to what can be achieved when a group of South Africans from all backgrounds come together as a team.
Over two decades in the making, Les Fleurs Du Mal (The Flowers of Evil), is a complete collection of the works of Charles Baudelaire, translated here into English.
Offers a general study of Williams's major work, with particular emphasis placed on the structure of the poem. Deals specifically with William's concept of the city, and also evaluates the poem in terms of epic tradition.
Presents an anthology of some of the prose and prose poems of 19th-century France. This reader sets these prose experiments in their cultural and historical context, and provides notes to elucidate references and allusions.
The 14th Science Fiction MEGAPACK® collects 28 science fiction stories, 1 novel, and interviews with Larry Niven and Joe W. Haldeman. Included are: A NOTE FROM THE PUBLISHER INTERVIEW WITH LARRY NIVEN INTERVIEW WITH JOE W. HALDEMAN THE AUTUMN VISITORS, by Frank Belknap Long ADVANCE AGENT, by Christopher Anvil INNOCENT AT LARGE, by Poul and Karen Anderson A COLD NIGHT FOR CRYING, by Milton Lesser ESCAPE VELOCITY, by Charles L. Fontenay FIRST STAGE: MOON, by Dick Hetschel GAMES, by Katherine MacLean INFINITY’S CHILD, by Charles V. DeVet JUNGLE IN THE SKY, by Milton Lesser LITTLE BOY, by Harry Neal MIRACLE BY PRICE, by Irving E. Cox, Jr. NO GREAT MAGIC, by Fritz Leiber PEACE, by Norman Arkawy and Stanley Henig QUICKIE, by Milton Lesser SPATIAL DELIVERY, by Randall Garrett STAR PERFORMER, by Robert J. Shea STUDENT BODY, by F. L. Wallace IT TAKES A THIEF, by Walter Miller, Jr. DANGEROUS TECHNOLOGY, by Kenneth Lloyd Biggle TELEMPATHY, by Vance Simonds RESURRECTION SEVEN, by Stephen Marlowe THE CREATURE INSIDE, by Jack Sharkey THE DEMI-URGE, by Thomas M. Disch THE HERMIT OF MARS, by Stephen Bartholomew THE LONELY, by Judith Merril THE PLANET WITH NO NIGHTMARE, by Jim Harmon THE EARTH QUARTER, by Damon Knight OUR TOWN, by Jerome Bixby THE ANGRY ESPERS, by Lloyd Biggle Jr.
A fascinating account of medical advances over the centuries, with particular emphasis on surgical innovations and the prevalent diseases of the period 1840-1940.
Lloyd Antypowich has always given his all in everything he has chosen to do. He wore many different hats on the way to achieving his dream of becoming a rancher. This is a compelling story of his journey and the many paths he traveled to make it a reality. His life began in a time of struggle and hardship, when his immigrant family lived in the frontier of the northern Saskatchewan wilderness, with none of the amenities of the modern world. It stretched across the decades to a time when he saw man go to the moon and back. Today he lives in a time when new technology has created a world that his ancestors could never have imagined. His early childhood years were lived in a time when man used horse and buggy for transportation; when the hospital was more than a hundred miles away, so he was born at home with his grandmother acting as midwife; when the native Indians who lived in teepees just over the hill befriended his family and taught them how to make moccasins. He lived life in times when the bathroom was outside, and when it was forty below, the toilet seat was just as cold; the Eaton's catalogue was something you read while you were contemplating before you had to tear the page, because there was no toilet paper. This is a simple account of his determination to fulfill a lifelong dream of owning a ranch in the mountains and make cowboy boots his daily wear. When he met obstacles, he worked to find a way around them or over the top of them. He wouldn't consider the concept of failure and he didn't understand the words "no," "you can't," or "it's impossible." It is a tale of courage, humor, ingenuity, and determination.
Charming memoir, by his son, of Wright as genius, father, and family man. The book also includes the complete text of William C. Gannet's The House Beautiful, a work designed by Wright. 10 halftones.
Charting the contours of the long turn of the century, from 1860 to 1940, and studying a range of writers, genres, and disciplines, this book moves back and forth from Victorian to modernist fields of study to show how the 19th-century European hypothesis of culture haunts the 20th-century fiction of geopolitics.
A compilation of naturalization and denization records in the British colonies in America between 1607 and 1775. Records were compiled from published literature, then expanded and improved by the examination of original source materials.
The Cult of Art in Nazi Germany presents a new interpretation of National Socialism, arguing that art in the Third Reich was not simply an instrument of the regime, but actually became a source of the racist politics upon which its ideology was founded. Through the myth of the "Aryan race," a race pronounced superior because it alone creates culture, Nazism asserted art as the sole raison d'être of a regime defined by Hitler as the "dictatorship of genius." Michaud shows the important link between the religious nature of Nazi art and the political movement, revealing that in Nazi Germany art was considered to be less a witness of history than a force capable of producing future, the actor capable of accelerating the coming of a reality immanent to art itself.
Why was Jesus, who said "I judge no one," put to death for a political crime? Of course, this is a historical question--but it is not only historical. Jesus's life became a philosophical theme in the first centuries of our era, when "pagan" and Christian philosophers clashed over the meaning of his sayings and the significance of his death. Modern philosophers, too, such as Immanuel Kant and Friedrich Nietzsche, have tried to retrace the arc of Jesus's life and death. I Judge No One is a philosophical reading of the four memoirs, or "gospels," that were fashioned by early Christ-believers and collected in the New Testament. It offers original ways of seeing a deeply enigmatic figure who calls himself the Son of Man. David Lloyd Dusenbury suggests that Jesus offered his contemporaries a scandalous double claim. First, that human judgements are pervasive and deceptive; and second, that even divine laws can only be fulfilled in the human experience of love. Though his life led inexorably to a grim political death, what Jesus's sayings revealed--and still reveal--is that our highest desires lie beyond the political.
In this sequel to BLOOD FOR THE GHOSTS AND CLASSICAL SURVIVALS, Hugh Lloyd-Jones treats many topics in the study of the ancient world. The subjects range from Homer and Pindar to the pioneering work of modern scholars such as Scaliger, Gilbert Murray, Dean Inge and Edgar Lobel and the relevance (or lack of relevance) of psychoanalysis to a proper interpretation of classical thought and literature. A final chapter, from which the title of the collection derives, gives a new assessment of the place of Greek learning in the world today.
The second half of the twentieth century saw the University of Pennsylvania grow in size as well as in stature. On its way to becoming one of the world's most celebrated research universities, Penn exemplified the role of urban renewal in the postwar redevelopment and expansion of urban universities, and the indispensable part these institutions played in the remaking of American cities. Yet urban renewal is only one aspect of this history. Drawing from Philadelphia's extensive archives as well as the University's own historical records and publications, John L. Puckett and Mark Frazier Lloyd examine Penn's rise to eminence amid the social, moral, and economic forces that transformed major public and private institutions across the nation. Becoming Penn recounts the shared history of university politics and urban policy as the campus grappled with twentieth-century racial tensions, gender inequality, labor conflicts, and economic retrenchment. Examining key policies and initiatives of the administrations led by presidents Gaylord Harnwell, Martin Meyerson, Sheldon Hackney, and Judith Rodin, Puckett and Lloyd revisit the actors, organizations, and controversies that shaped campus life in this turbulent era. Illustrated with archival photographs of the campus and West Philadelphia neighborhood throughout the late twentieth century, Becoming Penn provides a sweeping portrait of one university's growth and impact within the broader social history of American higher education.
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