Liza Goddard is one of the country's best loved and hardest working actresses, but few people know the real woman behind the ‘dizzy blonde' image. In this much-anticipated autobiography, Liza talks about her work, her loves and the real-life dramas that have shaped her as a woman and an actress. The book charts her early life in England and follows her to Australia, where her beloved father played a key role in helping to set up the country's fledgling television industry. As a young actress, Liza was cast in the long-running children’s drama series, Skippy the Bush Kangaroo. She later returned to England, where she appeared in a host of classic TV series, including Pig In The Middle, The Brothers, Bergerac, Dr Who and Midsomer Murders. Liza talks about her working relationship with Alan Ayckbourn and explains how a planned move to America failed to materialise. Find out how Liza got together with her first husband, actor Colin Baker on the set of The Brothers, why her marriage to ‘70s rocker Alvin Stardust failed and how she eventually found true love with producer David Cobham. Liza also reveals the truth about her alleged affair with Bergerac star John Nettles, and reveals how she successfully sued a tabloid newspaper over the allegations. She describes her courageous battle against breast cancer and reveals how beating the disease has given her a new perspective on life. Liza explains why animals continue to play an important part in her life and recounts some hilarious stories about the assortment of creatures that have featured in her life. A warts and all account from one of Britain’s most popular actresses, Working With Children And Animals will have you laughing and crying in equal measure.
“Rak chazaq v’ematz!” Just be strong and courageous! God spoke these words to Joshua as he stood before the walls of Jericho. Over three hundred years later, these very words continued to ring out across fields of battle as the Israelites and their enemies clashed in war. This battle cry echoed through the life of a young shepherd, called to defend his country, and anointed by his God to become the next king. In the face of doubt, fear, and rejection, David courageously followed God’s plan for his life, overcoming betrayal and loss to become one of the greatest kings in Israelite history.
The next installment in the Annika Bengtzon series from #1 "New York Times"-bestselling author Marklund. Police Officer Nina Hoffman finds her fellow officer David Lindholm naked on his bed with bullets through his head and stomach. The traumatized wife rambles on about a break-in, but all the evidence points in her direction.
War and Peace and Anna Karenina are widely recognised as two of the greatest novels ever written. Their author, Leo Tolstoy, has been honoured as the father of the modern war story; as an innovator in psychological prose and forerunner of stream of consciousness; and as a genius at using fiction to reveal the mysteries of love and death. At the time of his death in 1910, Tolstoy was known the world over as both a great writer and as a merciless critic of institutions that perpetrated, bred, or tolerated injustice and violence in any form. Yet among literary critics and rival writers, it has become a commonplace to disparage Tolstoy's " while praising his " In this Very Short Intorduction Liza Knapp explores the heart of Tolstoy's work. Focussing on his masterpieces of fiction which have stood the test of time, she analyses his works of non-fiction alongside them, and sketches out the core themes in Tolstoy's art and thought, and the interplay between them. Tracing the continuing influence of Tolstoy's work on modern literature, Knapp highlights those aspects of his writings that remain relevant today. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Godiva Blue thinks she controls the world she has created for her daughter Dylan and herself in a neglected corner of North Florida. While her fellow college activists have become Reagan-era yuppies, Godiva—an elementary-school janitor who is also an avant-garde artist and avowed nonconformist—staunchly refuses to compromise her ideals. Then one day she glances at the wanted posters hanging in her local post office and recognizes the face of a man she hasn’t seen since 1969: Dylan’s father. Shaken, Godiva grabs the poster and takes it home. When 15-year-old Dylan, already secretly chafing against her mother’s out-sized personality, finds the photograph, the discovery rocks the very foundation of their relationship. Fueled by simmering adolescent resentment, Dylan sets out across America to look for the father she’s never known. Left behind and powerless to protect her daughter, Godiva must finally confront the choices she made long ago. By turns funny, scary and reflective, Playing Botticelli follows Godiva and Dylan deep into the uncharted territories of their hearts as they seek that elusive balance between autonomy and family love?
This impassioned and rigorous analysis of the territorial plight of the Q'eqchi Maya of Guatemala highlights an urgent problem for indigenous communities around the world - repeated displacement from their lands. Liza Grandia uses the tools of ethnography, history, cartography, and ecology to explore the recurring enclosures of Guatemala's second largest indigenous group, who number a million strong. Having lost most of their highland territory to foreign coffee planters at the end of the 19th century, Q'eqchi' people began migrating into the lowland forests of northern Guatemala and southern Belize. Then, pushed deeper into the frontier by cattle ranchers, lowland Q'eqchi' found themselves in conflict with biodiversity conservationists who established protected areas across this region during the 1990s. The lowland, maize-growing Q'eqchi' of the 21st century face even more problems as they are swept into global markets through the Dominican Republic-Central America Free Trade Agreement (DR-CAFTA) and the Puebla to Panama Plan (PPP). The waves of dispossession imposed upon them, driven by encroaching coffee plantations, cattle ranches, and protected areas, have unsettled these agrarian people. Enclosed describes how they have faced and survived their challenges and, in doing so, helps to explain what is happening in other contemporary enclosures of public "common" space. A Capell Family Book Watch the book trailer: https://www.youtube.com/watch?v=pTLvmg3mHE8
Liza Black critically examines the inner workings of post–World War II American films and production studios that cast American Indian extras and actors as Native people, forcing them to come face to face with mainstream representations of “Indianness.”
Impact fees are one-time charges that are applied to new residential developments by local governments that are seeking funds to pay for the construction or expansion of public facilities, such as water and sewer systems, schools, libraries, and parks and recreation facilities. In the face of taxpayer revolts against increases in property taxes, impact fees are used increasingly by local governments throughout the U.S. to finance construction or improvement of their infrastructure. Recent estimates suggest that 60 percent of all American cities with over 25,000 residents use some form of impact fees. In California, it is estimated that 90 percent of such cities impose impact fees. For more than thirty years, impact fees have been calculated based on proportionate share of the cost of the infrastructure improvements that are to be funded by the fees. However, neither laws nor courts have ensured that fees charged to new homes are themselves proportionate. For example, the impact fee may be the same for every home in a new development, even when homes vary widely in size and selling price. Data show, however, that smaller and less costly homes have fewer people living in them and thus less impact on facilities than larger homes. This use of a flat impact fee for all residential units disproportionately affects lower-income residents. The purpose of this guidebook is to help practitioners design impact fees that are equitable. It demonstrates exactly how a fair impact fee program can be designed and implemented. In addition, it includes information on the history of impact fees, discusses alternatives to impact fees, and summarizes state legislation that can infl uence the design of local fee programs. Case studies provide useful illustrations of successful programs. This book should be the first place that planning professionals, public officials, land use lawyers, developers, homebuilders, and citizen activists turn for help in crafting (or recrafting) proportionate-share impact fee programs.
The book presents documentary evidence of the insufficiency of rehabilitation works to close the gap between the irrigation service and actual area irrigated of publicly funded national irrigation systems in the Philippines. It outlines a methodology for formulating a modernisation plan for national irrigation systems with focus on the mostly ungauged, medium to small canal irrigation systems. The proposed methodology adaptively modified some known modernisation concepts and techniques and integrated them in a more holistic framework in the context of changing weather patterns and river flow regimes. It includes in-depth review of rehabilitation works; system diagnosis; revalidation of design assumptions on percolation and water supply; characterisation of system management, irrigation service and demand; and drawing up of options and a vision for the modernised irrigation systems. Central to the proposed modernisation strategy is the logical coherence among the design of physical structures, system operation and water supply so that improvements of irrigation service are possible. The book discusses the development of the proposed methodology and demonstrates its utility in two case study irrigation systems.
A violent robbery has killed an entire family on the Costa Del Sol. Annika Bengtzon is assigned to cover the story for the Evening Post. But when she arrives in Spain she discovers there is a third child who is unaccounted for. Annika makes it her mission to find the missing girl. But as she delves into the mystery she becomes embroiled in a far darker side of Spanish life than she'd envisioned, as she begins to piece together a terrifying story of violence, abuse and murder.
Why is the word madre, "mother," so complicated in Spanish—especially in Mexico? Leaping off the page with energy, insight, and attitude, Liza Bakewell's exploration of language is anything but "just semantics." Why does me vale madre mean worthless, while !qué padre! means fabulous, she asks? And why do one hundred madres disappear when one padre enters the room, converting the group from madres to padres? Thus begins a journey through Mexican culture in all its color: weddings, dinner parties, an artist's studio, heart-stopping taxi rides, angry journalists, corrupt politicians, Blessed Virgins, and mothers both sacred and profane. Along the way, a reader discovers not only an invaluable lexicon of Mexican slang (to be used with caution or not at all) but also thought-provoking reflections on the evolution of language; its winding path through culture, religion, and politics; and, not least, what it means—and what it threatens—to be a creative female, a madre.
Elly Astoria had a miraculous musical talent. As a little girl she taught herself to play guitar and keyboard so that she could feed herself and her junkie mother. One rainy night she was spotted singing and playing by the founder of an indy womens band. Later, cleaned up and better fed, she caught the eye of her future manager and his creepy sister. It should have been a rags-to-riches story. Instead Ellys career was cut short by her perverted and grisly murder. Years after her death it looks as if Ellys life has been overlooked. If anyone deserves rediscovery and a biography, its Elly. Clearly there is a story to be told and a mystery to be solved. But how? About Anna Lee Electric with suspense, fast and funny... Publishers Weekly Loud hurrahs... story wonderfully alive, truly tense, dialogue sharp and accurate! HRF Keating, The Times About Eva Wylie A staggering achievement... A breath-taking tour de force. Sara Paretsky ...Eva is a wondrous creation an incorrigible innocent in a story that crackles with energy. Super Cody. Kirkus Reviews About Gimme More Any one with the slightest interest in the world of music will ?nd this a thriller they wont want to put down. Anthony Morris Probably the greatest rocknroll novel ever. Nick Johnstone, uncut
Offering a systematic approach to evidence-based assessment and planning for children living with trauma and family violence, this practical book shows how to assess and analyse the needs of the child, make specialist assessments where there are continuing safeguarding concerns (using the Assessment Framework) and plan effective child-centred and outcome-focused interventions. The authors analyse the impact of exposure to a climate of trauma and family violence on a child's bioneurological development and on their capacity to form attachments and to develop and reflect on relationships through childhood and adolescence into adulthood. They bring together the assessment of children in need with the evaluation of significant harm and risk, and potential for rehabilitation, and also explore the application of evidence-based approaches to intervention. This book is an essential tool for all front-line practitioners working with child protection, including social workers, child and adolescent mental health practitioners, police officers, probation workers and domestic violence organizations. It is also suitable for undergraduate, postgraduate and post-qualifying students.
A revisionist history of epidemic disease as experienced by northern Indigenous peoples in present day Canada's Yukon and Northwest Territories between 1860 and 1940. Liza Piper connects the history of epidemics in northern North America to persistent health disparities arising from settler colonialism.
Liza Long, the author of “I Am Adam Lanza’s Mother"—as seen in the HBO® documentary A Dangerous Son—speaks out about mental illness. Like most of the nation, Liza Long spent December 14, 2012, mourning the victims of the Newtown shooting. As the mother of a child with a mental illness, however, she also wondered: “What if my son does that someday?” The emotional response she posted on her blog went viral, putting Long at the center of a passionate controversy. Now, she takes the next step. Powerful and shocking, The Price of Silence looks at how society stigmatizes mental illness—including in children—and the devastating societal cost. In the wake of repeated acts of mass violence, Long points the way forward.
What is the state of your heart? Soul Survivor's Ali Martin & Liza Hoeksma explore why Proverbs 4:23 tells us to guard our hearts above everything else. 'I have a fragile, passionate, bruised and hopeful heart. Reading this book has done it so much good!' Rachel Gardener, Romance Academy Your heart is the very core of who you are - it is fundamental to how you see yourself, your friends, your family and God. It impacts how you feel about your past, what you do with your present, and what you dream of for your future. Heart to Heart is a book to encourage young people to examine their hearts before God and to allow him to speak, and to change and heal him. It looks at how we can understand our hearts and surrender them to God to find peace, hope, fulfilment, freedom and life in all its fullness. 'The heart which the Bible understands as your mind, emotions, thoughts, longings and will is a significant place. Its health or its brokenness can shape our self-esteem, our choices, our relationships. This book is worth more than gold.' Jo Saxton, speaker, author, Director of 3DM
Liza Goddard is one of the country's best loved and hardest working actresses, but few people know the real woman behind the ‘dizzy blonde' image. In this much-anticipated autobiography, Liza talks about her work, her loves and the real-life dramas that have shaped her as a woman and an actress. The book charts her early life in England and follows her to Australia, where her beloved father played a key role in helping to set up the country's fledgling television industry. As a young actress, Liza was cast in the long-running children’s drama series, Skippy the Bush Kangaroo. She later returned to England, where she appeared in a host of classic TV series, including Pig In The Middle, The Brothers, Bergerac, Dr Who and Midsomer Murders. Liza talks about her working relationship with Alan Ayckbourn and explains how a planned move to America failed to materialise. Find out how Liza got together with her first husband, actor Colin Baker on the set of The Brothers, why her marriage to ‘70s rocker Alvin Stardust failed and how she eventually found true love with producer David Cobham. Liza also reveals the truth about her alleged affair with Bergerac star John Nettles, and reveals how she successfully sued a tabloid newspaper over the allegations. She describes her courageous battle against breast cancer and reveals how beating the disease has given her a new perspective on life. Liza explains why animals continue to play an important part in her life and recounts some hilarious stories about the assortment of creatures that have featured in her life. A warts and all account from one of Britain’s most popular actresses, Working With Children And Animals will have you laughing and crying in equal measure.
This one-of-a-kind guide covers everything from wills and living trusts to tax-saving strategies and issues that are unique to people who call California home.
How do you come back to yourself after losing yourself in a man? When you stray from God, how do you return? In this unashamedly candid memoir, first-time author Liza Mitchell recalls the time of her life when she did just this, pursuing the love of a man at her church, relentlessly and fervently, at the expense of her relationship both to herself and God. Against her better judgement, Liza begins to find herself unerringly compelled by Sean, a local man who attends her church. This leads her to embark on a tumultuous on-again, off-again relationship with him, despite his non-committal ways and the un-Christlike tendencies he often exhibits. This leads to her own un-Christlike behaviours, ultimately culminating in an incident where she travels to check in on his house when he’s not there, against his wishes. This is followed by a great deal of remorse, leading to her struggling with whether to return to her church singing group—or church, generally. Through faith and hard work, though, Liza is able to recover her relationship to herself and God. Ultimately, hers is a heartening message bolstered by her Christian faith, affirming God’s love as capable of clearing the conscience. After all, Jesus died for our sins.
This beautiful and informative volume illustrates the vitality and importance of North Carolina's contemporary art scene, showcasing the creation, collection, and celebration of art in all its richness and diversity. Featuring profiles of individual artists, compelling interviews, and beautiful full-color photography, this book tells the story of the state's evolution through the lens of its art world and some of its most compelling figures. Liza Roberts introduces readers to painters, photographers, sculptors, and other artists who live and work in North Carolina and who contribute to its growing reputation in the visual arts. Roberts also provides fascinating historical context, such as the influence of Black Mountain College, the birth and growth of Penland School of Crafts, and short histories of North Carolina's art museums, including Charlotte's Mint Museum, Raleigh's North Carolina Museum of Art, Winston-Salem's Reynolda House, and those flourishing at universities. Artists featured include Stephen Hayes, Mel Chin, Cristina Cordova, Beverly McIver, and Scott Avett. The result is the most comprehensive, informative, and visually rich story of contemporary art in North Carolina.
Godiva Blue thinks she controls the world she has created for her daughter Dylan and herself in a neglected corner of North Florida. While her fellow college activists have become Reagan-era yuppies, Godiva—an elementary-school janitor who is also an avant-garde artist and avowed nonconformist—staunchly refuses to compromise her ideals. Then one day she glances at the wanted posters hanging in her local post office and recognizes the face of a man she hasn’t seen since 1969: Dylan’s father. Shaken, Godiva grabs the poster and takes it home. When 15-year-old Dylan, already secretly chafing against her mother’s out-sized personality, finds the photograph, the discovery rocks the very foundation of their relationship. Fueled by simmering adolescent resentment, Dylan sets out across America to look for the father she’s never known. Left behind and powerless to protect her daughter, Godiva must finally confront the choices she made long ago. By turns funny, scary and reflective, Playing Botticelli follows Godiva and Dylan deep into the uncharted territories of their hearts as they seek that elusive balance between autonomy and family love?
A collection of excerpts from the chilling and suspenseful Annika Bengtzon thrillers by “the queen of Scandinavian crime fiction,” including: Red Wolf, Last Will, and Lifetime.
It’s no secret that most New Yorker readers flip through the magazine to look at the cartoons before they ever lay eyes on a word of the text. But what isn’t generally known is that over the decades a growing cadre of women artists have contributed to the witty, memorable cartoons that readers look forward to each week. Now Liza Donnelly, herself a renowned cartoonist with the New Yorker for more than twenty years, has written this wonderful, in-depth celebration of women cartoonists who have graced the pages of the famous magazine from the Roaring Twenties to the present day. An anthology of funny, poignant, and entertaining cartoons, biographical sketches, and social history all in one, VeryFunny Ladies offers a unique slant on 20th-century and early 21st-century America through the humorous perspectives of the talented women who have captured in pictures and captions many of the key social issues of their time. As someone who understands firsthand the cartoonist’s art, Donnelly is in a position to offer distinctive insights on the creative process, the relationships between artists and editors, what it means to be a female cartoonist, and the personalities of the other New Yorker women cartoonists, whom she has known over the years. Very Funny Ladies reveals never-before-published material from The New Yorker archives, including correspondence from Harold Ross, Katharine White, and many others. This book is history of the women of the past who drew cartoons and a celebration of the recent explosion of new talent from cartoonists who are women. Donnelly interviewed many of the living female cartoonists and some of their male counterparts: Roz Chast, Liana Finck, Amy Hwang, Victoria Roberts, Sam Gross, Lee Lorenz, Michael Maslin, Frank Modell, Bob Weber, as well as editors and writers such as David Remnick, Roger Angell, Lee Lorenz, Harriet Walden (legendary editor Harold Ross’s secretary). The New Yorker Senior Editor David Remnick and Cartoon Editor Emma Allen contributed an insightful foreword. Combining a wealth of information with an engaging and charming narrative, plus more than seventy cartoons, along with photographs and self-portraits of the cartoonists, Very Funny Ladies beautifully portrays the art and contributions of the brilliant female cartoonists in America’s greatest magazine.
Liza Mundy offers this highly readable, thoroughly reported biography of the charming and self-possessed woman who could become the nation's first African-American First Lady.
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