An updated introduction to the religions developed in the Caribbean region Creole Religions of the Caribbean offers a comprehensive introduction to the overlapping religions that have developed as a result of the creolization process. Caribbean peoples drew on the variants of Christianity brought by European colonizers, as well as on African religious and healing traditions and the remnants of Amerindian practices, to fashion new systems of belief. From Vodou, Santería, Regla de Palo, the Abakuá Secret Society, and Obeah to Quimbois and Espiritismo, the volume traces the historical–cultural origins of the major Creole religions, as well as the newer traditions such as Rastafari. This third edition updates the scholarship by featuring new critical approaches that have been brought to bear on the study of religion, such as queer studies, environmental studies, and diasporic studies. The third edition also expands the regional considerations of the diaspora to the US Latinx communities that are influenced by Creole spiritual practices, taking into account the increased significance of material culture?art, music, literature, and healing practices influenced by Creole religions.
CreolizationOCothe coming together of diverse beliefs and practices to form new beliefs and practicesOCois one of the most significant phenomena in Caribbean religious history. Brought together in the crucible of the sugar plantation, Caribbean peoples drew on the variants of Christianity brought by European colonizers, as well as on African religious and healing traditions and the remnants of Amerindian practices, to fashion new systems of belief. Creole Religions of the Caribbean offers a comprehensive introduction to the syncretic religions that have developed in the region. From Vodou, Santer a, Regla de Palo, the Abakui Secret Society, and Obeah to Quimbois and Espiritismo, the volume traces the historicalOCocultural origins of the major Creole religions, as well as the newer traditions such as Pocomania and Rastafarianism. This second edition updates the scholarship on the religions themselves and also expands the regional considerations of the Diaspora to the U. S. Latino community who are influenced by Creole spiritual practices. Fernindez Olmos and ParavisiniOCoGebert also take into account the increased significance of material cultureOCoart, music, literatureOCoand healing practices influenced by Creole religions. In the Religion, Race, and Ethnicity series
With the publication of her novel Annie John in 1985, Jamaica Kincaid entered the ranks of the best novelists of her generation. Her three autobiographical novels, Annie John, Lucy, and Autobiography of My Mother, and collection of short stories, At the Bottom of the River, touch on the universal theme of coming-of-age and the female adolescent's need to sever her ties to her mother. This angst is couched in the social landscape of post-colonial Antigua, a small Caribbean island whose legacy of racism affects Kincaid's protagonists. Her fiction rewrites the history of the Caribbean from a West Indies perspective and this milieu colors the experiences of her characters. Following a biographical chapter, Paravisini-Gebert traces the development of Kincaid's craft as a writer. Each of the novels and the collection of short stories is discussed in a separate chapter that includes sections on plot, character, theme, and an alternate critical approach from which to read the novel, such as feminist. A complete primary and secondary bibliography and lists of selected reviews of Kincaid's work complete the study.
The Caribbean is an exotic but not too distant land, full of rich cultural traditions. The literature of the Caribbean reflects the social, political, and cultural concerns of the region and is a valuable tool for learning about the area and its people. This book includes chapters on roughly a dozen contemporary Caribbean writers. Along with plot summaries, these sections discuss major themes and give close attention to how Caribbean culture figures in the writer's texts. To help students conduct further research, each chapter cites works for further reading.
Phyllis Shand Allfrey is the first biography of one of the Caribbean's most intriguing writers and politicians. Allfrey (1908-1986) is best known as the author of The Orchid House, a fictionalized account of her early life that was turned into a highly acclaimed film for British television. Born to a prominent family of formerly wealthy sugar planters in Dominica, Allfrey followed an unexpected path: a rising novelist (who is often paired with Jean Rhys in critical discussion) and Fabian socialist in England and the United States, she returned to Dominica to organize the peasantry and estate workers into the island's first political party. Ostracized by the white elite into which she was born, she led the Dominica Labour party to power and became the West Indian Federation's only woman (and only white) minister, only to find herself expelled from the party when the rise of black nationalism made it expedient. The biography recreates Allfrey's life as it unfolds against the background of twentieth-century Caribbean political and literary history, from the decline of the planter class through the rise of party politics and the efforts to join the anglophone West Indies into a federation, to the troubled sixties and seventies, decades marked by racial violence and the emergence of the former British territories from colonial control. This volume includes five autobiographical stories that have long been out of print.
The Caribbean is an exotic but not too distant land, full of rich cultural traditions. The literature of the Caribbean reflects the social, political, and cultural concerns of the region and is a valuable tool for learning about the area and its people. This book includes chapters on roughly a dozen contemporary Caribbean writers. Along with plot summaries, these sections discuss major themes and give close attention to how Caribbean culture figures in the writer's texts. To help students conduct further research, each chapter cites works for further reading.
Unique . . . a wonderful collection that will receive much attention." --Barbara Christian, University of California at Berkeley "The panorama of insights and visions is vast . . . the context of women's writings is a broadening link, connecting these writers with their contemporaries in other cultures around the world." --Gregory Rabassa "Provides wonderful insights into writing by women from the Caribbean." --J. Michael Dash, The University of the West Indies This collection of short stories features moving tales from the rich Caribbean oral tradition, stories that question women's traditional roles, present women's perspectives on the history of Caribbean slavery and colonialism, and convey the beautiful cadences of the language of Caribbean women. It offers the general reader a broad selection of the themes, styles, and techniques characteristic of contemporary women's fiction in the Caribbean. There are twenty-seven enjoyable and vibrant tales in this anthology, some of them originally written in English, others in French, Dutch, and Spanish. There are writers from Guadeloupe, Dominica, Jamaica, Trinidad, Puerto Rico, Martinique, Antigua, Haiti, Cuba, the Dominican Republic, and Surinam. Along with stories by well-known writers such as Jean Rhys, Jamaica Kincaid, Michelle Cliff, Maryse Conde, and Rosario Ferre, the anthology also includes first-rate stories by lesser-known but equally talented writers. The collection also contains a critical introduction, biographical notes, and a bibliography. Carmen C. Esteves is assistant professor in the department of Romance languages at Lehman College-CUNY. She has translated into English works by Latin American women such as Magali Garcia Ramis and Elena Poniatowska. Lizabeth Paravisini-Gebert is associate professor of Puerto Rican studies at Lehman College-CUNY. She has published many articles on Caribbean writers, and has translated many works into English, including Love (Amour) by the Haitian writer Marie Chauvet.
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