Updated with new color graphics and new video CD of surgical and diagnostic procedures, this 6th edition retains its heritage as the classic textbook in otology and neurotology. Coverage includes scientific foundations and fundamentals, clinical evaluation and rehabilitation and sections on the external ear, inner ear, tympanomastoid compartment, internal auditory canal/Cerebellopontine angle/petrous apex and skull-based surgery. This edition integrates all the latest research in genetics, biotechnical advancements in laser and image-guided systems and clinical innovations and techniques of the past 7 years. Woven throughout is an intriguing historical overview of those who pioneered the early surgical interventions from 1950 to the present and the influences on current clinical practice. Editors of this edition, Julianna Gulya, Lloyd Minor and Dennis Poe are internationally renowned figures in the field of otology/neurotology. This 6th edition enormously benefits from their editorial direction and wealth of knowledge and clinical expertise. SOTE 6 remains the classic text and reference of choice for otolaryngologists and neurosurgeons and an essential addition to the libraries of experienced surgeons, trainees, or those preparing for board exams. New Chapters written by well-recognized leaders that include the latest research and clinical studies include: Tumor Biology Stereotactic Radiosurgery and Radiotherapy Ossicular Reconstruction Management of Cerebrospinal Fluid Leaks Surgical Treatment of Peripheral Vestibular Disorders Hearing Aids Tinnitus Rehabilitation Vestibular Rehabilitation Updated Temporal Bone Dissection Guide
Joni Mitchell is one of the foremost singer-songwriters of the late twentieth century. Yet despite her reputation, influence, and cultural importance, a detailed appraisal of her musical achievement is still lacking. Whitesell presents a through exploration of Mitchell's musical style, sound, and structure in order to evaluate her songs from a musicological perspective. His analyses are conceived within a holistic framework that takes account of poetic nuance, cultural reference, and stylistic evolution over a long, adventurous career. Mitchell's songs represent a complex, meticulously crafted body of work. The Music of Joni Mitchell offers a comprehensive survey of her output, with many discussions of individual songs, organized by topic rather than chronology. Individual chapters each explore a different aspect of her craft, such as poetic voice, harmony, melody, and large-scale form. A separate chapter is devoted to the central theme of personal freedom, as expressed through diverse symbolic registers of the journey quest, bohemianism, creative license, and spiritual liberation. Previous accounts of Mitchell's songwriting have tended to favor her poetic vision, expansive verse structures, and riveting vocal delivery. Whitesell fills out this account with special attention to musical technique, showing how such traits as complex or conflicting sonorities, dualities of harmonic mode, dialectical tensions of texture and register, intricately layered instrumental figuration, and a variable vocal persona are all essential to her distinctive identity as a songwriter. The Music of Joni Mitchell develops a set of conceptual tools geared specifically to Mitchell's songs, in order to demonstrate the extent of her technical innovation in the pop song genre, to give an account of the formal sophistication and rhetorical power characterizing her work as a whole, and to provide grounds for the recognition of her intellectual stature as a composer within her chosen field.
An essential part of musicianship! This realistic first-year program of sight singing and ear training presents a broadly based approach to music reading as an essential and integral part of musicianship and exhibits a sharp focus on essential skills. The authors developed and tested the materials in their classes at the Juilliard School of Music, refining them to enhance accessibility and improve learning. Special features include: arranges specific concepts and problems in a carefully graded order based upon performance difficulty; isolates specific rhythmic and pitch problems and then drills them in a concentrated form but in a variety of music contexts; includes copious examples of each problem in actual music; stimulates readers’ creative imagination through the consistent employment of assignments that require original work.
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