Lizzie Susan Stebbing's Books

Revival: Philosophy and the Physicists (1937)

By: Lizzie Susan Stebbing

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Revival: Philosophy and the Physicists (1937)

By: Lizzie Susan Stebbing

This book is written by a philosopher for other philosophers and for that section of the reading public who buy in large quantities and, no doubt, devour with great earnestness the popular books written by scientists for their enlightenment. We common readers, to adapt a phrase from Samuel Johnson, are fitted neither to criticize physical theories not to decide what precisely are their implications. We are dependent upon the scientists for an exposition of those developments which – so we find them proclaiming – have important and far-reaching consequences for philosophy. Unfortunately, however, our popular expositors do not always serve us very well. The two who are most widely read in this country are Sir Arthur Eddington and Sir James Jeans. They are not always reliable guides. Their influence has been considerable upon the reading public, upon theologians, and upon preachers; they have even misled philosopher who should have known better. Accordingly, it has seemed to me to be worth while to examine in some detail the philosophical views that they have put forth and to criticize the grounds upon which these views are based.

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Page Count

222

Publisher

Routledge

Published Date

ISBN 10

1351348051

ISBN 13

9781351348058

Revival: A Modern Introduction to Logic (1950)

By: Lizzie Susan Stebbing

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Revival: A Modern Introduction to Logic (1950)

By: Lizzie Susan Stebbing

As the author of this volume states, "the science of logic does not stand still." This book was intended to cover the advances made in the study of logic in the first half of the nineteenth century, during which time the author felt there to have been greater advances made than in the whole of the preceding period from the time of Aristotle. Advances which, in her eyes, were not present in contemporary text books. As such, this book offers a valuable insight into the progress of the subject, tracing this frenetic period in its development with a first-hand awareness of its documentary value.

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