The book offers practical guidance and strategies to avoid the common pitfalls of EMDR practice through the 8-phase protocol. Chapters will include Frequently Asked Questions about subjects, such as confidence and other "horror stories" that are often heard by EMDR therapists. The text proposes to guide those therapists into a safer way of working while encouraging them to access accredited training and supervision for their practice. The scope of the book is limited to EMDR practice with adults. Key Features of this Book: Case studies illustrate common pitfalls and strategies for preventing them FAQ's and "Whatever you do, don't do this" provided for each stage Narratives from EMDR clients offer insight for the practitioner
During the Middle Ages, the arresting motif of the walled garden - especially in its manifestation as a sacred or love-inflected hortus conclusus - was a common literary device. Usually associated with the Virgin Mary or the Lady of popular romance, it appeared in myriad literary and iconographic forms, largely for its aesthetic, decorative and symbolic qualities. This study focuses on the more complex metaphysical functions and meanings attached to it between 1100 and 1400 - and, in particular, those associated with the gardens of Eden and the Song of Songs. Drawing on contemporary theories of gender, gardens, landscape and space, it traces specifically the resurfacing and reworking of the idea and image of the enclosed garden within the writings of medieval holy women and other female-coded texts. In so doing, it presents the enclosed garden as generator of a powerfully gendered hermeneutic imprint within the medieval religious imaginary - indeed, as an alternative "language" used to articulate those highly complex female-coded approaches to God that came to dominate late-medieval religiosity. The book also responds to the "eco-turn" in our own troubled times that attempts to return the non-human to the centre of public and private discourse. The texts under scrutiny therefore invite responses as both literary and "garden" spaces where form often reflects content, and where their authors are also diligent "gardeners" the apocryphal Lives of Adam and Eve, for example; the horticulturally-inflected Hortus Deliciarum of Herrad of Hohenburg and the "green" philosophies of Hildegard of Bingen's Scivias; the visionary writings of Gertrude the Great and Mechthild of Hackeborn collaborating within their Helfta nunnery; the Middle English poem, Pearl; and multiple reworkings of the deeply problematic and increasingly sexualized garden enclosing the biblical figure of Susanna.
Liz Smith, once called the nation's favourite fictional grandmother, is a familiar face to all TV and cinema viewers. She is most often recognised for her role of Nana in The Royle Family and has appeared in numerous productions over the years. OUR BETTY is Liz's life story - from her cosseted yet lonely childhood with her beloved grandparents (her mother died giving birth to Liz's stillborn sibling), through the war with the WRENS, marriage and children, divorce and poverty, long years working in dead-end jobs such as in a plastic bag factory, until her heavenly escape of evening acting classes provided the chance for a career. While working at Hamley's one Christmas ('I was one of those tiresome people who stop you and beg you to try samples of this and that'), she received a phone call from a young director who wanted to make an improvised film. His name was Mike Leigh and the film Bleak Moments. From that point, when Liz was 50, her career took off and she has worked with some of the most famous names in the entertainment business. OUR BETTY is, like its author, original, amusing and fascinating on the struggles, hopes and successes endemic of a life in front of the camera.
Dive into all six of Emily Windsnap’s magical adventures with this enchanting set. Half-mermaid, half-human, and all magic, Emily Windsnap has had middle-grade readers under her spell for more than a decade. All six of her shimmering underwater adventures are now available in one beautiful collection with a bonus twelve-page friendship booklet for readers to share with their BFFs. Includes books 1 through 6: The Tail of Emily Windsnap Emily Windsnap and the Monster from the Deep Emily Windsnap and the Castle in the Mist Emily Windsnap and the Siren’s Secret Emily Windsnap and the Land of the Midnight Sun Emily Windsnap and the Ship of Lost Souls Bonus! Best Friends with Emily Windsnap booklet
Charlotte Schleswig, the delightful narrator of Liz Jensen's latest novel, supports herself and the lumpen Fru Schleswig (who may or may not be her mother) as a prostitute in 1890s Copenhagen. While she is no small success at the trade, she leaps at a new job opportunity for herself and Fru Schleswig, as cleaning ladies for the wealthy widow Krak. But mysteries abound at Fru Krak's dark old mansion. The basement appears to be haunted, townspeople claim to have seen the dead Professor Krak walking the streets as a ghost, and there are stories of desperate souls who paid the professor a visit and never emerged. In fact, as Charlotte will discover, there is a simple explanation for all this: the basement is home to a time machine. When their cunning investigations land them in trouble, Charlotte and Fru Schleswig find themselves catapulted through time and space to modern-day London, and there their adventures truly begin. With the minxy, intrepid Charlotte, Liz Jensen introduces a heroine every bit as memorable as Louis Drax. And with My Dirty Little Book of Stolen Time, she delivers yet another outlandishly entertaining novel, in which the seemingly insurmountable obstacle of spacetime proves no match for human ingenuity and earthly passion.
Liz Smith, once called the nation's favourite fictional grandmother, is a familiar face to all TV and cinema viewers. She is most often recognised for her role of Nana in The Royle Family and has appeared in numerous productions over the years. OUR BETTY is Liz's life story - from her cosseted yet lonely childhood with her beloved grandparents (her mother died giving birth to Liz's stillborn sibling), through the war with the WRENS, marriage and children, divorce and poverty, long years working in dead-end jobs such as in a plastic bag factory, until her heavenly escape of evening acting classes provided the chance for a career. While working at Hamley's one Christmas ('I was one of those tiresome people who stop you and beg you to try samples of this and that'), she received a phone call from a young director who wanted to make an improvised film. His name was Mike Leigh and the film Bleak Moments. From that point, when Liz was 50, her career took off and she has worked with some of the most famous names in the entertainment business. OUR BETTY is, like its author, original, amusing and fascinating on the struggles, hopes and successes endemic of a life in front of the camera.
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