A bold and personal book that digs below the surface of one of society's last taboos-money-and illuminates how women's emotional relationship with it affects every part of their lives Long ago, and not entirely consciously, Liz Perle made a quiet contract with cash: she would do what it took to get it-work hard, marry right-but she didn't want to have to think about it too much. The subject of money had, since childhood, been quietly sidestepped, a shadowy factor whose private influence was impolite to discuss. This deliberate denial eventually exacted its price, however, when a sudden divorce left Perle with no home, no job, and a four-year-old with a box of toys. She realized she could no longer afford to leave her murky and fraught relationship with money unexamined. What Perle discovered as she reassembled her life was that almost every woman she knew also subscribed to this strange and emotional code of discretion-even though it laced through their relationships with their parents, lovers, husbands, children, friends, co-workers, and communities. Women who were all too willing to tell each other about their deepest secrets or sexual assets still kept mum when it came to their financial ones. In Money, A Memoir, Perle attempts to break this silence, adding her own story to the anecdotes and insights of psychologists, researchers, and more than 200 "ordinary" women. It turned out that when money was the topic, most women needed permission to talk. The result is an insightful, unflinching look at the once subtle and commanding influence of money on our every relationship.
During the Middle Ages, the arresting motif of the walled garden - especially in its manifestation as a sacred or love-inflected hortus conclusus - was a common literary device. Usually associated with the Virgin Mary or the Lady of popular romance, it appeared in myriad literary and iconographic forms, largely for its aesthetic, decorative and symbolic qualities. This study focuses on the more complex metaphysical functions and meanings attached to it between 1100 and 1400 - and, in particular, those associated with the gardens of Eden and the Song of Songs. Drawing on contemporary theories of gender, gardens, landscape and space, it traces specifically the resurfacing and reworking of the idea and image of the enclosed garden within the writings of medieval holy women and other female-coded texts. In so doing, it presents the enclosed garden as generator of a powerfully gendered hermeneutic imprint within the medieval religious imaginary - indeed, as an alternative "language" used to articulate those highly complex female-coded approaches to God that came to dominate late-medieval religiosity. The book also responds to the "eco-turn" in our own troubled times that attempts to return the non-human to the centre of public and private discourse. The texts under scrutiny therefore invite responses as both literary and "garden" spaces where form often reflects content, and where their authors are also diligent "gardeners" the apocryphal Lives of Adam and Eve, for example; the horticulturally-inflected Hortus Deliciarum of Herrad of Hohenburg and the "green" philosophies of Hildegard of Bingen's Scivias; the visionary writings of Gertrude the Great and Mechthild of Hackeborn collaborating within their Helfta nunnery; the Middle English poem, Pearl; and multiple reworkings of the deeply problematic and increasingly sexualized garden enclosing the biblical figure of Susanna.
Three super-easy quilts, each in three sizes, with three fabric styles to choose from. One supply list makes all the quilts. Nothing could be simpler. Easy, Speedy, and Fun! • Nine all-new Super Simple quilt projects offer three fun designs in three sizes and three colorful fabric styles: New Retro, Floral, and Graphic • One supply list is all you need for all nine quilts-buy the fabric first, then decide which quilt to make • Easy strips, squares, and triangles make piecing a breeze • Great as gifts or charity quilts Here's help for time-challenged quilters: nine all-new Super Simple projects that take almost no time to put together, finish, and embellish. Choose from three designs, in three sizes, and three vivid color schemes. Add three simple quilting techniques and three quick ways to bind and finish. What could be simpler?
Offers the elements of garden design necessary for an organic program, as well as companion plant ideas, cultivation and troubleshooting, fun extras such as rose recipes, and a timely organic perspective.
This easy-to-follow beginner’s guide is the only resource you need to get started on your first quilt—and finish with confidence! Beginning Quilting the Super Simple Way covers the basic skills and techniques every quilter needs to know, plus the tools and materials you will need to set up your work space. It then offers a selection of quilt patterns in different sizes and styles. Each one is perfect for a beginner’s first quilt, or as a quick project for an experienced quilter. A bonus chapter featuring jelly rolls and charm squares offers more easy quilting techniques to explore!
Three super-easy quilts, each in three sizes, with three fabric styles to choose from. One supply list makes all the quilts. Nothing could be simpler. Have three times the fun making these super-easy quilts! three quilts, each in three sizes, with three fabric styles to choose from—the hardest part is choosing which one to make first One supply list makes any of the quilts Perfect first quilts for beginners—clear instructions and photos guide you from start to finish Perfect fast quilts for experienced quilters—simple patterns go together in a snap for charity quilts or gifts
Presents biographical profiles of American women of achievement in the field of visual arts, including birth and death dates, major accomplishments, and historical influence.
A “stunningly funny” encyclopedia of practical wisdom on marriage, infidelity, motherhood, sex, fashion, friendship, work, self-discovery, and more (Publishers Weekly, starred review). Featuring more than five hundred entries of sage advice, The Book for Dangerous Women shows us how to get through life with a little grace and a lot of fun—from how to accept compliments to when to wear “cami-knickers” to how to deal with ambivalence (toward lovers, friends, or foes), and why owning a cat and a fancy dress may be more fulfilling than sex. Like a dictionary, topics are cross-referenced and many include insights from the famed and infamous, such as Oscar Wilde, Coco Chanel, Mae West, Eve Ensler, Albert Camus, Anaïs Nin, and William Shakespeare. A typical progression of entries is: Affairs, Age, Arrangements, Bananas, Beauty, and Beds, followed by Bereavement, Birthdays, BFs, Blueberries, and Bolt Holes. From those conversations and counseling sessions with your mother, sisters, daughters, and friends to those moments in life that only women can understand, The Book for Dangerous Women is the grown-up and contemporary reference book every woman needs. “Celebrates the art of being fabulous and female at fifteen, fifty, and far beyond.” —Daily Telegraph
There's No Place Like a Handwoven Home! Hand towels, table runners, placemats, throws--weaving is perfectly suited to creating and customizing just about any textile for your home. In Handwoven Home, weaving expert Liz Gipson explains the tools and techniques you'll need to weave personalized home textiles on a rigid-heddle loom--the most popular loom on the market today. From choosing the right yarn for your project to achieving your desired cloth type and drape, this book covers all the basics. And the 20+ projects are perfectly suited to the rigid-heddle loom, each starting with a simple square or rectangle and involving little sewing, shaping or loom waste. You'll even learn how to make multiple towels at the same time, create a sturdy rug of wide fabric, and finish your projects with a polished, professional look. Whether you're making textiles for yourself or as a gift, inside you'll find everything you need to create a woven personal touch for any room.
Who says you can’t be pious and fashionable? Throughout the Muslim world, women have found creative ways of expressing their personality through the way they dress. Headscarves can be modest or bold, while brand-name clothing and accessories are part of a multimillion-dollar ready-to-wear industry that caters to pious fashion from head to toe. In this lively snapshot, Liz Bucar takes us to Iran, Turkey, and Indonesia and finds a dynamic world of fashion, faith, and style. “Brings out both the sensuality and pleasure of sartorial experimentation.” —Times Literary Supplement “I defy anyone not to be beguiled by [Bucar’s] generous-hearted yet penetrating observation of pious fashion in Indonesia, Turkey and Iran... Bucar uses interviews with consumers, designers, retailers and journalists...to examine the presumptions that modest dressing can’t be fashionable, and fashion can’t be faithful.” —Times Higher Education “Bucar disabuses readers of any preconceived ideas that women who adhere to an aesthetic of modesty are unfashionable or frumpy.” —Robin Givhan, Washington Post “A smart, eye-opening guide to the creative sartorial practices of young Muslim women... Bucar’s lively narrative illuminates fashion choices, moral aspirations, and social struggles that will unsettle those who prefer to stereotype than inform themselves about women’s everyday lives in the fast-changing, diverse societies that constitute the Muslim world.” —Lila Abu-Lughod, author of Do Muslim Women Need Saving?
A book of poems about "children" in the widest sense—from children of the Nazi-torn Warsaw ghettos to the American poor, as well as poems of domesticity, love, and daily life.
Who says you can't be pious and fashionable? Throughout the Muslim world, women have found creative ways of expressing their personality through the way they dress. Headscarves can be modest or bold, while brand-name clothing and accessories are part of a multimillion-dollar ready-to-wear industry that caters to pious fashion from head to toe. In this lively snapshot, Elizabeth Bucar takes us to Iran, Turkey and Indonesia and finds a dynamic world of fashion, faith and style. "Brings out both the sensuality and pleasure of sartorial experimentation." --Times Literary Supplement "I defy anyone not to be beguiled by Bucar's] generous-hearted yet penetrating observation of pious fashion in Indonesia, Turkey and Iran...Bucar uses interviews with consumers, designers, retailers and journalists...to examine the presumptions that modest dressing can't be fashionable, and fashion can't be faithful." --Times Higher Education "Bucar disabuses readers of any preconceived ideas that women who adhere to an aesthetic of modesty are unfashionable or frumpy." --Washington Post "A smart, eye-opening guide to the creative sartorial practices of young Muslim women...Bucar's lively narrative illuminates fashion choices, moral aspirations, and social struggles that will unsettle those who prefer to stereotype than inform themselves about women's everyday lives in the fast-changing, diverse societies that constitute the Muslim world." --Lila Abu-Lughod, author of Do Muslim Women Need Saving?
Reprint of the Simon and Schuster original of 1991. On news reporting before the money guys and ad peddlers interfere. Annotation copyright by Book News, Inc., Portland, OR
A bold and personal book that digs below the surface of one of society's last taboos-money-and illuminates how women's emotional relationship with it affects every part of their lives Long ago, and not entirely consciously, Liz Perle made a quiet contract with cash: she would do what it took to get it-work hard, marry right-but she didn't want to have to think about it too much. The subject of money had, since childhood, been quietly sidestepped, a shadowy factor whose private influence was impolite to discuss. This deliberate denial eventually exacted its price, however, when a sudden divorce left Perle with no home, no job, and a four-year-old with a box of toys. She realized she could no longer afford to leave her murky and fraught relationship with money unexamined. What Perle discovered as she reassembled her life was that almost every woman she knew also subscribed to this strange and emotional code of discretion-even though it laced through their relationships with their parents, lovers, husbands, children, friends, co-workers, and communities. Women who were all too willing to tell each other about their deepest secrets or sexual assets still kept mum when it came to their financial ones. In Money, A Memoir, Perle attempts to break this silence, adding her own story to the anecdotes and insights of psychologists, researchers, and more than 200 "ordinary" women. It turned out that when money was the topic, most women needed permission to talk. The result is an insightful, unflinching look at the once subtle and commanding influence of money on our every relationship.
It may be a garden you inherited when you bought a new house. Or it might be the one you've neglected for years. Or perhaps it's one you've simply grown tired of. Garden Makeovers is an indispensable guide to assessing what kind of garden you have, determining what options-and limitations-it offers, sizing up your own level of interest in working on the garden, and creating the best garden space for you.
In 1993 Liz Tilberis had it all. Having risen to the editorship of British Vogue, she had been hired as editor-in-chief of Harper's Bazaar, the Bible of US fashion. Moving to America with her husband and two small children she presided over the dazzling relaunch of the magazine, instantly becoming one of the most prominent figures in international media and fashion circles. Then, all at once, the rug was pulled out from under her feet. On the eve of her Christmas party, where the guests included the great and the good from Donna Karan, Ralph Lauren and Calvin Klein, to Randolph Hearst and Barbara Walters, Tilberis was diagnosed with third-stage ovarian cancer. This is her extraordinary account of her career in high fashion and her remarkable battle with cancer, told with immense charm, honesty and wit.
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