From the weekly shopping list to the Ten Commandments, our lives are shaped by lists. Whether dashed off as a quick reminder, or carefully constructed as an inventory, this humble form of documentation provides insight into its maker's personal habits and decision-making processes. This is especially true for artists, whose day-to-day acts of living and art-making overlap and inform each other. Artists' lists shed uncover a host of unbeknownst motivations, attitudes, and opinions about their work and the work of others. Lists presents almost seventy artifacts, including "to do" lists, membership lists, lists of paintings sold, lists of books to read, lists of appointments made and met, lists of supplies to get, lists of places to see, and lists of people who are "in." At times introspective, humorous, and resolute, but always revealing and engaging, Lists is a unique firsthand account of American cultural history that augments the personal biographies of some of the most celebrated and revered artists of thelast two centuries. Many of the lists are historically important, throwing a flood of light on a moment, movement, or event; others are private, providing an intimate view of an artist's personal life: Pablo Picasso itemized his recommendations for the Armory Show in 1912; architect Eero Saarinen enumerated the good qualities of the then New York Times art editor and critic Aline Bernstein, his second wife; sculptor Alexander Calder's address book reveals the whos who of the Parisian avant-garde in the early twentieth century. In the hands of their creators, these artifacts become works of art in and of themselves. Lists includes rarely seen specimens by Vito Acconci, Leo Castelli, Joseph Cornell, Hans Hofmann, Franz Kline, Willem de Kooning, Lee Krasner, H. L. Mencken, Robert Motherwell, Barnett Newman, Jackson Pollock, Richard Pousette-Dart, Robert Rauschenberg, Ad Reinhardt, Mark Rothko, Clyfford Still, and Andrew Wyeth.
Published in conjunction with the Smithsonian's Archives of American Art, this book provides insight to the work of American artists and their unique studio spaces. Over 100 photographs with letters and other primary source materials (notes, sketchbook pages, invitations, etc.) offer an intimate perspective on the work and studios of over 100 significant American artists from the late 19th century to the 1970s. ARTISTS IN THEIR STUDIOS shows the evolution of studio spaces and by extension the public/private personae of the artists. It also informs the public about the holdings of the Smithsonian's Archives and creates an awareness of the value of these primary sources as historical evidence.
Words speak volumes, but, as every letter writer knows, there are times when they simply won't do. When the author happens to be a visual artist, he has an added advantage - one that transforms ordinary stationery into a canvas. This book chronicles those occasions when words were not enough, and some of America's most revered artists turned their talents to illustrating their most intimate thoughts and feelings. Writing to wives, lovers, friends, patrons, clients, and confidants, premiere artists such as Frederick Edwin Church, Thomas Eakins, Winslow Homer, Andrew Wyeth, Rockwell Kent, Lyonel Feininger, John Sloan, Alfred Frueh, Man Ray, Alexander Calder, Dorothea Tanning, Gio Ponti, Andy Warhol, and Frida Kahlo picture the world around them in charming vignettes, caricatures, portraits, and landscapes. Together, the words and images of these autobiographical works of art, created for private consumption, reveal the joys and successes, loves and longings, triumphs and frustrations of their distinguished authors' personal lives and professional careers."--Jacket.
From the weekly shopping list to the Ten Commandments, our lives are shaped by lists. Whether dashed off as a quick reminder, or carefully constructed as an inventory, this humble form of documentation provides insight into its maker's personal habits and decision-making processes. This is especially true for artists, whose day-to-day acts of living and art-making overlap and inform each other. Artists' lists shed uncover a host of unbeknownst motivations, attitudes, and opinions about their work and the work of others. Lists presents almost seventy artifacts, including "to do" lists, membership lists, lists of paintings sold, lists of books to read, lists of appointments made and met, lists of supplies to get, lists of places to see, and lists of people who are "in." At times introspective, humorous, and resolute, but always revealing and engaging, Lists is a unique firsthand account of American cultural history that augments the personal biographies of some of the most celebrated and revered artists of thelast two centuries. Many of the lists are historically important, throwing a flood of light on a moment, movement, or event; others are private, providing an intimate view of an artist's personal life: Pablo Picasso itemized his recommendations for the Armory Show in 1912; architect Eero Saarinen enumerated the good qualities of the then New York Times art editor and critic Aline Bernstein, his second wife; sculptor Alexander Calder's address book reveals the whos who of the Parisian avant-garde in the early twentieth century. In the hands of their creators, these artifacts become works of art in and of themselves. Lists includes rarely seen specimens by Vito Acconci, Leo Castelli, Joseph Cornell, Hans Hofmann, Franz Kline, Willem de Kooning, Lee Krasner, H. L. Mencken, Robert Motherwell, Barnett Newman, Jackson Pollock, Richard Pousette-Dart, Robert Rauschenberg, Ad Reinhardt, Mark Rothko, Clyfford Still, and Andrew Wyeth.
Words speak volumes, but, as every letter writer knows, there are times when they simply won't do. When the author happens to be a visual artist, he has an added advantage - one that transforms ordinary stationery into a canvas. This book chronicles those occasions when words were not enough, and some of America's most revered artists turned their talents to illustrating their most intimate thoughts and feelings. Writing to wives, lovers, friends, patrons, clients, and confidants, premiere artists such as Frederick Edwin Church, Thomas Eakins, Winslow Homer, Andrew Wyeth, Rockwell Kent, Lyonel Feininger, John Sloan, Alfred Frueh, Man Ray, Alexander Calder, Dorothea Tanning, Gio Ponti, Andy Warhol, and Frida Kahlo picture the world around them in charming vignettes, caricatures, portraits, and landscapes. Together, the words and images of these autobiographical works of art, created for private consumption, reveal the joys and successes, loves and longings, triumphs and frustrations of their distinguished authors' personal lives and professional careers."--Jacket.
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